The reoccurring presence in Doctor Zhivago of winter (and with it, snow) symbolizes the inescapable and unknowable force of history. Snow marks many of the most significant events of Yuri Zhivago’s life, beginning with the novel’s opening scene, his mother Marya Nikolaevna’s funeral. The ceaseless blizzard that so impresses young Yuri mirrors the unstoppable and mysterious nature of fate—Yuri cannot understand why he has lost his mother, nor can he make sense of the world without her. While the care and support of his uncle, Nikolai Nikolaevich, can ease some of his emotional pain, it cannot cure the young boy’s sense of fear and powerlessness.
Snow reappears during the 1905 Revolution, the first great historical event to sweep up the characters in Doctor Zhivago. A raging snowstorm also provides the backdrop to Lara’s candlelit confession to Pasha and attempted murder of Komarovsky and, even more fatefully, the Zhivago family’s departure by train from Moscow to Yuriatin. The symbolism of snow also surrounds Yuri’s travels in Siberia with the partisans and long journey back to Yuriatin. Like with history itself, the characters are not entirely passive in the face of winter, and they move through it and survive as best they can. Ultimately, however, they are powerless as individuals, as Strelnikov’s suicide suggests, leaving little but splattered bloodstains across the pristine Varykino snow.
Winter Quotes in Doctor Zhivago
The boys were playing at the most dreadful and adult of games, at war, and moreover of a sort that you were hanged or exiled for taking part in. Yet the ends of their bashlyks were tied at the back with such knots that it gave them away as children and showed that they still had papas and mamas. Lara looked at them as a big girl looks at little boys. There was a bloom of innocence on their dangerous amusements. They imparted the same stamp to everything else. To the frosty evening, overgrown with such shaggy hoarfrost that its thickness made it look not white but black. To the blue courtyard. To the house opposite, where the boys were hiding. And, above all, to the pistol shots that cracked from it all the time. “The boys are shooting,” thought Lara. She thought it not of Nika and Patulya, but of the whole shooting city. “Good, honest boys,” she thought. “They're good, that’s why they’re shooting.”
At first the snow melted from inside, quietly and secretively. But when the Herculean labors were half done, it became impossible to conceal them any longer. The miracle came to light. Water ran from under the shifted shroud of snow and set up a clamor. Impassable forest thickets roused themselves. Everything in them awoke.
Outside the window it began to snow. Wind carried the snow obliquely, ever faster and ever denser, as if trying all the while to make up for something, and the way Yuri Andreevich stared ahead of him through the window was as if it were not snow falling but the continued reading of Tonya’s letter, and not dry starlike flakes that raced and flashed, but small spaces of white paper between small black letters, white, white, endless, endless.
Yuri Andreevich involuntarily moaned and clutched his chest. He felt faint, made several hobbling steps towards the couch, and collapsed on it unconscious.
“If they have time, if the sun doesn’t set beforehand” (he wouldn’t be able to see them in the darkness), “they’ll flash by one more time, the last one now, on the other side of the ravine, in the clearing where the wolves stood two nights ago.”
And now this moment came and went. The dark crimson sun still rounded over the blue line of the snowdrifts. The snow greedily absorbed the pineapple sweetness the sun poured into it. And now they appeared, swept by, raced off. “Farewell, Lara, till we meet in the other world, farewell, my beauty, farewell, my fathomless, inexhaustible, eternal joy.” And now they vanished. “I’ll never see you again, never, never in my life, I’ll never see you again.”
It snowed, it snowed over all the world
From end to end.
A candle burned on the table,
A candle burned.
