Pavel “Pasha” Antipov (Strelnikov) Character Analysis

The boys were playing at the most dreadful and adult of games, at war, and moreover of a sort that you were hanged or exiled for taking part in. Yet the ends of their bashlyks were tied at the back with such knots that it gave them away as children and showed that they still had papas and mamas. Lara looked at them as a big girl looks at little boys. There was a bloom of innocence on their dangerous amusements. They imparted the same stamp to everything else. To the frosty evening, overgrown with such shaggy hoarfrost that its thickness made it look not white but black. To the blue courtyard. To the house opposite, where the boys were hiding. And, above all, to the pistol shots that cracked from it all the time. “The boys are shooting,” thought Lara. She thought it not of Nika and Patulya, but of the whole shooting city. “Good, honest boys,” she thought. “They're good, that’s why they’re shooting.”

They were driving down Kamergersky. Yura turned his attention to a black hole melted in the icy coating of one window. Through this hole shone the light of a candle, penetrating outside almost with the consciousness of a gaze, as if the flame were spying on the passersby and waiting for someone.

“A candle burned on the table. A candle burned…” Yura whispered to himself the beginning of something vague, unformed, in hopes that the continuation would come of itself, without forcing. It did not come.

From an early age Strelnikov had striven for the highest and the brightest. He considered life an enormous arena in which people, honorably observing the rules, compete in the attainment of perfection.

When it turned out that this was not so, it never entered his head that he was wrong in simplifying the world order. Having driven the offense inside for a long time, he began to cherish the thought of one day becoming an arbiter between life and the dark principles that distort it, of stepping forth to its defense and avenging it.

Disappointment embittered him. The revolution armed him.

This was the sickness of the age, the revolutionary madness of the epoch. In thought everyone was different from words and outward show. No one had a clear conscience. Each with good reason could feel himself guilty, a secret criminal, and unexposed deceiver. On the slightest pretext, a rage of self-castigating imagination would play itself out to the uttermost limits. People fantasized, denounced themselves, not only under the effect of fear, but also drawn on by a destructively morbid inclination, of their own free will, in a state of metaphysical trance and passion for self-condemnation that, once set loose, could not be stopped.

It snowed, it snowed over all the world
From end to end.
A candle burned on the table,
A candle burned.

The boys were playing at the most dreadful and adult of games, at war, and moreover of a sort that you were hanged or exiled for taking part in. Yet the ends of their bashlyks were tied at the back with such knots that it gave them away as children and showed that they still had papas and mamas. Lara looked at them as a big girl looks at little boys. There was a bloom of innocence on their dangerous amusements. They imparted the same stamp to everything else. To the frosty evening, overgrown with such shaggy hoarfrost that its thickness made it look not white but black. To the blue courtyard. To the house opposite, where the boys were hiding. And, above all, to the pistol shots that cracked from it all the time. “The boys are shooting,” thought Lara. She thought it not of Nika and Patulya, but of the whole shooting city. “Good, honest boys,” she thought. “They're good, that’s why they’re shooting.”

They were driving down Kamergersky. Yura turned his attention to a black hole melted in the icy coating of one window. Through this hole shone the light of a candle, penetrating outside almost with the consciousness of a gaze, as if the flame were spying on the passersby and waiting for someone.

“A candle burned on the table. A candle burned…” Yura whispered to himself the beginning of something vague, unformed, in hopes that the continuation would come of itself, without forcing. It did not come.

From an early age Strelnikov had striven for the highest and the brightest. He considered life an enormous arena in which people, honorably observing the rules, compete in the attainment of perfection.

When it turned out that this was not so, it never entered his head that he was wrong in simplifying the world order. Having driven the offense inside for a long time, he began to cherish the thought of one day becoming an arbiter between life and the dark principles that distort it, of stepping forth to its defense and avenging it.

Disappointment embittered him. The revolution armed him.

This was the sickness of the age, the revolutionary madness of the epoch. In thought everyone was different from words and outward show. No one had a clear conscience. Each with good reason could feel himself guilty, a secret criminal, and unexposed deceiver. On the slightest pretext, a rage of self-castigating imagination would play itself out to the uttermost limits. People fantasized, denounced themselves, not only under the effect of fear, but also drawn on by a destructively morbid inclination, of their own free will, in a state of metaphysical trance and passion for self-condemnation that, once set loose, could not be stopped.

It snowed, it snowed over all the world
From end to end.
A candle burned on the table,
A candle burned.