Gwendolyn Quotes in If We Were Villains
That little prick of sadness burrowed deeper, touched me at the quick. How well I’d been trained to mistrust her. And by whom? Richard? Gwendolyn? I glanced over my shoulder at James again. All I could see was a shock of his hair sticking up behind the arm of the couch. It didn’t really matter where I slept, I decided. Nothing mattered much after that morning. Our two souls—if not all six—were forfeit.
“You know, everyone calls you ‘nice,’” she said slowly, expression drawn and thoughtful. “But that’s not the word. You’re good. So good you have no idea how good you are.” She laughed—once—a sad, resigned sort of sound. “And you’re real. You’re the only one of us who isn’t acting all the time, who isn’t just playing whatever part Gwendolyn gave you three years ago.”
“A good Shakespearean actor—a good actor of any stripe, really—doesn’t just say words, he feels them. We felt all the passions of the characters we played as if they were our own. But a character’s emotions don’t cancel out the actor’s—instead you feel both at once. Imagine having all your own thoughts and feelings tangled up with all the thoughts and feelings of a whole other person. It can be hard, sometimes, to sort out which is which.”
Gwendolyn Quotes in If We Were Villains
That little prick of sadness burrowed deeper, touched me at the quick. How well I’d been trained to mistrust her. And by whom? Richard? Gwendolyn? I glanced over my shoulder at James again. All I could see was a shock of his hair sticking up behind the arm of the couch. It didn’t really matter where I slept, I decided. Nothing mattered much after that morning. Our two souls—if not all six—were forfeit.
“You know, everyone calls you ‘nice,’” she said slowly, expression drawn and thoughtful. “But that’s not the word. You’re good. So good you have no idea how good you are.” She laughed—once—a sad, resigned sort of sound. “And you’re real. You’re the only one of us who isn’t acting all the time, who isn’t just playing whatever part Gwendolyn gave you three years ago.”
“A good Shakespearean actor—a good actor of any stripe, really—doesn’t just say words, he feels them. We felt all the passions of the characters we played as if they were our own. But a character’s emotions don’t cancel out the actor’s—instead you feel both at once. Imagine having all your own thoughts and feelings tangled up with all the thoughts and feelings of a whole other person. It can be hard, sometimes, to sort out which is which.”