Even though Oliver and Meredith aren’t onstage, they’re being observed—and their audience doesn’t seem to like the way they’ve broken out of their well-defined relationships to go on this date. Much like James had on the night before
Julius Caesar auditions, Meredith expresses her dissatisfaction with the typecast she’s been relegated to. She’s no longer content to be reduced to a visual object. Her pursuit of Oliver seems to be an effort to break out of that mold.