A Handful of Dust

by

Evelyn Waugh

A Handful of Dust: Chapter 2: English Gothic—I Summary & Analysis

Summary
Analysis
As the day begins, Tony Last lays in bed at Hetton, reflecting on the estate: the neo-Gothic style of its 1860s renovation has become ridiculous to modern tastes, but Tony is confident that it will come back in style. He knows that maintaining such a sprawling, archaic house is expensive and inconvenient, but his sentimental attachment to the estate runs deep. He grew up here and still sleeps in his childhood bedroom—named, like all the rooms in the house, after figures from Arthurian legend (his is Morgan le Fay). These days, the pseudo-medieval décor throughout the house is in a state of mild disrepair, but Tony doubts whether he could find craftsmen today with the skill and subtlety that the repairs would demand.
Tony’s unhurried morning routine, waking up in his childhood bedroom in a house fashioned after medieval romantic legend, illustrates the coddled and somewhat childish and naïve life he has been privileged to lead, as a member of the landed gentry. Nevertheless, his concern for the repairs shows a mature appropriation of his childhood surroundings, and his commitment to the estate’s unfashionable aesthetic shows his willingness to stand against the current of popular taste. The irony is that the house is not ancient at all.
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Tony rouses himself, heads down to Brenda Last’s room, and joins her in her bed, an uncharacteristically modern piece of furniture that she had insisted upon having. The two canoodle while she goes through the morning mail, reporting various social invites, and then reads aloud from the newspaper. Brenda reads the sensational news of violent crimes in the same casual tone as the local puff pieces, among which are featured her brother Reggie, an explorer, and Jock Grant-Menzies, who’s a member of Parliament.
Tony and Brenda seem to enjoy a mutual marital bliss, although Brenda’s modern bed—and the fact that they sleep in different rooms—points to some differences between them. Brenda’s uniformly casual tone in reading disturbing news articles suggests some callousness in her personality.
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Brenda then reads from a serialized story in the paper and surprises Tony with a pop quiz, exposing him for not paying attention. Tony similarly shows no interest in the social invites they’ve received and dismisses them all out of hand. He dislikes company, whether in the form of leaving Hetton or of hosting guests. Brenda complains that having a huge house with such expensive upkeep is “pointless” without having guests, offending Tony. Their spat, however, is only mild and playful. 
Tony not paying attention to his wife, and Brenda’s evident dissatisfaction with his aversion to social gatherings, here take the form of a lighthearted tiff—but they foreshadow a deeper rift. Tony’s infatuation with Hetton seems to crowd out most of the other aspects of social life in which Brenda retains an interest.
Themes
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Outside, Tony and Brenda’s young son John Andrew practices riding on his horse Thunderclap—a gift from his uncle Reggie—with Ben, the gruff stable tender. Ben entertains John Andrew with uncouth stories about livestock, including a mule named Peppermint, who drank a whole WWI troop’s rum supply in the trenches and died. Ben has also taught John Andrew to swear, horrifying the boy’s prim nanny: he calls her a “silly old tart,” and she reports his language to his parents, blaming Ben for the crass behavior John Andrew has started to exhibit.
Ben Hacket cuts a notably more vigorous and earthy character than anyone seen so far, an indicator of his lower social and economic class. John Andrew is too young to have internalized the rules and proprieties of British class etiquette, and he shows a natural male enthusiasm for Ben’s vulgar tales and tough comportment. The nanny is a traditional worrywart and defender of propriety.
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Tony and Brenda are privately amused by John Andrew’s insult to the nanny, but Tony feels he must reprimand him anyhow. He explains to John Andrew that Ben is of a lower class and his behavior must not be emulated. John Andrew, however, claims to love Ben more than his own mother. Tony gets serious and tells John Andrew that Hetton will one day belong to him, and that he must learn to act the part of a gentleman and “be considerate to people less fortunate than you, particularly women.” As punishment for John Andrew’s swearing, Tony tries to take away a day’s riding, but he easily folds under his son’s complaints. John Andrew, meanwhile, continues to casually swear.
Tony and Brenda can privately appreciate John Andrew’s innocence and share a laugh at the humorless nanny. However, the incident provides occasion for Tony to indoctrinate John Andrew in class ideology and etiquette. Once learned, that code of etiquette can be privately laughed at, but it must be publicly adhered to as a matter of appearance. The flimsiness of that superficial system is evident in Tony’s easy surrender to John Andrew’s complaints. The moment is ambiguous, showing both Tony’s affection for his son and his general weakness.
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Tony and Brenda dine alone in their palatial dining hall, which varies wildly in temperature despite their several attempts to stabilize it. Though both healthy, they adhere to a fad diet barring starch and proteins from the same meal, as a way to add structure and interest to their meals.
The solitary meal in the giant, poorly heated hall emphasizes Tony and Brenda’s social isolation at Hetton, and the impracticality of its upkeep. Their embrace of a fad diet seems to point to an absence of meaningful structure in their lives.
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Suddenly, a telegram arrives from John Beaver, announcing his imminent arrival by train. Tony is aghast that Beaver has actually accepted his insincere invitation, and he begins plotting how to make his stay uncomfortable enough that he’ll swiftly leave. Brenda does not know Beaver but supports Tony’s plan, recalling with displeasure that they owe his mother Mrs. Beaver some money. She volunteers to entertain Beaver while Tony flees to his chores.
Tony embraces the trappings of chivalry and nobility at Hetton, but he freaks out when hospitality is asked of him—based on an invite that he actually made, however insincere—and he tries to subvert it at once. Brenda steps up to deal with the unwelcome guest, hinting at both Tony’s weakness and her own hunger for human contact.
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Brenda feels less self-conscious without Tony around and actually enjoys chatting with John Beaver as they stroll around the grounds. Beaver updates Brenda on the London gossip and social happenings from which she has been largely absent. When Beaver mentions Polly Cockpurse’s upcoming party, Brenda says that she and Tony were invited but don’t expect to go, since “[w]e never go anywhere nowadays.”
Beaver’s arrival makes Brenda realize just how isolated she has been, giving her a taste of the swinging London life that she left behind for Tony. The fact that she quickly takes to the unliked Beaver perhaps indicates the low bar she has set at this point for social contact of any kind.
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John Andrew arrives and begins rattling off crude questions to the new guest, forcing John Beaver to admit that he is poor and unemployed—though he remains cool while doing so. That evening, Tony joins Beaver and Brenda for dinner, and then they all go to a movie that Beaver has seen before but pretends like he hasn’t. Tony assigns Beaver to a terrible room for the night but then feels guilty about it. Beaver passes a sleepless night in his uncomfortable bed. Brenda, meanwhile, seems to like Beaver fine.
Beaver displays a surprising grace under pressure, owning up to his own petty existence. His good form persists as he stoically endures a movie that he’s already seen in order to avoid awkwardness. Tony, by contrast, continues his ungracious hosting by putting Beaver in an inhospitable room, although he knows it’s wrong. Brenda may well register the unexpected imbalance in conduct between the two men.
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The next day, Tony once again leaves Brenda with John Beaver—who has decided to return home early, as Tony hoped. Tony goes to the estate church, as is his custom, enjoying chat with the villagers. On the way, John Andrew recounts Ben’s vulgar story of Peppermint the mule, killed by his rum consumption. Tony finds this story sad, but John Andrew says that he had thought so too until Ben explained that it’s actually hilarious.
Tony’s methodical inhospitality has worked, but even the few hours that remain of Beaver’s truncated visit are too much for him to tolerate, so Brenda graciously steps up again. John Andrew, meanwhile, continues to display the rough influence of Ben, whose conception of humor embraces the dark and the obscene that Tony’s sentimentality shuns.
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At church, the Rev. Tendril, as always, delivers one of his sermons written decades ago for troops stationed in India, without changing a word. The villagers in the congregation are well accustomed to these bizarrely incongruous sermons and don’t find anything wrong with them, as they expect nothing of personal relevance from the pleasant ritual of churchgoing. Afterward, Tony feeds the villagers “the invariable formula” of mild sickness as an excuse for why Brenda couldn’t come. John Andrew continues telling the story of Peppermint to anyone who will listen, earning a further rebuke from his nanny. On the way home, Tony fulfils another custom by picking buttonhole flowers from the estate gardens.
Almost as surprising as Tendril’s absurdly unsuitable sermons is the parishioners’ placid reception of them. Clearly, neither party is concerned with this ritual making substantive sense. Tony matches the “invariable formula” of Tendril’s sermons with a formula of his own about Brenda’s perennial absence, showing the blithe superficiality of the whole custom. Meanwhile, John Andrew’s crass behavior continues to upset the behavioral class distinctions between Tony and the poorer village parishioners.
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Quotes
While Tony is gone, John Beaver and Brenda continue to get along, and Brenda again laments her isolation at Hetton, where she and Tony “never make any new friends.” When Tony returns, Beaver is reading Brenda’s palm, seriously at first but soon revealing his reading as a farce. Alone with Tony, Brenda again denies that Beaver is all that bad and claims he even resembles her and Tony, which Tony flatly rejects.
Beaver continues to perform surprisingly well as a guest; the success of his lame palm-reading gag again suggests that Brenda is starved for casual social interaction of any kind. As Brenda continues to warm to Beaver, Tony insists on the absolute difference and incompatibility between Beaver and himself.
Themes
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Quotes
Tony and Brenda give John Beaver a two-hour tour of Hetton, with Tony proudly pointing out every feature and ancestral knickknack in the estate. Beaver is a well-practiced house guest and politely shows interest throughout the tour. Once Tony departs again, Brenda reveals her real loathing for the unstylish estate, which she hides from Tony. She notes that if they sold it they could be quite rich, whereas now maintaining the house and staff eats up all their wealth. Yet she’s aware that Tony would never agree to part with the house—unlike her own family, whose ancestral estate her brother Reggie sold without objection.
Tony’s pride in Hetton overrules even his antipathy to spending time with Beaver, and he gladly inflicts an incredibly detailed house tour on his guest. Finally, in Beaver, Brenda has found someone to whom she can voice her true contempt for the garish mansion, which was implicit in her choice of a modern bed. Her preference for the hard cash from selling it aligns her with the shortsighted fashion-chasers whom Tony imagines he is resisting in defending Hetton.
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Quotes
Brenda convinces Beaver to stay another night, to Tony’s chagrin. She and Beaver play parlor games while Tony reads the papers. Tony is relieved when Beaver finally leaves, but Brenda doesn’t seem to share his contempt for their guest. When Beaver returns home, he tells Mrs. Beaver that Brenda mentioned interest in finding a London apartment, unbeknownst to Tony. Mrs. Beaver is excited about the potential business. 
The pattern of the weekend continues, as Brenda acts as a gracious host to Beaver and finds that he is not such bad company after all, while Tony had his mind made up long before Beaver’s arrival and continues not to engage. Brenda’s mention of interest in a London apartment hints at an incipient fraying in her and Tony’s marriage.
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Brenda goes to visit her sister Marjorie in London, as she does on occasion, always travelling by third class rail. Surprised to hear that John Beaver had been a guest at Hetton, Marjorie has nothing kind to say about him. Nevertheless, she presses Brenda until she admits her infatuation with Beaver, despite finding him “pathetic.” She reiterates that she rarely sees young men in her social life these days.
Brenda’s habitual travel by third-class rail reinforces her complaint about being cash-poor due to the expenses of upkeep at Hetton. Marjorie aligns with the general negative view of Beaver, and her shock at Brenda’s crush on him indicates the wild improbability of their romantic pairing.
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At lunch, they run into the socialite Polly Cockpurse, who again invites them to her upcoming party. Also present is Mrs. Beaver, who aggressively markets a London flat to Brenda, inviting her over for a cocktail that evening to further discuss the lease. Brenda wonders doubtfully whether John Beaver will be home when she visits, but indeed he is, despite two other dinner invitations. Mrs. Beaver delivers a sales pitch for her sleek, minimalist apartment offerings. Later, John Beaver walks Brenda to the train, but denies her request that he take her to Polly’s party—secretly because he doesn’t want to take on the likely expenses involved in dinner and cab fare.
Brenda’s lunch out with Marjorie gives her a taste of the London high life she left behind. It also, between the glad-handing Polly Cockpurse and the relentless operator Mrs. Beaver, seems to validate Tony’s aversion to participating in the scene. Brenda’s asking Beaver to take her to the party is a conscious lowering of herself, and Beaver’s reluctance to accept her request indicates how thoroughly cheap and lazy he is.
Themes
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Brenda returns to Hetton totally drained from travel and uninterested in conversation with Tony. The next day, she receives a telegram from John Beaver saying that he can take her to Polly Cockpurse’s party after all. Leaving Tony and John Andrew back at Hetton, Brenda meets Beaver in London for dinner before the party. After a drink at Marjorie’s, in the cab to the restaurant, Beaver tries to kiss Brenda. She resists, leaving Beaver confused. He makes an awkward apology over dinner, but Brenda implies that her issue was with Beaver’s clumsiness rather than the attempt itself. Brenda pays for the meal, and in the subsequent cab to the party she takes the lead and kisses Beaver.
Beaver’s change of heart perhaps suggests the Machiavellian influence of Mrs. Beaver. Brenda makes a brief point of resisting Beaver’s clumsy seduction, but she doesn’t maintain the act for long and clearly desires him. The speed with which she seems to have fallen for the unremarkable Beaver, to the neglect of her husband and young son, reveals just how bored and desperate she has become at Hetton. Beaver’s initial and purely selfish reluctance to escort Brenda to the party seems to have psychologically flipped the script on her, despite her obvious social superiority.
Themes
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The party is a predictable London soiree, successfully boosting Polly Cockpurse’s social clout as she had desired. Throughout the evening, Brenda misreads John Beaver’s social climbing priorities, and he has a frustrating evening of repeatedly ending up alone. Brenda frets over him not enjoying himself, but she still dances with Jock Grant-Menzies and other old friends—none of whom like Beaver, but with whom Beaver is eager to be seen. Beaver is cold to Brenda when they split for the night, and he remains so when she telephones him romantically once they’re home.
Brenda effortlessly reenters the glamorous scene in which she was once a star, while Beaver remains a frustrated outsider looking in. Yet Brenda herself seems oblivious to this palpable imbalance in their social standing. Beaver’s unjustified rudeness to Brenda should be enough for her to dismiss him entirely, but his lack of interest seems only to capture her heart even more.
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The next morning, Brenda is self-conscious about this apparent rejection and affirms to Marjorie her illogical attraction to the admittedly unlikable John Beaver. Polly calls up and reveals that Brenda’s dalliance with Beaver is already the talk of the town. At their home, Mrs. Beaver exhorts her son to pursue Brenda for the sake of his own social climbing and to secure her rental of one of Mrs. Beaver’s apartments. Beaver resists, again invoking the continual costs of entertaining a woman. Brenda has given up on Beaver calling her as he’d promised and heads to lunch with Marjorie. By coincidence, Beaver is there, and makes a lame excuse for not calling. Brenda lets it slide and invites him to a movie, before brusquely telegramming Tony that she’s staying in London a few more days.
Brenda is sharp enough to recognize Beaver’s evident faults, and even his apparent lack of any positive qualities, but this only confirms the irrational, uncontrollable nature of infatuation. Beaver’s pathetic resistance to Brenda’s advances out of simple stinginess adds another level of absurdity to her fixation on him. He needs his opportunistic mother’s goading to relent, and once he does, Brenda throws herself at him without reservation. The ubiquitous and instantaneous spread of gossip in London stands in contrast to Tony’s ignorance as he putters around Hetton.
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Brenda returns to Hetton, an excited John Andrew, and a seemingly irked Tony. John Andrew gushes about all the goings-on she has missed, including his horse-jumping progress and a drawing he’s working on, but Tony’s report is that “[n]othing much has happened.” Brenda immediately mentions the desired London flat to Tony and begins wearing away at his predictable refusals, laying on the charm while conjuring all kinds of validations and flimsy arguments. Tony begins to cave in to her, but he mentions that the expense of the flat would mean having to delay overdue repairs at Hetton.
Tony has felt the sting of Brenda’s impromptu sojourn in London. His aggravation has apparently blinded him to the exciting world of young John Andrew’s adventures, as he has nothing to report to Brenda. Brenda’s brashness in requesting Tony to pay for a London apartment that will undoubtedly go to accommodating her new affair indicates how rapidly she has lost interest in, and respect for, Tony. The fact that the slick, efficient flat comes at the expense of Hetton repairs emphasizes the conflict between Tony’s stubborn tastes and Brenda’s embrace of modernity.
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Quotes
Brenda swiftly returns to London and views one of Mrs. Beaver’s flats with the confidence of a definite customer. In the meantime, however, Brenda continues to stay with Marjorie, who maintains her condemnation of Brenda’s affair, calling it “hard cheese on Tony.” The rest of the London gossips, however, seem enthralled with the development, eagerly reporting on sightings of Brenda and John Beaver together out on the town. Brenda had always captivated the minds of those who live off gossip and fantasizing about others’ lives: her beauty and elegance had once made her highly coveted around London, but then, like a fairytale princess, she became shut up in the remote environs of Hetton with her dull husband.
Brenda’s confidence when viewing Mrs. Beaver’s apartment again indicates the rapidity with which she has elected to leave Hetton behind and embrace a swinging London lifestyle. As Brenda’s sister, Marjorie lacks the interest in gossiping about her that has captivated the rest of the scene, and she might likewise be in the best position to change Brenda’s mind. Yet her reprimands fall on deaf ears, as Brenda’s infatuation with Beaver is already too deep.
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The sheer unlikelihood of the widely disliked John Beaver being the one to steal Brenda’s heart has made her story even more fantastical and poetic. Mrs. Beaver is as thrilled as everyone else, seeing the affair as a wonderful improvement for her rather directionless son. John Beaver, for his part, is suddenly a “person of interest” for the first time in his life, winning esteem from the crowd at Brat’s. One night at her new apartment, Brenda enthuses about the flat to Tony over the telephone while Beaver lies beside her in bed.
The glee with which everyone in the London scene—even the philanderer’s mother—accepts and encourages this improbable affair reveals the casual heartlessness of this slice of society. No one aside from Marjorie seems to give much thought to Tony’s feelings if he were ever to find out. Brenda’s disrespect for him advances even to the point of taking his calls with her lover in bed with her.
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At Christmas, John Beaver and Mrs. Beaver go to Ireland, while Tony’s extended family comes to Hetton. Though comparatively poor, Tony’s relatives consider themselves at home in the family estate and make Brenda uncomfortable with their endless and un-classy parlor games in which she is forced to participate. Hetton winding up in Tony’s hands rather than these relatives’ was due only to the custom of inheritance by the firstborn son.
The holidays and Beaver’s departure force Brenda to spend more time at Hetton than she has lately been doing. The annual gathering of Tony’s cousins provides a window onto the oddities of the British class system, where wealth passes only to the firstborn and the other branches of the family sink into a lower class, with accordingly different behaviors.
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Quotes
From Ireland, John Beaver sends Brenda a thoughtless, unfinished thank-you note for an expensive ring she gave him. Brenda interprets the inconsiderate note as a lack of interest from Beaver and resigns herself to the fact. Over New Years, Tony uncharacteristically insists on accompanying Brenda to a friend’s home, because he’s seen so little of her lately. Once there, he is surprised to find that Beaver is among the other guests. She and Beaver studiously avoid each other all weekend. The New Year begins with Brenda telling Tony she’s resolved to take up a course in economics in London, as Hetton and John Andrew get along fine without her.
Through mere thoughtlessness and lethargy, Beaver continues to wage inadvertent psychological warfare on the abject Brenda, who wraps herself ever more tightly around his finger. His inconsiderate behavior and failure to give adequate thanks for Brenda’s lavish gift only fuel Brenda’s infatuation with him. Tony’s presence creates awkwardness, but he remains happily oblivious to any foul play. Brenda conjures up a fictitious plan to study economics as a way to spend more time with Beaver in London, signaling her increasing loss of interest in her husband and son.
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