Abel Character Analysis

Dypaloh. There was a house made of dawn. It was made of pollen and of rain, and the land was very old and everlasting. There were many colors on the hills, and the plain was bright with different-colored clays and sands. Red and blue and spotted horses grazed in the plain, and there was a dark wilderness on the mountains beyond. The land was still and strong. It was beautiful all around.

Abel was running.

[Abel’s] father was a Navajo, they said, or a Sia, or an Isleta, an outsider anyway, which made him and his mother and Vidal somehow foreign and strange. Francisco was the man of the family, but even […] the boy could sense his grandfather’s age, just as he knew that his mother was going to die of her illness. It was nothing he was told, but he knew it anyway and without understanding, as he knew already the motion of the sun and the seasons.

Then, through the falling leaves, he saw the machine. It rose up behind the hill, black and massive, looming there in front of the sun. He saw it swell, deepen, and take shape on the skyline, as if it were some upheaval of the earth […]. For a moment it seemed apart from the land; its great iron hull lay out against the timber and the sky, and the center of its weight hung away from the ridge. Then it came crashing down […].

He made his way along the incline at the edge of the cultivated fields to the long row of foothills at the base of the red mesa. When the first breeze of the evening rose up in the shadow that fell across the hills, he sat down and looked out over the green and yellow blocks of farmland. He could see his grandfather, others, working below in the sunlit fields. The breeze was very faint, and it bore the scent of earth and grain; and for a moment everything was all right with him. He was at home.

She could think of nothing more vile and obscene than the raw flesh and blood of her body, the raveled veins and the gore upon her bones. And now the monstrous fetal form, the blue, blind, great-headed thing growing within her and feeding upon her. […] And at odd moments she wished with all her heart to die by fire, fire of such intense heat that her body should dissolve in it all at once. There must be no popping of fat or any burning on of the bones. Above all she must give off no stench of death.

[…] there was no longer a white house of stucco and stone, looming out against the leaves of the orchard, but a black organic mass the night had heaved up, even as long ago the canyon had been wrenched out of time […]. It was no longer the chance place of her visitation, but now the dominion of her next day and the day after, as far ahead as she cared to see. […] In fact it was secret like herself, the Benevides house.

And then they were ready, the two of them. They went out into the darkness and the rain. […] When they were midway between the river and the road, they stopped. […] All around was silence, save for the sound of the rain and the moan of the wind in the wires. Abel waited. The white man raised his arms, as if to embrace him, and came forward. But Abel had already taken hold of the knife, and he drew it. He leaned inside the white man’s arms and drove the blade up under the bones of the breast and across. […] [The white man] closed his hands upon Abel and drew him close.

When he had told his story once, simply, Abel refused to speak. […] That was good, for he should not have known what more to say. Word by word by word these men were disposing of him in language, their language, and they were making a bad job of it.

“No test is completely valid,” she said. “Some are more valid than others.”

But Milly believed in tests, questions and answers, words on paper. She was a lot like Ben. She believed in Honor, Industry, the Second Chance, the Brotherhood of Man, the American Dream, and him––Abel; she believed in him. After a while he began to suspect as much […].

She had been in Los Angeles four years, and in all that time she had not talked to anyone. There were people all around; she knew them, worked with them––sometimes they would not leave her alone––but she did not talk to them, tell them anything that mattered in the least. […]

And then one day he was there by her door, waiting for her. It was a hot, humid afternoon and the streets were full of people when she walked home. And he was waiting for her. […] He was saying something, trying to tell her why he had come, and suddenly she realized how lonely they both were, how unspeakably lonely.

We went up there on the hill, him and me, with Tosamah and Cruz. There were a lot of Indians up there, and we really got going after a while. […] Somebody built a fire, and we heated the drums until they were good and you could really hear them. Mercedes Tenorio had some turtle shells and she started doing a stomp dance.

You can forget about everything up there. […] We could see one whole side of the city, all the way to the water, but we couldn’t hear anything down there. All we could hear was the drums and the singing.

He was a longhair, like Tosamah said. You know, you have to change. That’s the only way you can live in a place like this. You have to forget about the way it was, how you grew up and all. Sometimes it’s hard, but you have to do it. Well, he didn’t want to change, I guess, or he didn’t know how. […] He was going to get us all in trouble, Tosamah said. Tosamah sizes him up right away and warned me about him. But, you know, Tosamah doesn’t understand either. He talks pretty big all the time, and he’s educated, but he doesn’t understand.

“They gave him every advantage. […] But was he grateful? Hell, no, man, he was too dumb to be civilized. So what happened? They let him alone at last. They thought he was harmless. […] But it didn’t turn out that way. He turned out to be a real primitive sonuvabitch, and the first time he got hold of a knife he killed a man. That must have embarrassed the hell out of them.

“[…] They put that cat away, man. They had to. It’s part of the Jesus scheme. They, man. They put all of us renegades, us diehards, away sooner or later.”

[Tosamah] doesn’t know how it is when you grow up out there someplace. […] You grow up in the night, and there are a lot of funny things going on, things you don’t know how to talk about. A baby dies, or a good horse. You get sick, or the corn dries up for no good reason. Then you remember something that happened the week before, something that wasn’t right. You heard an owl, maybe, or you saw a funny kind of whirlwind […]. And then you know. You just know. Maybe your aunt or your grandmother was a witch. Maybe you knew she was […]. You just know, and you can’t help being scared.

He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out on the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home.

[Abel’s] own sickness had settled into despair. […] His eyes burned and his body throbbed and he could not think what to do. The room enclosed him, as it always had, as if the small interior, in which this voice and other voices rose and remained forever at the walls, were all of infinity that he had ever known. It was the room in which he was born, in which his mother and brother died.

They must learn the whole contour of the black mesa. They must know it as they knew the shape of their hands, always and by heart. […] They must know the long journey of the sun on the black mesa, how it rode in the seasons and the years, and they must live according to the sun appearing, for only then could they reckon where they were, where all things were, in time. […]

These things he told to his grandsons carefully, slowly and at length, because they were old and true, and they could be lost forever as easily as one generation is lost to the next, as easily as one old man might lose his voice, having spoken not enough or not at all.

He had begun at the wrong pace, another and better man’s pace, had seen the man come almost at once to the top of his strength, hitting his stride without effort […]. And like a fool he had taken up the bait, whole and at once, had allowed himself to be run into the ground. In the next instant his lungs should burst, for now they were burning with pain and the pain had crowded out the last and least element of his breath, and he should stumble and fall. But the moment passed […] and the next and the next, and he was running still, and still he could see the dark shape of the man running away […] like a motionless shadow. And he held onto the shadow and ran beyond his pain.

He was running, and his body cracked open with pain, and he was running on. He was running and there was no reason to run but the running itself and the land and the dawn appearing. […] He saw the slim black bodies of the runners in the distance, gliding away without sound through the slanting light and the rain. […] His legs buckled and he fell in the snow. The rain fell around him in the snow and he saw his broken hands […]. And he got up and ran on. He was alone and running on. […] Pure exhaustion laid hold of his mind, and he could see at last without having to think. He could see the canyon and the mountains and the sky.

Dypaloh. There was a house made of dawn. It was made of pollen and of rain, and the land was very old and everlasting. There were many colors on the hills, and the plain was bright with different-colored clays and sands. Red and blue and spotted horses grazed in the plain, and there was a dark wilderness on the mountains beyond. The land was still and strong. It was beautiful all around.

Abel was running.

[Abel’s] father was a Navajo, they said, or a Sia, or an Isleta, an outsider anyway, which made him and his mother and Vidal somehow foreign and strange. Francisco was the man of the family, but even […] the boy could sense his grandfather’s age, just as he knew that his mother was going to die of her illness. It was nothing he was told, but he knew it anyway and without understanding, as he knew already the motion of the sun and the seasons.

Then, through the falling leaves, he saw the machine. It rose up behind the hill, black and massive, looming there in front of the sun. He saw it swell, deepen, and take shape on the skyline, as if it were some upheaval of the earth […]. For a moment it seemed apart from the land; its great iron hull lay out against the timber and the sky, and the center of its weight hung away from the ridge. Then it came crashing down […].

He made his way along the incline at the edge of the cultivated fields to the long row of foothills at the base of the red mesa. When the first breeze of the evening rose up in the shadow that fell across the hills, he sat down and looked out over the green and yellow blocks of farmland. He could see his grandfather, others, working below in the sunlit fields. The breeze was very faint, and it bore the scent of earth and grain; and for a moment everything was all right with him. He was at home.

She could think of nothing more vile and obscene than the raw flesh and blood of her body, the raveled veins and the gore upon her bones. And now the monstrous fetal form, the blue, blind, great-headed thing growing within her and feeding upon her. […] And at odd moments she wished with all her heart to die by fire, fire of such intense heat that her body should dissolve in it all at once. There must be no popping of fat or any burning on of the bones. Above all she must give off no stench of death.

[…] there was no longer a white house of stucco and stone, looming out against the leaves of the orchard, but a black organic mass the night had heaved up, even as long ago the canyon had been wrenched out of time […]. It was no longer the chance place of her visitation, but now the dominion of her next day and the day after, as far ahead as she cared to see. […] In fact it was secret like herself, the Benevides house.

And then they were ready, the two of them. They went out into the darkness and the rain. […] When they were midway between the river and the road, they stopped. […] All around was silence, save for the sound of the rain and the moan of the wind in the wires. Abel waited. The white man raised his arms, as if to embrace him, and came forward. But Abel had already taken hold of the knife, and he drew it. He leaned inside the white man’s arms and drove the blade up under the bones of the breast and across. […] [The white man] closed his hands upon Abel and drew him close.

When he had told his story once, simply, Abel refused to speak. […] That was good, for he should not have known what more to say. Word by word by word these men were disposing of him in language, their language, and they were making a bad job of it.

“No test is completely valid,” she said. “Some are more valid than others.”

But Milly believed in tests, questions and answers, words on paper. She was a lot like Ben. She believed in Honor, Industry, the Second Chance, the Brotherhood of Man, the American Dream, and him––Abel; she believed in him. After a while he began to suspect as much […].

She had been in Los Angeles four years, and in all that time she had not talked to anyone. There were people all around; she knew them, worked with them––sometimes they would not leave her alone––but she did not talk to them, tell them anything that mattered in the least. […]

And then one day he was there by her door, waiting for her. It was a hot, humid afternoon and the streets were full of people when she walked home. And he was waiting for her. […] He was saying something, trying to tell her why he had come, and suddenly she realized how lonely they both were, how unspeakably lonely.

We went up there on the hill, him and me, with Tosamah and Cruz. There were a lot of Indians up there, and we really got going after a while. […] Somebody built a fire, and we heated the drums until they were good and you could really hear them. Mercedes Tenorio had some turtle shells and she started doing a stomp dance.

You can forget about everything up there. […] We could see one whole side of the city, all the way to the water, but we couldn’t hear anything down there. All we could hear was the drums and the singing.

He was a longhair, like Tosamah said. You know, you have to change. That’s the only way you can live in a place like this. You have to forget about the way it was, how you grew up and all. Sometimes it’s hard, but you have to do it. Well, he didn’t want to change, I guess, or he didn’t know how. […] He was going to get us all in trouble, Tosamah said. Tosamah sizes him up right away and warned me about him. But, you know, Tosamah doesn’t understand either. He talks pretty big all the time, and he’s educated, but he doesn’t understand.

“They gave him every advantage. […] But was he grateful? Hell, no, man, he was too dumb to be civilized. So what happened? They let him alone at last. They thought he was harmless. […] But it didn’t turn out that way. He turned out to be a real primitive sonuvabitch, and the first time he got hold of a knife he killed a man. That must have embarrassed the hell out of them.

“[…] They put that cat away, man. They had to. It’s part of the Jesus scheme. They, man. They put all of us renegades, us diehards, away sooner or later.”

[Tosamah] doesn’t know how it is when you grow up out there someplace. […] You grow up in the night, and there are a lot of funny things going on, things you don’t know how to talk about. A baby dies, or a good horse. You get sick, or the corn dries up for no good reason. Then you remember something that happened the week before, something that wasn’t right. You heard an owl, maybe, or you saw a funny kind of whirlwind […]. And then you know. You just know. Maybe your aunt or your grandmother was a witch. Maybe you knew she was […]. You just know, and you can’t help being scared.

He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out on the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home.

[Abel’s] own sickness had settled into despair. […] His eyes burned and his body throbbed and he could not think what to do. The room enclosed him, as it always had, as if the small interior, in which this voice and other voices rose and remained forever at the walls, were all of infinity that he had ever known. It was the room in which he was born, in which his mother and brother died.

They must learn the whole contour of the black mesa. They must know it as they knew the shape of their hands, always and by heart. […] They must know the long journey of the sun on the black mesa, how it rode in the seasons and the years, and they must live according to the sun appearing, for only then could they reckon where they were, where all things were, in time. […]

These things he told to his grandsons carefully, slowly and at length, because they were old and true, and they could be lost forever as easily as one generation is lost to the next, as easily as one old man might lose his voice, having spoken not enough or not at all.

He had begun at the wrong pace, another and better man’s pace, had seen the man come almost at once to the top of his strength, hitting his stride without effort […]. And like a fool he had taken up the bait, whole and at once, had allowed himself to be run into the ground. In the next instant his lungs should burst, for now they were burning with pain and the pain had crowded out the last and least element of his breath, and he should stumble and fall. But the moment passed […] and the next and the next, and he was running still, and still he could see the dark shape of the man running away […] like a motionless shadow. And he held onto the shadow and ran beyond his pain.

He was running, and his body cracked open with pain, and he was running on. He was running and there was no reason to run but the running itself and the land and the dawn appearing. […] He saw the slim black bodies of the runners in the distance, gliding away without sound through the slanting light and the rain. […] His legs buckled and he fell in the snow. The rain fell around him in the snow and he saw his broken hands […]. And he got up and ran on. He was alone and running on. […] Pure exhaustion laid hold of his mind, and he could see at last without having to think. He could see the canyon and the mountains and the sky.