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Reverend Tosamah, also known as the Priest of the Sun, is a Kiowa priest in Los Angeles who holds Pan-Indigenous sermons for Native Americans in the city. He is educated and lives away from his ancestral reservation, which gives him a feeling of superiority over “primitive” Native Americans like Abel. Tosamah is amused by Abel’s apparent lack of civilization, giving him the nickname “Longhair” to poke fun at Abel’s distance from American modernity. He speaks about Abel as if he is a symbol of colonization’s failure rather than an individual person. This frustrates Abel so much that he eventually snaps and physically attacks Tosamah, ending their tenuous friendship. Although Tosamah eschews Christianity as a colonialist “scheme” and presides over traditional peyote ceremonies, Ben notes that Tosamah is not connected to Indigenous spirituality in the way he would be if he’d grown up on a reservation.
Reverend John Big Buff Tosamah Quotes in House Made of Dawn
The House Made of Dawn quotes below are all either spoken by Reverend John Big Buff Tosamah or refer to Reverend John Big Buff Tosamah. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
).
8. The Priest of the Sun, January 26
Quotes
“And in his hurry he said too much. ‘In the beginning was the Word, and the Word was with God, and the Word was God.’ It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John’s God, and God stood between John and the Truth. […] He had said all there was to say, everything, but he went on. ‘In the beginning was the word….’ Brothers and sisters, that was the Truth […]
[O]ld John was a white man, and the white man has his ways. […] He talks about the Word. He talks through it and around it. […] And in all of this he subtracts the Truth.’”
Related Characters:
Page Number and Citation:
Explanation and Analysis:
When he had told his story once, simply, Abel refused to speak. […] That was good, for he should not have known what more to say. Word by word by word these men were disposing of him in language, their language, and they were making a bad job of it.
10. The Night Chanter, February 20
Quotes
We went up there on the hill, him and me, with Tosamah and Cruz. There were a lot of Indians up there, and we really got going after a while. […] Somebody built a fire, and we heated the drums until they were good and you could really hear them. Mercedes Tenorio had some turtle shells and she started doing a stomp dance.
You can forget about everything up there. […] We could see one whole side of the city, all the way to the water, but we couldn’t hear anything down there. All we could hear was the drums and the singing.
He was a longhair, like Tosamah said. You know, you have to change. That’s the only way you can live in a place like this. You have to forget about the way it was, how you grew up and all. Sometimes it’s hard, but you have to do it. Well, he didn’t want to change, I guess, or he didn’t know how. […] He was going to get us all in trouble, Tosamah said. Tosamah sizes him up right away and warned me about him. But, you know, Tosamah doesn’t understand either. He talks pretty big all the time, and he’s educated, but he doesn’t understand.
“They gave him every advantage. […] But was he grateful? Hell, no, man, he was too dumb to be civilized. So what happened? They let him alone at last. They thought he was harmless. […] But it didn’t turn out that way. He turned out to be a real primitive sonuvabitch, and the first time he got hold of a knife he killed a man. That must have embarrassed the hell out of them.
“[…] They put that cat away, man. They had to. It’s part of the Jesus scheme. They, man. They put all of us renegades, us diehards, away sooner or later.”
[Tosamah] doesn’t know how it is when you grow up out there someplace. […] You grow up in the night, and there are a lot of funny things going on, things you don’t know how to talk about. A baby dies, or a good horse. You get sick, or the corn dries up for no good reason. Then you remember something that happened the week before, something that wasn’t right. You heard an owl, maybe, or you saw a funny kind of whirlwind […]. And then you know. You just know. Maybe your aunt or your grandmother was a witch. Maybe you knew she was […]. You just know, and you can’t help being scared.
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Reverend John Big Buff Tosamah Quotes in House Made of Dawn
The House Made of Dawn quotes below are all either spoken by Reverend John Big Buff Tosamah or refer to Reverend John Big Buff Tosamah. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
).
8. The Priest of the Sun, January 26
Quotes
“And in his hurry he said too much. ‘In the beginning was the Word, and the Word was with God, and the Word was God.’ It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John’s God, and God stood between John and the Truth. […] He had said all there was to say, everything, but he went on. ‘In the beginning was the word….’ Brothers and sisters, that was the Truth […]
[O]ld John was a white man, and the white man has his ways. […] He talks about the Word. He talks through it and around it. […] And in all of this he subtracts the Truth.’”
Related Characters:
Page Number and Citation:
Explanation and Analysis:
When he had told his story once, simply, Abel refused to speak. […] That was good, for he should not have known what more to say. Word by word by word these men were disposing of him in language, their language, and they were making a bad job of it.
10. The Night Chanter, February 20
Quotes
We went up there on the hill, him and me, with Tosamah and Cruz. There were a lot of Indians up there, and we really got going after a while. […] Somebody built a fire, and we heated the drums until they were good and you could really hear them. Mercedes Tenorio had some turtle shells and she started doing a stomp dance.
You can forget about everything up there. […] We could see one whole side of the city, all the way to the water, but we couldn’t hear anything down there. All we could hear was the drums and the singing.
He was a longhair, like Tosamah said. You know, you have to change. That’s the only way you can live in a place like this. You have to forget about the way it was, how you grew up and all. Sometimes it’s hard, but you have to do it. Well, he didn’t want to change, I guess, or he didn’t know how. […] He was going to get us all in trouble, Tosamah said. Tosamah sizes him up right away and warned me about him. But, you know, Tosamah doesn’t understand either. He talks pretty big all the time, and he’s educated, but he doesn’t understand.
“They gave him every advantage. […] But was he grateful? Hell, no, man, he was too dumb to be civilized. So what happened? They let him alone at last. They thought he was harmless. […] But it didn’t turn out that way. He turned out to be a real primitive sonuvabitch, and the first time he got hold of a knife he killed a man. That must have embarrassed the hell out of them.
“[…] They put that cat away, man. They had to. It’s part of the Jesus scheme. They, man. They put all of us renegades, us diehards, away sooner or later.”
[Tosamah] doesn’t know how it is when you grow up out there someplace. […] You grow up in the night, and there are a lot of funny things going on, things you don’t know how to talk about. A baby dies, or a good horse. You get sick, or the corn dries up for no good reason. Then you remember something that happened the week before, something that wasn’t right. You heard an owl, maybe, or you saw a funny kind of whirlwind […]. And then you know. You just know. Maybe your aunt or your grandmother was a witch. Maybe you knew she was […]. You just know, and you can’t help being scared.
