Definition of Motif
In All the Light We Cannot See, the relationship between scientific objectivity and the ability to empathize emerge as a motif. Werner is the central character who engages with this motif, grappling with the coldness and calculation of German scientific institutions in the face of his own, deeply personal, deeply human connection to the machines that spark his curiosity. His love for machines and physics and nature stems from the profound ability to empathize—to view even non-living components of the universe as an extension of himself. Werner's love of science comes from an appreciation of beauty and life.
Throughout All the Light We Cannot See, Doerr's characters ponder a motif of selfishness, wondering whether or not empathy for others can persist within the violent setting of war. In Section One, for instance, Herr Siedler remarks on history, narrative, and self-interest, speaking to Werner as the young boy fixes Siedler's radio set:
Unlock with LitCharts A+You know the greatest lesson of history? It’s that history is whatever the victors say it is. That’s
the lesson. Whoever wins, that’s who decides the history. We act in our own self-interest. Of
course we do. Name me a person or a nation who does not. The trick is figuring out where your
interests are.