A Tale for the Time Being

A Tale for the Time Being

by

Ruth Ozeki

Coincidences and Connections Theme Analysis

Themes and Colors
Time, Impermanence, and the Present  Theme Icon
The Difficulty of Communication  Theme Icon
Life vs. Death  Theme Icon
Coincidences and Connections Theme Icon
Sexual Perversion and Violence Theme Icon
LitCharts assigns a color and icon to each theme in A Tale for the Time Being, which you can use to track the themes throughout the work.
Coincidences and Connections Theme Icon

Characters in A Tale for the Time Being lead difficult lives, and they often feel lonely and disconnected from others. However, their lives overlap in ways that demonstrate the connections and similarities between these characters. They often find one another through almost-impossible coincidences, which sets up the idea that human connections have a magical or spiritual quality to them. Additionally, the characters are alike not only in their thoughts and mannerisms but even experience similar events in their lives. Though this isn’t often obvious to the characters themselves, Ozeki suggests that all people are connected in complex and metaphysical ways.

The novel’s plot relies on several huge coincidences for characters to find one another, and these read as if they are somehow destined or meant to be. The precipitating event of the novel—Ruth finding Nao’s diary and letters in the Hello Kitty lunch box that has washed up on the beach—almost doesn’t happen, because Ruth doesn’t notice the box at first. When she does, she only means to take it home to throw away what she assumes must be trash. She leaves it on her porch, and her husband Oliver brings it in and opens it—he is too curious to heed Ruth’s admonishments against bringing it inside. These fortunate coincidences propel the events of the novel, making it seem like Ruth is destined to find Nao’s diary. Like Ruth, Nao has a connection to America and Japan, which helps Ruth understand the struggles that Nao writes about. Also, like Ruth, Nao is struggling with displacement and loneliness, which gets Ruth very invested in her story. Another striking coincidence in the book—which almost feels supernatural—occurs when Ruth is frantically looking for information about Nao’s family online, since she is worried that they might not have survived Japan’s earthquake and tsunami. She types in various search terms, including their names, but has no luck. Then, she mistypes Nao’s father’s name, Haruki, as “Harryki” and hits enter before she can correct it. This produces a surprisingly useful result that helps Ruth track down one of Haruki’s old friends. Ruth’s lucky mistake leads to her finding a person who knew Nao’s family, which makes it seem like Ruth was destined to find the friend and know more about Nao’s family.

Underscoring these seemingly predestined connections between the characters are events and tropes that are repeated in the lives of different characters across different timelines. This shows how people’s lives are connected even when they live in different times and places. One set of characters who echo each other are Haruki #1 (Nao’s great-uncle who was a kamikaze pilot in World War II) and his namesake, Haruki (Nao’s father). Haruki #1 was a scholar interested in philosophy who thought of suicide as an opportunity to gain control over the moment of one’s death by choosing it. He opposed war and chose to fly his plane into the ocean so that he wouldn’t have to kill other people. Haruki, too, is interested in philosophy and suicide—and unknown to Nao, he quits his job in an American software company because his work is being sold to a defense contractor. Nao thinks that Haruki #1 was a hero and is constantly disappointed by her father, but Ozeki shows that the two Harukis are more similar than Nao can imagine. In another example, Ruth explains to Oliver that according to an ancient Japanese legend, earthquakes occur when a gigantic catfish under the islands thrashes around. Oliver recounts that when he was a child growing up in Stuttgart, Germany, there were gigantic catfish that lived at the bottom of the River Neckar, and the fish swam up to the top right before an earthquake. The motif of the catfish appearing during earthquakes unites these two people from two different cultures, further emphasizing the idea that there are untold coincidences and connections even among people from different walks of life.

These connections and patterns emphasize the Zen Buddhist notion that all beings are linked together. In the epigraph that precedes Section III of the novel, Ozeki quotes Zen Master Dogen who says that “every being that exists in the entire world is linked together as moments in time, and at the same time they exist as individual moments of time.” The characters in this novel illustrate this idea of connectedness. While they exist as individuals, they’re also linked since they all exist in time—or, in other words, they’re all “time beings.” By using far-fetched coincidences as well as echoing similarities between characters and their experiences in different timelines of the novel, Ozeki exemplifies this Buddhist notion of an inexplicable connectedness between all creatures. 

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…
Get the entire A Tale for the Time Being LitChart as a printable PDF.
A Tale for the Time Being PDF

Coincidences and Connections Quotes in A Tale for the Time Being

Below you will find the important quotes in A Tale for the Time Being related to the theme of Coincidences and Connections.
Part I, Chapter 3: Nao Quotes

“But Granny, it’s going to take forever!”

“Well, we must try even harder, then.”

We?!

“Of course, dear Nao. You must help me.”

“No way!” I told Granny. “Forget it! I’m no fucking bosatsu…”

[…] I think maybe she was saying a blessing for me just then, too. I didn’t mind. It made me feel safe, like I knew no matter what happened, Granny was going to make sure I got onto that elevator.

Related Characters: Naoko “Nao” Yasutani (speaker), Jiko Yasutani (speaker)
Page Number: 18-19
Explanation and Analysis:

What if you never even found this book, because somebody chucked it in the trash or recycled it before it got to you? Then old Jiko’s stories truly will be lost forever, and I’m just sitting here wasting time talking to the inside of a dumpster. […]

Okay, here’s what I’ve decided. I don’t mind the risk, because the risk makes it more interesting. And I don’t think old Jiko will mind, either, because being
a Buddhist, she really understands impermanence and that everything changes and nothing lasts forever.

Related Characters: Naoko “Nao” Yasutani (speaker), Ruth, Jiko Yasutani, Oliver
Page Number: 27
Explanation and Analysis:
Part II, Chapter 9: Ruth Quotes

The Earthquake Catfish is not solely a malevolent fish, despite the havoc and calamity it can wreak. It has benevolent aspects as well. A subspecies of the
Earthquake catfish is […] World-Rectifying Catfish,
which is able to heal the political and economic corruption in society by shaking things up. […]

The World-Rectifying Catfish targeted the business class, the 1 percent […].
The angry catfish would cause an earthquake, wreaking havoc and destruction, and in order to rebuild, the wealthy would have to let go of their assets, which would create jobs […] for the working classes.

Related Characters: Naoko “Nao” Yasutani, Ruth, Jiko Yasutani, Oliver
Page Number: 198-199
Explanation and Analysis:
Part II, Chapter 13: Haruki #1’s Letters Quotes

Today during a test flight, I remembered Miyazawa Kenji's wonderful tale about the Crow Wars. […] [As] I was soaring in formation at an altitude of two thousand meters, I recalled the Crow Captain lifting off from his honey locust tree, and taking to wing to do battle. I am Crow! I thought, ecstatically. The visibility was good, and since this was the very last of the special training
flights, I flew in all directions to my heart’s content.

Related Characters: Haruki #1 Yasutani (speaker), Naoko “Nao” Yasutani, Ruth, Haruki Yasutani / Nao’s Father , Jiko Yasutani
Related Symbols: Crows
Page Number: 258
Explanation and Analysis:
Part III, Chapter 3: Nao Quotes

The pale scorpion used its pincers to flip the staghorn beetle into the air. The beetle reared up and fell over on his back, exposing his underside. The scorpion's segmented tail curled over to deliver its venomous sting. […] Yellow Scorpion stings! The staghorn beetle shuddered. In the small, bare terrarium, he had no place to hide. His spindly legs writhed and flailed in the
air, until they didn’t anymore. It looks like Staghorn Beetle is the loser, yes, he’s dying, he’s dying, he’s. . . DEAD!

Neon-colored titles flashed across the screen. Yellow Scorpion Wins!

I started to cry.

Related Characters: Naoko “Nao” Yasutani (speaker), Haruki Yasutani / Nao’s Father , Babette
Page Number: 291
Explanation and Analysis:
Part IV, Chapter 2: Ruth Quotes

“[M]y theory is that this crow from Nao’s world came here to lead you into the dream so you could change the end of her story. Her story was about to end one way, and you intervened, which set up the conditions for a different outcome. […] .”

[…]

“I see. So what’s your second theory?”

“[…] That it’s your doing. It’s not about Nao’s now. It’s about yours. You haven’t caught up with yourself yet, the now of your story, and you can’t reach her ending until you do.”

Ruth thought about this. “You're right,” she said. “I don’t like it. I don’t like having that much agency over someone else’s narrative.”

Muriel laughed. “That’s a fine way for a novelist to talk!”

Related Characters: Ruth (speaker), Muriel (speaker), Naoko “Nao” Yasutani
Related Symbols: Crows
Page Number: 376-377
Explanation and Analysis:
Part IV, Chapter 4: Ruth Quotes

To study the self is to forget the self. Maybe if you sat enough zazen, your sense of being a solid, singular self would dissolve and you could forget about it. What a relief. You could just hang out happily as part of an open-ended quantum array.

[…]

Had Dogen figured all this out? He’d written these words many centuries before quantum mechanics [.]

Related Characters: Ruth, Oliver, Zen Master Dogen
Page Number: 398-399
Explanation and Analysis: