Faith, Acceptance, and the Divine Theme Analysis

I have never understood why people who can swallow the enormous improbability of a personal God boggle at a personal Devil. I have known so intimately the way that demon works in my imagination. No statement that Sarah ever made was proof against his cunning doubts, though he would usually wait till she had gone to utter them. He would prompt our quarrels long before they occurred: he was not Sarah’s enemy so much as the enemy of love, and isn’t that what the devil is supposed to be? […] If there is a God who uses us and makes us his saints out of such material as we are, the devil too may have his ambitions; he may dream of training even such a person as myself, even poor Parkis, into being his saints, ready with borrowed fanaticism to destroy love wherever we find it.

A vow’s not all that important—a vow to somebody I’ve never known, to somebody I don’t really believe in. Nobody will know that I’ve broken a vow, except me and Him—and He doesn’t exist, does he? He can’t exist. You can’t have a merciful God and this despair.

But was it me he loved, or You? For he hated in me the things You hate. He was on Your side all the time without knowing it. You willed our separation, but he willed it too. He worked for it with his anger and his jealousy, and he worked for it with his love. For he gave me so much love, and I gave him so much love that soon there wasn’t anything left, when we’d finished, but You. For either of us. I might have taken a lifetime spending a little love at a time, eking it out here and there, on this man and that. But even the first time, in the hotel near Paddington, we spent all we had. You were there, teaching us to squander, like You taught the rich man, so that one day we might have nothing left except this love of You. But You are too good to me. When I ask You for pain, You give me peace. Give it him too. Give him my peace—he needs it more.

[…] turning as I left the church and seeing her huddled there at the edge of the candlelight, like a beggar come in for warmth, I could imagine a God blessing her: or a God loving her. When I began to write our story down, I thought I was writing a record of hate, but somehow the hate has got mislaid and all I know is that in spite of her mistakes and her unreliability, she was better than most. It’s just as well that one of us should believe in her: she never did in herself.

I wanted her burnt up, I wanted to be able to say, Resurrect that body if you can. My jealousy had not finished, like Henry’s, with her death. It was as if she were alive still, in the company of a lover she had preferred to me. How I wished I could send Parkis after her to interrupt their eternity.

I though, I’ve got to be careful. I mustn’t be like Richard Smythe, I mustn’t hate, for if I were really to hate I would believe, and if I were to believe, what a triumph for You and her. This is to play act, talking about revenge and jealousy: it’s just something to fill the brain with, so that I can forget the absoluteness of her death. […] She had lost all our memories for ever, and it was as though by dying she had robbed me of part of myself. I was losing my individuality. It was the first stage of my own death, the memories dropping off like gangrened limbs.

‘Oh, she doesn’t belong to anybody now,’ he said, and suddenly I saw her for what she was—a piece of refuse waiting to be cleared away: if you needed a bit of hair you could take it, or trim her nails if nail trimmings had value to you. Like a saint’s her bones could be divided up—if anybody required them. She was going to be burnt soon, so why shouldn’t everybody have what he wanted first? What a fool I had been during three years to imagine that in any way I had possessed her. We are possessed by nobody, not even by ourselves.

Sarah had really believed that the end began when she saw my body. She would never have admitted that the end had started long before: the fewer telephone calls for this or that inadequate reason, the quarrels I began with her because I had realized the danger of love ending. We had begun to look beyond love, but it was only I who was aware of the way we were being driven. If the bomb had fallen a year earlier, she wouldn’t have made that promise. She would have torn her nails trying to release me. When we get to the end of human beings we have to delude ourselves into a belief in God, like a gourmet who demands more complex sauces with his food. […] I thought, she wanted me to have a second chance and here it is: the empty life, odourless, antiseptic, the life of a prison, and I accused her as though her prayers had really worked the change: what did I do to you that you had to condemn me to life?

I’ve caught belief like a disease. I’ve fallen into belief like I fell in love. I’ve never loved before as I love you, and I’ve never believed in anything before as I believe now. I’m sure. I’ve never been sure before about anything. When you came in at the door with the blood on your face, I became sure. Once and for all. Even though I didn’t know it at time. I fought belief for longer than I fought love, but I haven’t any fight left.

There had been a time when I hated Henry. My hatred now seemed petty. Henry was a victim as much as I was a victim, and the victor was this grim man in the silly collar.

Hate lay like boredom over the evening ahead. I had committed myself: without love I would have to go through the gestures of love. I felt the guilt before I had committed the crime, the crime of drawing the innocent into my own maze. The act of sex may be nothing, but when you reach my age you learn that at any time it may prove to be everything. I was safe, but who could tell to what neurosis in this child I might appeal? […] I implored Sarah, Get me out of this, get me out of it, for her sake, not mine.

It’s just a coincidence, I thought, a horrible coincidence that nearly brought her back at the end to You. You can’t mark a two-year-old child for life with a bit of water and the blood. If I began to believe that, I could believe in the body and the blood. You didn’t own her all those years: I owned her. You won in the end, You don’t need to remind me of that, but she wasn’t deceiving me with You when she lay here with me, on this bed, with this pillow under her back. When she slept I was with her, not You. It was I who penetrated her, not You.

‘[…] I know when a man’s in pain.’

I couldn’t get through the tough skin of his complacency. I pushed my chair back and said, ‘You’re wrong, father. This isn’t anything subtle like pain. I’m not in pain, I’m in hate. I hate Sarah because she was a little tart, I hate Henry because she stuck to him, and I hate you and your imaginary God because you took her away from all of us.’

And I thought, hating Sarah is only loving Sarah and hating myself is only loving myself. […] Nothing—not even Sarah—is worth our hatred if You exist, except You. And, I thought, sometimes I’ve hated Maurice, but would I have hated him if I hadn’t loved him too? O God, if I could really hate you…

I thought, you’ve failed there, Sarah. One of your prayers at least has not been answered. I have no peace and I have no love, except for you, you. I said to her, I’m a man of hate. But I didn’t feel much hatred; I had called other people hysterical, but my own words were overcharged. I could detect their insincerity. What I chiefly felt was less hate than fear. For if this God exists, I thought, and if even you—with your lusts and your adulteries and the timid lies you used to tell—can change like this, we could all be saints by leaping as you leapt, but shutting the eyes and leaping once and for all: if you are a saint, it’s not so difficult to be a saint. […] I sat on my bed and said to God: You’ve taken her, but You haven’t got me yet. […] I don’t want Your peace and I don’t want Your love. […] With Your great schemes You ruin our happiness like a harvester ruins a mouse’s nest: I hate You, God, I hate You as though You existed.