The dancing girl is featured only in the story "Style," but serves as a poignant symbol for the chaos and meaninglessness of war. Azar is put-off by the fact that the girl keeps dancing, even though her family is dead and her village is burned to the ground—he can't find any meaning in it. This closely parallels Tim O'Brien's constant insistence that there is no moral to a war story: no right or wrong, no core point. The dancing girl is symbolic of this amorality and senselessness that pervades the soldier's feelings and actions throughout their time in Vietnam, as well as those who found difficulty finding any purpose in life after the war ended (e.g. Norman Bowker).