The Frogs

by Aristophanes

Euripides Character Analysis

One of the great Greek tragic playwrights, Euripides died in 406 B.C.E., the year before The Frogs’s first performance. In the play, Dionysus, longing for the poetry of the late tragedian (and finding the comedy that is popular in present-day Athens to be lackluster), travels to Hades to find and revive Euripides, hoping the poet will be able to restore power and greatness to the city and its culture. Since his recent death (and subsequent arrival in Hades), Euripides has been vying for Aeschylus’s chair in Pluto’s Great Hall. To settle their dispute, Pluto arranges for the poets to compete against each other to determine who is the better poet (and thus worthier of a coveted spot in his court). The winner of the contest will accompany Dionysus to the land of the living to save Athens. During the contest, Euripides praises his own poetry for its wit and for its use of everyday language that ordinary people can understand. In response to Aeschylus’s claim that Euripides’s prologues are overly predictable, Euripides attacks Aeschylus for his boring songwriting. In the end, though Dionysus originally came to Hades to revive Euripides, he ends up declaring Aeschylus the winner, much to Euripides’s chagrin.

Euripides Quotes in The Frogs

The The Frogs quotes below are all either spoken by Euripides or refer to Euripides. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Old vs. New  Theme Icon
).

Act 1, Scene 1 Quotes

XANTHIAS Do you mean to say that I’ve been lugging these props around but I’m not allowed to use them to get a laugh? That’s what usually happens. Phrynichus, Lycis, Ameipsias – all the popular playwrights do it. The comic porter scene. There’s one in every comedy.

DIONYSUS Not in this one. Every time I go to a show and have to sit through one of those scintillating routines, I come away more than a year older.

Related Characters: Dionysus (speaker), Xanthias (speaker), Aeschylus, Sophocles, Heracles, Euripides
Page Number and Citation: 134
Explanation and Analysis:

DIONYSUS I need a poet who can really write. Nowadays it seems like ‘many are gone, and those that live are bad’.

Related Characters: Dionysus (speaker), Heracles, Xanthias, Euripides, Aeschylus, Sophocles
Page Number and Citation: 136
Explanation and Analysis:

Act 1, Scene 2 Quotes

CHORUS-LEADER
We chorus folk two privileges prize:
To amuse you, citizens, and to advise.

Related Characters: Chorus (speaker), Aeschylus, Euripides, Sophocles
Page Number and Citation: 160
Explanation and Analysis:

Act 2, Scene 1 Quotes

SLAVE Well, Euripides came along and started showing off to all the other people we’ve got down here, you know, cut-throats, highwaymen, murderers, burglars – a right rough lot they are – and of course he soon had them all twisted round his little finger, with all his arguments and clever talking. So they’ve all started saying he’s the best, and he’s decided to lay claim to the chair instead of Aeschylus.

Related Characters: Pluto’s Slave (speaker), Xanthias, Euripides, Aeschylus, Pluto
Page Number and Citation: 164
Explanation and Analysis:

XANTHIAS Weighing poetry? What, like slices of meat?

SLAVE Oh, yes, it’s all got to be measured properly, with rulers, yardsticks, compasses and wedges, and god knows what else.

XANTHIAS A regular torture chamber.

Related Characters: Xanthias (speaker), Pluto’s Slave (speaker), Dionysus, Pluto, Euripides, Aeschylus
Related Symbols: The Scale
Page Number and Citation: 165
Explanation and Analysis:

AESCHYLUS My plays have outlived me so I don’t have them to hand down here. His died with him. But never mind. Let’s have a contest, if we must, by all means.

Related Characters: Aeschylus (speaker), Dionysus, Euripides
Page Number and Citation: 167
Explanation and Analysis:

CHORUS
We’re expecting, of course, to pick up a few tips
From these poets so clever and wise,
As elegant utterance falls from their lips
And their temperatures gradually rise.

Since neither is lacking in brains or in grit
It should be a thrilling debate:
While one pins his hopes on his neatly turned wit,
The other relies on his weight.

For shrewd dialectic he cares not a jot;
Though traps be contrived for his fall,
He’ll swoop down like thunder and quell the lot –
Quips, quibbles, his rival and all!

Related Characters: Chorus (speaker), Euripides, Aeschylus
Page Number and Citation: 168-169
Explanation and Analysis:

EURIPIDES I taught them how to apply subtle rules, how to turn a phrase neatly. I taught them to observe, to discern, to interpret; to use spin, to massage the facts; to suspect the worst, to take nothing at face value…

Related Characters: Euripides (speaker), Aeschylus
Page Number and Citation: 171
Explanation and Analysis:

DIONYSUS That’s right: whenever an Athenian comes home nowadays, he shouts at the servants and starts asking, ‘Why is the flour jar not in its proper place? Who bit the head off this sprat? What’s happened to that cup I had last year? Where is yesterday’s garlic? Who’s been nibbling at this olive?’ Whereas before Euripides came along they just sat there staring blankly.

Related Characters: Dionysus (speaker), Euripides
Page Number and Citation: 171
Explanation and Analysis:

EURIPIDES Technical ability. A poet should also teach people how to be better citizens.

Related Characters: Euripides (speaker), Aeschylus
Page Number and Citation: 172
Explanation and Analysis:

AESCHYLUS Well, now, look at the characters I left him. Fine, stalwart figures, larger than life. Men who didn’t shirk their duty. My heroes weren’t like these marketplace loafers, delinquents and rogues they write about nowadays. They were real heroes, breathing spears and lances, white-plumed helmets, breastplates and greaves; heroes with hearts of oxhide, seven layers thick.

Related Characters: Aeschylus (speaker), Euripides
Page Number and Citation: 172
Explanation and Analysis:

AESCHYLUS […] Schoolboys have a master to teach them, adults have poets. We have a duty to see that what we teach them is right and proper.

Related Characters: Aeschylus (speaker), Euripides, Dionysus
Page Number and Citation: 174
Explanation and Analysis:

AESCHYLUS Look, you fool, noble themes and sentiments need to be couched in suitably dignified language. If your characters are demigods, they should sound like demigods – what’s more, they should dress like them. I set an example in this respect, which you totally perverted.

EURIPIDES How?

AESCHYLUS By dressing your kings in rags so that they appear as objects of pity.

EURIPIDES What harm is there in that?

AESCHYLUS Well, these days you can’t get the wealthy to pay their ship levy. They dress up in rags and claim exemption on the grounds of poverty.

Related Characters: Aeschylus (speaker), Euripides (speaker)
Page Number and Citation: 174
Explanation and Analysis:

AESCHYLUS And look how you’ve encouraged people to babble. The wrestling schools are empty. And where have all the young men gone? Off to these notorious establishments where they practise the art of debating – and that’s not all they practise either! These days even the sailors argue with their officers; in my day the only words they knew were ‘slops’ and ‘heave-ho’!

Related Characters: Aeschylus (speaker), Euripides
Page Number and Citation: 175
Explanation and Analysis:

EURIPIDES [after some thought]
I loathe a citizen who acts so fast
To harm his country and yet helps her last,
Who’s deft at managing his own success,
But useless when the city’s in a mess.

Related Characters: Euripides (speaker), Aeschylus, Dionysus, Alcibiades
Page Number and Citation: 187
Explanation and Analysis:

AESCHYLUS
It is not very wise for city states
To rear a lion cub within their gates;
But if they do so, they will find it pays
To tolerate its own peculiar ways.

Related Characters: Aeschylus (speaker), Euripides, Dionysus, Chorus , Alcibiades
Page Number and Citation: 187
Explanation and Analysis:

DIONYSUS I’ll judge between you on this score alone: I shall select the man my soul desires.

Related Characters: Dionysus (speaker), Euripides, Aeschylus, Pluto
Related Symbols: The Scale
Page Number and Citation: 188
Explanation and Analysis:

CHORUS
[…]

So it’s not smart to sit and chat
With Socrates, tossing aside
Artistic merit, shedding all
That’s best of the tragedian’s art.
To fritter away all one’s time
On quibbling and pretentious talk,
And other such inane pursuits,
Is truly the mark of a fool.

Related Characters: Chorus (speaker), Euripides, Dionysus, Aeschylus
Page Number and Citation: 189-190
Explanation and Analysis:

CHORUS
[…]
To the city’s counsels may he wisdom lend;
Then of war and suffering shall there be an end.

Related Characters: Chorus (speaker), Dionysus, Aeschylus, Euripides
Page Number and Citation: 190
Explanation and Analysis:
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Euripides Character Timeline in The Frogs

The timeline below shows where the character Euripides appears in The Frogs. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 1
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...Andromeda when suddenly he was gripped with a fierce, almost erotic desire for the late Euripides—a desire as fierce as his desire for pea soup, which he craves constantly. So, he’s... (full context)
Act 2, Scene 1
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...nearby yelling interrupts Xanthias and Pluto’s slave’s conversation. Pluto’s slave explains that it’s Aeschylus and Euripides who are yelling: they’re presently engaged in something of a “civil war.” In Hades, whoever... (full context)
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...arrived, he kissed Aeschylus on the hand and promised not to challenge him. However, if Euripides wins the chair, Sophocles will challenge him. Pluto’s slave explains that the competition will involve... (full context)
The Value of Art  Theme Icon
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...seats. Slaves carry in a scale and other tools to weigh and measure the poetry. Euripides and Aeschylus enter next, engaged in a bitter argument. Finally, the Chorus takes the stage... (full context)
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Euripides speaks first, claiming to be the better poet. He argues that Aeschylus’s poetry is all... (full context)
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...are powerful, and one whose words are witty, prepare to duel. Aeschylus prays to Demeter. Euripides explains that he prays to “other gods.” (full context)
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The contest begins. Euripides insults Aeschylus some more, claiming that he “cheat[s]” his audience by relying too much on... (full context)
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Euripides continues. He argues that he saved the art of Tragedy from the poor state Aeschylus... (full context)
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Dionysus, responding to Euripides’s claim that he taught his audience how to think, mockingly says that Euripides is right:... (full context)
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Next, it’s Aeschylus's turn to argue. Aeschylus begins by asking Euripides to identify what constitutes a good poet. Euripides replies that good poets “teach people how... (full context)
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Euripides says it’s not like he came up with the story of Phaedra. Aeschylus agrees but... (full context)
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Euripides next attacks Aeschylus’s prologues, claiming they don’t give the audience enough context. He cites the... (full context)
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Next, it’s Euripides’s turn to recite his prologue. He recites Oedipus Rex but can barely get through the... (full context)
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Aeschylus claims that Euripides’s poetry is rhythmically bad. In fact, Aeschylus can “demolish any prologue […] with a little... (full context)
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Euripides says that Aeschylus’s lyrics are all the same; contrary to their popularity, there’s nothing all... (full context)
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...do this, and the result is that Aeschylus’s side of the scale slides down lower. Euripides demands they try again. Once more, Aeschylus’s poetry proves weightier. (full context)
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Euripides isn’t ready to accept defeat. He argues that “Persuasion” ought to carry weight. Dionysus disagrees,... (full context)
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...he’ll choose. He poses a question to the poets: “what should be done about Alcibiades?”  Euripides recites lines of verse condemning citizens who act selfishly and harm their country. Aeschylus recites... (full context)
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...has given the better answer, so he poses another question: how should Athens be saved? Euripides thinks Athenians should question everything and everyone—even the people and ideas they trust. Aeschylus thinks... (full context)
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...the winning poet: “I shall select the man my soul desires.” Then he picks Aeschylus. Euripides, irate, calls Dionysus “shameful” and a “traitor.” He asks if Dionysus is really going to... (full context)
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...is it smart to sacrifice “Artistic merit” for “quibbling and pretentious talk,” which is what Euripides does. (full context)
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...and “Educate the fools.” Aeschylus asks Pluto to have Sophocles keep his chair away from Euripides while he’s away. The Chorus escorts Aeschylus to Athens, wishing him a safe journey and... (full context)