The Collector

by John Fowles

Miranda Grey Character Analysis

Miranda is a beautiful young art student from an upper middle class family. Clegg stalks and eventually kidnaps her, keeping her prisoner in his cellar. Miranda’s perspective is given in the novel through a series of journal entries, which begin after Clegg kidnaps her. Miranda is a highly intelligent and capable young woman, but she is quite small and unable to physically put up a fight against Clegg. Instead, she has to rely on her wits to keep her safe. Miranda regularly and deliberately alters her mood to see what kind of reactions she can get out of Clegg. Ultimately, she hopes she will catch him slipping up so she can free herself. Despite the fact that she is a prisoner, there are times when it seems like Miranda is in control of everything except whether or not she goes free. However, there are also aspects of Miranda’s personality that she demonstrates less control over. For instance, although she likes to think she is not a snob, Miranda has strongly held beliefs about art, beauty, and politics, many of which she learned from G.P. Miranda also has strong feelings about helping working class people, but as soon as those working class people become middle class, she begins to despise them because their aesthetic taste does not align with hers. She despises Clegg for his lack of education and artistic sensibilities almost more than she hates him for kidnapping her.

Miranda Grey Quotes in The Collector

The The Collector quotes below are all either spoken by Miranda Grey or refer to Miranda Grey . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
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).

Part 1 Quotes

The only times I didn’t have nice dreams about her being when I saw her with a certain young man, a loud noisy public-school type who had a sports car. I stood beside him once in Barclays waiting to pay in and I heard him say, I’ll have it in fivers; the joke being it was only a cheque for ten pounds. They all behave like that. Well, I saw her climb in his car sometimes, or them out together in the town in it, and those days I was very short with the others in the office, and I didn’t use to mark the X in my entomological observations diary (all this was before she went to London, she dropped him then). Those were days I let myself have the bad dreams. She cried or usually knelt. Once I let myself dream I hit her across the face as I saw it done once by a chap in a telly play. Perhaps that was when it all started.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 4-5
Explanation and Analysis:

That was the day I first gave myself the dream that came true. It began where she was being attacked by a man and I ran up and rescued her. Then somehow I was the man that attacked her, only I didn’t hurt her; I captured her and drove her off in the van to a remote house and there I kept her captive in a nice way. Gradually she came to know me and like me and the dream grew into the one about our living in a nice modern house, married, with kids and everything. It haunted me.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 14
Explanation and Analysis:

I could go on all night about the precautions. I used to go and sit in her room and work out what she could do to escape. I thought she might know about electricity, you never know with girls these days, so I always wore rubber heels, I never touched a switch without a good look first. I got a special incinerator to burn all her rubbish. I knew nothing of hers must ever leave the house. No laundry. There could always be something.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 21
Explanation and Analysis:

“You know who I am. You must know my father’s not rich or anything. So it can’t be ransom.”

It was uncanny, hearing her think it out.

“The only other thing is sex. You want to do something to me.”

She was watching me. It was a question. It shocked me.

Related Characters: Frederick Clegg, Miranda Grey
Page Number and Citation: 33
Explanation and Analysis:

She often went on about how she hated class distinction, but she never took me in. It’s the way people speak that gives them away, not what they say. You only had to see her dainty ways to see how she was brought up. She wasn’t la-di-da, like many, but it was there all the same. You could see it when she got sarcastic and impatient with me because I couldn’t explain myself or I did things wrong. Stop thinking about class, she’d say. Like a rich man telling a poor man to stop thinking about money.

I don’t hold it against her, she probably said and did some of the shocking things she did to show me she wasn’t really refined, but she was. When she was angry she could get right up on her high horse and come it over me with the best of them. There was always class between us.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 39
Explanation and Analysis:

I took the photos that evening. Just ordinary, of her sitting reading. They came out quite well.

One day about then she did a picture of me, like returned the compliment. I had to sit in a chair and look at the corner of the room. After half an hour she tore up the drawing before I could stop her. (She often tore up. Artistic temperament, I suppose.)

I’d have liked it, I said. But she didn’t even reply to that, she just said, don’t move.

From time to time she talked. Mostly personal remarks.

“You’re very difficult to get. You’re so featureless. Everything’s nondescript. I’m thinking of you as an object, not as a person.”

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 58
Explanation and Analysis:

She just looked at me.

“Ferdinand,” she said. “They should have called you Caliban.”

Related Characters: Frederick Clegg, Miranda Grey
Page Number and Citation: 62
Explanation and Analysis:

As I said, I never had any nasty desire to take advantage of the situation, I was always perfectly respectful towards her (until she did what she did) but perhaps it was the darkness, us walking there and feeling her arm through her sleeve, I really would have liked to take her in my arms and kiss her, as a matter of fact I was trembling. I had to say something or I’d have lost my head.

You wouldn’t believe me if I told you I was very happy, would you, I said. Of course she couldn’t answer.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 14
Explanation and Analysis:

“It’s not a little thing. It’s terrible that you can’t treat me as a friend. Forget my sex. Just relax.”

I’ll try, I said. But then she wouldn’t sit by me again.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 69
Explanation and Analysis:

I know what some would think, they would think my behaviour peculiar. I know most men would only have thought of taking an unfair advantage and there were plenty of opportunities. I could have used the pad. Done what I liked, but I am not that sort, definitely not that sort at all. She was like some caterpillar that takes three months to feed up trying to do it in a few days. I knew nothing good would come of it, she was always in such a hurry. People today always want to get things, they no sooner think of it they want to get it in their hands, but I am different, old-fashioned, I enjoy thinking about the future and letting things develop all in good time.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 100-111
Explanation and Analysis:

She made me look a proper fool. I knew what she was thinking, she was thinking this was why I was always so respectful. I wanted to do it, I wanted to show her I could do it so I could prove I was really respectful. I wanted her to see I could do it, then I would tell her I wasn’t going to, it was below me, and below her, it was disgusting.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 105-106
Explanation and Analysis:

It was no good, she had killed all the romance, she had made herself like any other woman, I didn’t respect her anymore, there was nothing left to respect.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 110
Explanation and Analysis:

Part 2 Quotes

Power. It’s become so real.

I know the H-bomb is wrong. But being so weak seems wrong now too.

I wish I knew judo. Could make him cry for mercy.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 123
Explanation and Analysis:

I know what I am to him. A butterfly he has always wanted to catch. I remember (the very first time I met him) G.P. saying that collectors were the worst animals of all. He meant art collectors, of course. I didn’t really understand, I thought he was just trying to shock Caroline—and me. But of course, he is right. They’re anti-life, anti-art, anti-everything.

Related Characters: Miranda Grey (speaker), Frederick Clegg, G.P., Marian
Related Symbols: Clegg’s Butterfly Collection
Page Number and Citation: 129
Explanation and Analysis:

Upstairs, bedrooms, lovely rooms in themselves, but all fusty, unlived-in. A strange dead air about everything. Downstairs what he (he would) called “the lounge” is a beautiful room, much bigger than the other rooms, peculiarly square, you don’t expect it, with one huge crossbeam supported on three uprights in the middle of the room, and other crossbeams and nooks and delicious angles an architect wouldn’t think of once in a thousand years. All massacred, of course, by the furniture. China wild duck on a lovely old fireplace. I couldn’t stand it, I got him to retie my hands in front and then I unhooked the monsters and smashed them on the hearth.

That hurt him almost as much as when I slapped his face for not letting me escape.

Related Characters: Miranda Grey (speaker), Frederick Clegg, G.P.
Page Number and Citation: 134
Explanation and Analysis:

I’m so superior to him. I know this sounds wickedly conceited. But I am. And so it’s Ladymont and Boadicaea and noblesse oblige all over again. I feel I’ve got to show him how decent human beings live and behave.

He is ugliness. But you can’t smash human ugliness.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 137
Explanation and Analysis:

Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m “soft.” When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want to make him “relax,” both for his own good and so that one day he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 148
Explanation and Analysis:

7. But you don’t compromise with your background. You cut off all the old you that gets in the way of the maker you. If you’re suburban (as I realize D and M are—their laughing at suburbia is just a blind), you throw away (cauterize) the suburbs. If you’re working class, you cauterize the working class in you. And the same, whatever class you are, because class is primitive and silly.

Related Characters: Miranda Grey (speaker), Frederick Clegg, G.P.
Page Number and Citation: 152
Explanation and Analysis:

Between them Caroline and M have every quality I hate in other women. I had a sort of despair for days afterwards, thinking how much of their rotten, pretentious blood I must have in me. Of course, there are times when I like Caroline. Her briskness. Her enthusiasm. Her kindness. And even all the pretentiousness that’s so horrid next to the real thing—well, it’s better than nothing. I used to think the world of her when she came to stay. I used to love staying with her. She backed me up when there was the great family war about my future. All that till I lived with her and saw through her. Grew up.

Related Characters: Miranda Grey (speaker), G.P.
Page Number and Citation: 161
Explanation and Analysis:

People like your bloody aunt think I’m a cynic, a wrecker of homes. A rake. I’ve never seduced a woman in my life. I like bed, I like the female body, I like the way even the shallowest of women become beautiful when their clothes are off and they think they’re taking a profound and wicked step. They always do, the first time. Do you know what is almost extinct in your sex?

He looked sideways at me, so I shook my head.

Innocence.

Related Characters: Miranda Grey (speaker), G.P., Frederick Clegg
Page Number and Citation: 186-187
Explanation and Analysis:

I felt sorry for Caliban this evening. He will suffer when I am gone. There will be nothing left. He’ll be alone with all his sex neurosis and his class neurosis and his uselessness and his emptiness. He’s asked for it. I’m not really sorry. But I’m not absolutely unsorry.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 208-209
Explanation and Analysis:

I hate them. I hate the uneducated and the ignorant. I hate the pompous and the phoney. I hate the jealous and the resentful. I hate the crabbed and the mean and the petty. I hate all ordinary dull little people who aren’t ashamed of being dull and little. I hate what G.P. calls the New People, the new-class people with their cars and their money and their tellies and their stupid vulgarities and their stupid crawling imitation of the bourgeoisie.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 221
Explanation and Analysis:

No pity. No God. I shouted at him and he went mad. I was too weak to stop him. Bound and gagged me and took his beastly photographs. I don’t mind the pain. The humiliation. I did what he wanted. To get it over. I don’t mind for myself any more. But oh God the beastliness of it all. I’m crying I’m crying I can’t write.

I will not give in. I will not give in.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 277
Explanation and Analysis:

Part 3 Quotes

Post a letter first to the police. So they would find us down there together. Together in the Great Beyond.

We would be buried together. Like Romeo and Juliet.

It would be a real tragedy. Not sordid.

I would get some proper respect if I did it. If I destroyed the photos, that was all there was, people would see I never did anything nasty to her, it would be truly tragic.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 298
Explanation and Analysis:

Part 4 Quotes

I have not made up my mind about Marian (another M! I heard the supervisor call her name), this time it won’t be love, it would just be for the interest of the thing and to compare them and also the other thing, which as I say I would like to go into in more detail and I could teach her how. And the clothes would fit. Of course I would make it clear from the start who’s boss and what I expect.

But it is still just an idea. I only put the stove down there today because the room needs drying out anyway.

Related Characters: Frederick Clegg (speaker), Marian, Miranda Grey
Page Number and Citation: 305
Explanation and Analysis:
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Miranda Grey Character Timeline in The Collector

The timeline below shows where the character Miranda Grey appears in The Collector. The colored dots and icons indicate which themes are associated with that appearance.
Part 1
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...young man who works in the city clerk’s office, describes stalking a young woman named Miranda. He recalls seeing her go out with young men, which he does not like. Whenever... (full context)
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For the most part, Clegg only sees Miranda from afar, though one time they took the same train together, and he could watch... (full context)
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...money, Clegg moves himself, Aunt Annie, and Mabel to London. In London, he occasionally spots Miranda, but he does not start stalking her again right away. Although Clegg has money now,... (full context)
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...Annie and Mabel are away on a trip to Australia, Clegg decides to start stalking Miranda again. He has recently bought a van with a bed in the back and a... (full context)
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Miranda and the young men walk into a coffee-bar and Clegg follows them inside. Clegg sits... (full context)
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One day, not long after he follows Miranda into the coffee shop, Clegg is reading a newspaper and sees an advertisement for a... (full context)
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Once the cellar is ready, Clegg begins stalking Miranda again. He finds out where she lives, how she gets home, and makes notes about... (full context)
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Clegg drives Miranda out into the country and then gets into the back of the van to check... (full context)
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They do not arrive until 10 p.m. Clegg carries Miranda into the cellar. She struggles a bit but is too small for Clegg to worry.... (full context)
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When Clegg checks on Miranda the following morning, she demands to know what is going on. Clegg lies and says... (full context)
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To Clegg’s dismay, Miranda recognizes him because she saw his picture in the newspaper after he won his fortune.... (full context)
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For the rest of the day, Clegg tries to be polite to Miranda, and he brings her food. However, she does not speak to him again until the... (full context)
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The following day at breakfast, Miranda demands that Clegg release her. Clegg says he cannot but promises he will not hold... (full context)
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...to a local store and looks at the newspapers. There, he sees two articles describing Miranda’s disappearance. He thinks about how the papers have only picked up on the story because... (full context)
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After dinner that night, Miranda asks Clegg to tell her about himself. Clegg explains his interest in entomology. Miranda suggests... (full context)
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The following morning, Miranda tricks Clegg into bending over and looking at something. When his back is turned, Miranda... (full context)
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To get Miranda to speak to him again, Clegg offers her a deal: if she will speak, eat,... (full context)
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Clegg is worried that Miranda will try to escape but promises to think on it and let her know. He... (full context)
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...the backside of the house, and makes sure he has removed everything from the upstairs Miranda could use as a possible weapon. Then, in the evening, he ties Miranda’s wrists, gags... (full context)
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Then, Miranda asks if she can look around the house, which Clegg reluctantly allows her to do.... (full context)
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Then, Miranda asks Clegg to show her his entomology collection, which she refers to as her “fellow-victims.”... (full context)
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As promised, Clegg takes several pictures of Miranda while she is reading. For her part, Miranda attempts to draw Clegg, though she rips... (full context)
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During a different drawing session a few days later, Miranda draws several pictures of fruit and asks Clegg which one is the best. Clegg points... (full context)
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A night or two later, Clegg agrees to let Miranda walk around outside at night with his supervision because she begs him for fresh air.... (full context)
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When they are back inside and Miranda can speak again, she asks Clegg if he wanted to kiss her while they were... (full context)
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The next few days are largely uneventful, though Miranda is always looking for new ways to escape. One day, Miranda fakes appendicitis and asks... (full context)
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For the next several days, Miranda undergoes a rapid series of mood changes, which startle Clegg. Some days she is sweet... (full context)
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One day, Miranda asks Clegg if she can send a letter to her parents to let them know... (full context)
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The following day, Miranda gives Clegg a list of rare and expensive items that she wants him to purchase,... (full context)
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One night, after Miranda takes a bath, Clegg allows her to stay upstairs with him and read by the... (full context)
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Leading up to the day Clegg told Miranda he would let her go, Miranda repeatedly talks about the fact that she will soon... (full context)
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Clegg returns home, gives Miranda her dress, and then prepares himself for the evening. When Clegg sees Miranda in her... (full context)
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After dinner, Miranda asks Clegg if he will want to continue seeing her after he lets her go.... (full context)
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Outside, Clegg and Miranda hear a car somewhere nearby. When Clegg turns to look, Miranda kicks a log from... (full context)
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Knowing Miranda will be angry with him, Clegg writes her a letter that he brings in with... (full context)
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After a few more days of tense interactions between Miranda and Clegg, Clegg agrees to let Miranda walk outside with him at night again. While... (full context)
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Clegg leaves Miranda bound and gagged in the cellar to teach her a lesson. Then, he goes upstairs... (full context)
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A few days later, Miranda asks Clegg what she needs to do for him to set her free. However, he... (full context)
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A few nights later, Clegg lets Miranda have another bath. After the bath, she and Clegg share a bottle of sherry and... (full context)
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Miranda tells Clegg that many men have similar problems and insists that he should not worry... (full context)
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The following day, Miranda tells Clegg that she plans to starve herself again unless he will renovate a room... (full context)
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After some time, Clegg tells Miranda that the new room is ready. However, he says he will not let her move... (full context)
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The next morning, Clegg visits Miranda in the cellar and sees that she has a nasty cough. He gives her breakfast... (full context)
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By dinner, Miranda thinks she has the flu, though Clegg assures her it is just a cold. When... (full context)
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The next day, when Clegg goes to check on Miranda, it seems that she genuinely is quite sick. Her temperature is at 102 degrees, and... (full context)
Part 2
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The perspective shifts to Miranda’s point of view, which is told in a series of journal entries starting on October... (full context)
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On October 15th, Miranda writes that Clegg does not believe in God, which makes her want to believe more.... (full context)
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On October 16th, Miranda talks about how difficult it is to escape Clegg. He seems to have thought of... (full context)
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Miranda describes Clegg’s home decorations, which she finds atrocious. She thinks Clegg’s behavior is so aggressively... (full context)
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On October 17th, Miranda hates herself for changing her behavior to give Clegg what he wants. However, she also... (full context)
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Miranda finds herself feeling superior to Clegg when it comes to judging beauty. Although she does... (full context)
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On October 18th, Miranda describes showing her fruit sketches to Clegg. She is annoyed that Clegg did not pick... (full context)
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Clegg and Miranda argue about the topic for a while, which leads to a conversation about class. Clegg... (full context)
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On October 19th, Miranda describes getting to go outside for the first time, albeit in the dark. While outside,... (full context)
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As the days go by, Miranda feels more and more dejected, as she feels entirely cut off from the world. She... (full context)
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On October 20th, Miranda describes attempting to escape by pushing the door to the cellar back into Clegg’s face... (full context)
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Then, Miranda changes the subject of her journal entry. She begins thinking about her personal life before... (full context)
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Additionally, Miranda thinks about an older artist she is infatuated with, who she calls “G.P.” Miranda appreciates... (full context)
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On October 21st, Miranda briefly discusses forcing Clegg to cook healthier food for her. She also delights in getting... (full context)
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Miranda asks Clegg why he does not have more books around the house. Clegg says he... (full context)
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On October 22nd, Miranda feels ill and thinks that she must escape soon if she is to have any... (full context)
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One week later, Miranda meets G.P. again by coincidence while taking the Tube. After a brief conversation, G.P. decides... (full context)
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While out on the town, G.P. shows Miranda a Rembrandt and tells her that it moves him deeply. Miranda says that it does... (full context)
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On October 23rd, Miranda compares herself to Emma Woodhouse (the titular character in Jane Austen’s Emma). Miranda finds herself... (full context)
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G.P.’s comments hurt Miranda, though she appreciates his honesty. G.P. tells Miranda that a true artist only finds their... (full context)
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On October 24th, Miranda finds herself contemplating all the things she hates about Clegg. She feels that he is... (full context)
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Then, Miranda recalls a dream she had recently. In the dream, she painted something that pleased her,... (full context)
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On October 25th, Miranda writes about the time she took some of her friends to meet G.P. at his... (full context)
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Miranda comes back after her friends have left to apologize to G.P. She expects an apology... (full context)
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On October 26th, Miranda writes about the absurd amount of money Clegg spends on her. She admits to liking... (full context)
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On October 28th, Miranda thinks about G.P.’s faults as a person and artist. She believes that he hates many... (full context)
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On October 29th, Miranda writes more about G.P. She finds herself increasingly hurt by the many women he is... (full context)
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After their conversation, Miranda and G.P. play chess and G.P. wins. Following this meeting, Miranda only saw G.P. a... (full context)
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Later, Miranda also writes about Clegg, who is reading The Catcher in the Rye to please her.... (full context)
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Miranda also records a conversation she has with Clegg about his family. Clegg does not want... (full context)
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On October 31st, Miranda looks at some art with Clegg and attempts to psychoanalyze him. She realizes that sitting... (full context)
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On November 1st, Miranda finds a nail while she is out of the cellar. She tricks Clegg into turning... (full context)
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On November 2nd, Miranda gives Clegg a lengthy list of items to purchase in London, hoping it will keep... (full context)
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On November 4th, Miranda writes about her failed escape attempt. Although she managed to work a few stones out... (full context)
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However, on November 5th, Miranda finds herself in a fit of rage. She smashes more of Clegg’s china and nastily... (full context)
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On November 6th, Miranda fakes appendicitis by rubbing talc on her face. She is confused when Clegg leaves the... (full context)
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On November 7th, Miranda has a conversation with Clegg about The Catcher in the Rye, as he has now... (full context)
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Miranda finds herself thinking Clegg is stupid and hates having to put up with him. She... (full context)
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On November 9th, Miranda changes her mind. She realizes she is not an artist yet, but rather an aspiring... (full context)
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On November 10th, Miranda argues with Clegg about his money. She wants him to donate it to a good... (full context)
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On November 12th, Miranda writes about her conflicted feelings regarding Clegg. If she ever escapes his clutches, she genuinely... (full context)
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Miranda thinks back to the past, two months ago, when G.P. had just returned from a... (full context)
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On November 18th, Miranda writes that she is on a hunger strike and has been for five days. She... (full context)
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On November 19th, Miranda declares Clegg her permanent enemy. She has just woken up in her underwear after being... (full context)
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On November 20th, Miranda is on a hunger strike and refusing to talk to Clegg. As such, Clegg leaves... (full context)
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On November 21st, Miranda writes in her journal after managing to remove a gag from her mouth. As she... (full context)
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On November 22nd, Miranda feels bad for using violence to try to escape. She has always preached nonviolence and... (full context)
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On November 28th, Miranda decides that she will seduce Clegg, feeling as though she has run out of all... (full context)
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On November 20th, Miranda declares that her relationship with Clegg is worse than ever. She recounts attempting to seduce... (full context)
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On December 1st, Miranda feels that Clegg hates her because she has learned he is impotent. She grows frightened... (full context)
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Then, on December 7th, Miranda falls ill. At first, she does not think the illness is a big deal. However,... (full context)
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Over the next few days, Miranda writes brief and fragmented journal entries. In one, she states that she is going mad... (full context)
Part 3
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The perspective shifts back to Clegg, who checks up on Miranda and realizes she is far sicker than he thought. Miranda tells Clegg that she fears... (full context)
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Wanting to help Miranda, Clegg goes to a doctor’s office, hoping to secure a prescription. However, while in the... (full context)
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Then, Clegg goes upstairs and takes a nap. When he wakes up, Miranda’s condition is even worse. Clegg picks her up and brings her to a spare room... (full context)
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The next day, Miranda dies. Once she is dead, Clegg returns her body to the cellar. There, he cuts... (full context)
Part 4
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...is a beautiful day outside. Additionally, he starts feeling less bad about what happened with Miranda. He wonders whether he could dispose of her body and tells himself that he is... (full context)
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Clegg returns home and sets the flowers down around Miranda. While doing so, he spots Miranda’s journal, which he reads in its entirety. After discovering... (full context)