Leslie’s father and Judy’s husband. A political writer whose job often takes him to Washington, D.C., Bill and his wife are open-minded and progressive. At the start of the novel, sick of city life and the pull of fame, they move to the rural town of Lark Creek to “reassess their value structure,” bringing Leslie along with them. Bill is patient, artistic, and open in his ideas and emotions—the polar opposite of Jess’s own father. Bill and Judy are devastated in the wake of their daughter’s death and waste little time packing up their house in preparation to return to the city.