LitCharts assigns a color and icon to each theme in The Sympathizer, which you can use to track the themes throughout the work.
Cultural Duality
Asian Identity in the United States
Loyalty vs. Duplicity
Moral Ambivalence and Purpose
Summary
Analysis
The plane lands in Guam, where a green ambulance arrives to take the bodies of Duc and Linh. The refugees are taken to Camp Asan and, thanks to the General, the narrator and Bon are given barracks, while the other refugees stay in tents. Bon lays on his bunk in a catatonic state. The narrator watches on a television as helicopters land on Saigon’s roofs, evacuating refugees. The next day, Communist tanks crash through the gates of the presidential palace and Communist troops raise the flag of the National Liberation Front from the palace roof.
The General’s status gives Bon and the narrator privileges that the other refugees can’t enjoy. The narrator watches dueling images on television, which reflect his own recent experiences. He is content with having helped Bon to escape from Vietnam, but he’s also happy to see that his comrades, led by his other blood brother, Man, are taking over in Vietnam.
Active
Themes
After dinner, the narrator and the General go outside their barracks. When the General greets the civilians, they meet him with “sullen silence.” An enraged elderly woman mocks him and hits him with her slipper, angry that the General is safe while her husband is not. Other women, young and old, come to hit the General with things in revenge for their brothers, fathers, and husbands being left behind. The General is horrified. The women tear the stars off of his collar, ripping his sleeves and half his buttons. He bleeds from the scratches on his cheek and neck. He stands at the sink and wipes his face clean of everything, except shame. When the narrator starts to speak, the General tells him to shut up, but he never takes his eyes off of his own face in the mirror. He tells the narrator that they will never again speak of the incident.
The women view the General as a traitor to his country. It’s significant that he’s attacked by women, who have had to leave behind the men in their lives to keep the rest of their families safe. They find it unjust that he led their husbands to fight and, possibly, face their deaths, while he reaps the privilege of safety and security on American soil. The women tear off his uniform, as though he’s no longer fit to wear it, due to his betrayal. The General forbids the narrator to speak because nothing that the latter can say will assuage the General’s feeling of personal guilt. Instead, he chooses denial of the incident.
Active
Themes
The next day, they bury Linh and Duc. Bon wears a white scarf of mourning around his head, a rag ripped from his bedsheet. After they lower Duc’s small coffin on top of his mother’s, Bon throws himself into their open grave, howling. The narrator climbs in to calm him down. After he helps Bon out, they pour dirt onto the coffins, while the General, Madame, and the priest watch silently.
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Active
Themes
Over the next few days, the refugees weep and wait. They are then picked up and taken to Camp Pendleton near San Diego, California via an airliner. Awaiting them is another refugee camp but with higher-grade amenities—a sign of “the upward mobility of the American Dream.” At Camp Pendleton, everyone lives in barracks. It’s the summer of 1975, and it is from here that the narrator writes the first of his letters to Man’s aunt in Paris. He composes his letters as though he’s writing to Man directly. He talks about Bon’s inner torment and his recent losses of Linh and Duc. Bon might have starved to death, he says, if the narrator didn’t drag him from his bunk and down to the mess hall.
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Along with thousands of others at the camp, the General washes in showers without stalls and lives with strangers. Sheets strung up on clotheslines divide the barracks into family quarters. The General complains to the narrator about people having sex day and night, in front of their children and his own. The General recalls his eldest child asking him what a prostitute is after seeing a woman selling herself by the latrines. Just then, across the lane, a spat breaks out between a married couple. Their name-calling progresses into a brawl. The General sighs in exasperation, calling them animals. He hands the narrator a newspaper clipping, showing a picture of a lieutenant colonel who committed suicide at the memorial by shooting himself in the head. The General calls him a hero.
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The General and the narrator toast with tea to the lieutenant colonel’s memory. The General then says that he suspects that there are sympathizers, or spies in their ranks. The narrator’s palms suddenly feel damp, as he tells the General that it’s possible; sleeper agents are devious and smart. The General stares into the narrator’s eyes, asking him which of their men could be the spy. To sidetrack the General, he names an unlikely candidate: the crapulent major. The General doesn’t agree with the narrator’s supposed instinct. The narrator returns to his barracks and reports the conversation to the Parisian aunt, leaving out the part about his nervousness.
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Shortly after arriving in San Diego, the narrator contacts his former professor, Avery Wright Hammer, seeking his help in leaving the camp. Professor Wright agrees to be the narrator’s sponsor and gets him a clerical job at Occidental College, working for the Department of Oriental Studies. He also takes up a collection on the narrator’s behalf, asking former teachers for money to fund the refugee ex-student. The sum helps him get situated in Los Angeles, providing enough money to put a security deposit on an apartment and to buy a ’64 Ford.
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Once he’s settled in Los Angeles, the narrator canvasses local churches, looking for a sponsor for Bon. Finally, the leader of Everlasting Church of Prophets, Reverend Ramon, agrees to be Bon’s sponsor, after the narrator gives him a modest cash donation. By September, Bon and the narrator are reunited in an apartment that they are sharing. With the last of the money from Professor Hammer, the narrator buys a radio and a television.
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The General and Madame also end up in Los Angeles, sponsored by the sister-in-law of an American colonel who was once the General’s adviser. They move into a bungalow in a nice but “slightly less tony part of Los Angeles” near Hollywood. The General is in a bad mood and is unemployed. He drinks a lot, and his alcoholism and fury remind the narrator of Richard Nixon. Madame maintains the household and takes care of the children while her husband rages. She endures his behavior for a year until, one day at the beginning of April, the narrator receives an invitation to the opening of their liquor store on Hollywood Boulevard.
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The narrator’s new job is “to serve as the first line of defense against students” who want to talk to the secretary of the department or the Department Chair. He becomes a minor celebrity on campus after a feature runs in the school newspaper about his being the sole Vietnamese student in the history of Occidental College and, now, a refugee. The sophomore who interviews him asks about his army record and if he’s ever killed anyone. The narrator says that he hasn’t. The campus, like many others, got swept up in antiwar fervor but has since returned to “its peaceful and quiet nature.” The narrator is paid minimum wage to answer the phones, type professorial manuscripts, file documents, and fetch books. He also helps the secretary, Ms. Sofia Mori.
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Initially, Sofia seems to dislike the narrator and is skeptical of him when he reports to the school newspaper that he’s never killed anyone, but they soon begin an intimate relationship. The narrator also spends a great deal of time with the Department Chair, who enjoys talking to the narrator about Vietnamese culture and language, though he mistakenly calls him an “Amerasian” and gives the narrator a homework assignment for which he’s asked to define “Oriental” and “Occidental” qualities. The Department Chair claims that his “students of Oriental ancestry find this beneficial.”
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Initially, the narrator thinks that the Department Chair is playing a trick; it’s April Fool’s Day. However, the academic is serious. The narrator goes home and makes a chart that he constructs using a series of stereotypes about Eastern and Western people. When the narrator shares the exercise with the professor the next day, the latter is pleased and notes how he and “all Orientals” are good students. The narrator feels “a small surge of pride,” wanting approval, like all good students, even from fools.
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The Department Chair notes how “Oriental” qualities are “diametrically [opposed]” to “Occidental” ones and that this is caused by “severe problems of identity suffered by Americans of Oriental ancestry.” The professor thinks that the narrator’s embodiment of the Orient and the Occident demonstrates “the possibility that out of two can come one.” He says that, if the narrator can bring together his “divided allegiances,” he can become “the ideal translator between two sides.” The narrator offers the example of “yin and yang” and the professor immediately agrees with the comparison. The narrator asks if it would make any difference to the professor that he’s actually Eurasian. The professor says that it makes no difference at all.
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The night, the narrator reads a letter from the Parisian aunt. Man tells him that the rebuilding of Vietnam is progressing slowly but surely and that Man’s superiors are pleased with the narrator’s reporting. The narrator writes back, describing how no matter where the Vietnamese go, they find each other. They have their own politicians, police officers, bankers, and salespeople. They continue to make their cuisine, despite being largely dependent on Chinese markets. He writes to his “dear Aunt” about how much they’ve missed their fish sauce, “denigrated by foreigners for its supposedly horrendous reek.” He writes about the varied fates of the exiled, from the widower with nine children “who went out into a Minnesotan winter and lay down in the snow…until he was buried and frozen” to “the clan turned into slave labor by a farmer in Modesto.”
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