The Queen of Spleen Character Analysis

Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white arrayed;
With store of prayers, for mornings, nights, and noons,
Her hand is filled; her bosom with lampoons.

There Affectation, with a sickly mien
Shows in her cheek the roses of eighteen,
Practiced to lisp, and hang the head aside,
Faints into airs, and languishes with pride;
On the rich quilt sinks with becoming woe,
Wrapped in a gown, for sickness, and for show.

Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there like Homer’s tripod walks;
Here sighs a jar, and there a goose-pie talks;
Men prove with child, as powerful fancy works,
And maids turned bottles, call aloud for corks.
Safe passed the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus addressed the power: “Hail, wayward Queen!
Who rule the sex to fifty from fifteen,
Parent of vapors and of female wit,
Who give the hysteric, or poetic fit”

A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris’ arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o’er their heads the swelling bag he rent,
And all the furies issued at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.

Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white arrayed;
With store of prayers, for mornings, nights, and noons,
Her hand is filled; her bosom with lampoons.

There Affectation, with a sickly mien
Shows in her cheek the roses of eighteen,
Practiced to lisp, and hang the head aside,
Faints into airs, and languishes with pride;
On the rich quilt sinks with becoming woe,
Wrapped in a gown, for sickness, and for show.

Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there like Homer’s tripod walks;
Here sighs a jar, and there a goose-pie talks;
Men prove with child, as powerful fancy works,
And maids turned bottles, call aloud for corks.
Safe passed the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus addressed the power: “Hail, wayward Queen!
Who rule the sex to fifty from fifteen,
Parent of vapors and of female wit,
Who give the hysteric, or poetic fit”

A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris’ arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o’er their heads the swelling bag he rent,
And all the furies issued at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.