The Baron Character Analysis

What dire offense from amorous causes springs,
What mighty contests arise from trivial things,
I sing—This verse to Caryl, Muse! is due;
[…] Say what strange motive, Goddess! could compel
A well-bred Lord to assault a gentle Belle?

Love in these labyrinths his slaves detains,
And mighty hearts are held in slender chains.

For this, ere Phoebus rose, he had implored
Propitious heaven, and every power adored,
But chiefly Love—to Love an altar built,
Of twelve vast French romances, neatly gilt.
There lay three garters, half a pair of gloves;
And all the trophies of his former loves.
With tender billets-doux he lights the pyre,
And breathes three amorous sighs to raise the fire

Whether the nymph shall break Diana’s law,
Or some frail China jar receive a flaw,
Or stain her honor, or her new brocade,
Forget her prayers, or miss a masquerade,
Or lose her heart, or necklace, at a ball;
Or whether Heaven has doomed that Shock must fall.

Behold, four Kings in majesty revered,
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flower,
The expressive emblem of their softer power;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberts in their hand;
And particolored troops, a shining train,
Draw forth to combat on the velvet plain.

Just in that instant, anxious Ariel sought
The close recesses of the virgin’s thought;
As, on the nosegay in her breast reclined,
He watched the ideas rising in her mind,
Sudden he viewed, in spite of all her art,
An earthly lover lurking at her heart.
Amazed, confused, he found his power expired,
Resigned to fate, and with a sigh retired.

The peer now spreads the glittering forfex wide,
To enclose the lock; now joins it, to divide.
Even then, before the fatal engine closed,
A wretched Sylph too fondly interposed;
Fate urged the shears, and cut the Sylph in twain
(But airy substance soon unites again),
The meeting points the sacred hair dissever
From the fair head, for ever and for ever!

But fate and Jove had stopped the Baron’s ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fixed the Trojan could remain,
While Anna begged and Dido raged in vain.

All side in parties, and begin the attack;
Fans clap, silks rustle, and tough whalebones crack;
Heroes’ and heroines’ shouts confusedly rise,
And bass and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heavenly breasts with human passions rage;
’Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms.

What dire offense from amorous causes springs,
What mighty contests arise from trivial things,
I sing—This verse to Caryl, Muse! is due;
[…] Say what strange motive, Goddess! could compel
A well-bred Lord to assault a gentle Belle?

Love in these labyrinths his slaves detains,
And mighty hearts are held in slender chains.

For this, ere Phoebus rose, he had implored
Propitious heaven, and every power adored,
But chiefly Love—to Love an altar built,
Of twelve vast French romances, neatly gilt.
There lay three garters, half a pair of gloves;
And all the trophies of his former loves.
With tender billets-doux he lights the pyre,
And breathes three amorous sighs to raise the fire

Whether the nymph shall break Diana’s law,
Or some frail China jar receive a flaw,
Or stain her honor, or her new brocade,
Forget her prayers, or miss a masquerade,
Or lose her heart, or necklace, at a ball;
Or whether Heaven has doomed that Shock must fall.

Behold, four Kings in majesty revered,
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flower,
The expressive emblem of their softer power;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberts in their hand;
And particolored troops, a shining train,
Draw forth to combat on the velvet plain.

Just in that instant, anxious Ariel sought
The close recesses of the virgin’s thought;
As, on the nosegay in her breast reclined,
He watched the ideas rising in her mind,
Sudden he viewed, in spite of all her art,
An earthly lover lurking at her heart.
Amazed, confused, he found his power expired,
Resigned to fate, and with a sigh retired.

The peer now spreads the glittering forfex wide,
To enclose the lock; now joins it, to divide.
Even then, before the fatal engine closed,
A wretched Sylph too fondly interposed;
Fate urged the shears, and cut the Sylph in twain
(But airy substance soon unites again),
The meeting points the sacred hair dissever
From the fair head, for ever and for ever!

But fate and Jove had stopped the Baron’s ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fixed the Trojan could remain,
While Anna begged and Dido raged in vain.

All side in parties, and begin the attack;
Fans clap, silks rustle, and tough whalebones crack;
Heroes’ and heroines’ shouts confusedly rise,
And bass and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heavenly breasts with human passions rage;
’Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms.