Ancestry, History, and Interconnection Theme Analysis

Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. […] My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. […] These tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. […] Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.

The story could have been true, for, as I have said, there really was a Mustache Maude Black with a husband named Ott. Only sometimes Maude was the one to claim Mooshum as her son in the story and sometimes she went on to claim she’d had an affair with Chief Gall. And sometimes Ott Black plugged the man in the gut. But if there was embellishment, it only had to do with facts. Saint Joseph’s Church was named for the carpenter who believed his wife, reared a son not his own, and is revered as the patron saint of our bold and passionate people, the Metis. Those doves were surely the passenger pigeons of legend and truth, whose numbers were such that nobody thought they could possibly ever be wiped from the earth.

Mooshum really did follow through with what had seemed like a drunken threat. He cast his lot in with the traditionals not long afterward and started attending ceremonies […]

“There is a moment in a man’s life when he knows exactly who he is. Old Hop Along did not mean to, but he helped me to that moment. […] Seraph Milk had a full-blood mother who died of sorrow with no help from the priest. I saw that I was the son of that good woman, silent though she was. Also, I was getting nowhere with the Catholic ladies. I thought that I might find a few good-looking ones out in the bush.”

“That’s not much of a reason.”

“You are wrong there, it is the best reason.”

And Mooshum winked at me as if he knew that I went to church because I hoped to see Corwin.

Asiginak and Cuthbert suddenly burst out singing. They began high—Cuthbert’s voice a wild falsetto that cut the air. Asiginak joined him and Holy Track felt almost good, hearing the strength and power of their voices. And the words in the old language.

These white men are nothing

What they do cannot harm me

I will see the face of mystery

[…] The boy was too light for death to give him an easy time of it. He slowly choked as he kicked air and spun. He heard it when Cuthbert, then his uncle, stopped singing and gurgling. Behind his shut eyes, he was seized by black fear, until he heard his mother say, Open your eyes, and he stared into the dusty blue. Then it was better. The little wisps of clouds, way up high, had resolved into wings and they swept across the sky now, faster and faster.

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

As I came to the end of my small leopard-print diary (its key useless as my brother had broken the clasp), I wrote down as much of Mooshum’s story as I could remember, and then the relatives of everyone I knew—parents, grandparents, way on back in time. I traced the blood history of the murders through my classmates and friends until I could draw out elaborate spider webs of lines and intersecting circles. I drew in pencil. There were a few people, one of them being Corwin Peace, whose chart was so complicated that I erased parts of it until I wore right through the paper. Still, I could not erase the questions underneath.

In the winter of our great starvation, […] citizens of Argus sold their grain and raffled off a grand piano. More recently, when we traveled to Washington to fight a policy that would have terminated our relationship with the United States Government guaranteed by treaty, only one lawyer, from Pluto, stood up for us. That was my father. And in 1911, when a family was murdered […], a posse mob tore after a wandering bunch of our people.

[…] I told [Geraldine] that later on the vigilantes admitted that they probably were mistaken. She hadn’t known that. “But it happened in the heat of things, one of them said, I think Wildstrand. In the heat of things!”

Geraldine said, “What doesn’t happen in the heat of things? Someone has seized the moment to act on their own biases. That’s it. Or history. Sometimes it is history.”

As I look at the town now, dwindling without grace, I think how strange that lives were lost in its formation. It is the same with all desperate enterprises that involve boundaries we place upon the earth. By drawing a line and defending it, we seem to think we have mastered something. What? The earth swallows and absorbs even those who manage to form a country, a reservation. […]

Nothing that happens, nothing, is not connected here by blood. I trace a number of interesting social configurations to the Wildstrand tendency to sexual excess, or “deathless romantic encounters,” as Geraldine’s niece, Evelina, puts it when listening to the histories laid out by Seraph Milk. But of course the entire reservation is rife with conflicting passions […] and every attempt to foil our lusts through laws and religious dictums seems bound instead to excite transgression.

Burton’s contemporary, Francis Bacon, believed it was only due to Justice that man can be a God to man and not a wolf. But what is the difference between the influence of instinct upon a wolf and history upon a man? In both cases, justice is prey to unknown dreams. And besides, there was a woman.

But there is no need. Billy says it all. Every night, back in Dad’s office, Billy helps him straighten out the mess, helps file, and helps decide which bills to pay on and which to string along. Dad has agreed, with surprising disinterest, to let the retired people camp near an old burnt farmstead where a hand-pump well is still in operation. The end of our land bumps smack up to the reservation boundary. This was reservation, Billy says, and should be again. This was my family’s land, Indian land. Will be again. He says it flat out with a lack of emotion that disturbs me. Something’s there. Something’s different underneath.

Here I come to some trouble with words. The inside became the outside when Shamengwa played music. Yet inside to outside does not half sum it up. The music was more than music—at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we’d lived through and didn’t want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprising pleasures. No, we can’t live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.

In spite of my conviction that he was probably incorrigible, I was intrigued by Corwin’s unusual treatment of the instrument. I could not help thinking of his ancestors, the Peace brothers, Henri and Lafayette. Perhaps there was a dormant talent. And perhaps as they had saved my grandfather, I was meant to rescue their descendant. These sorts of complications are simply part of tribal justice. I decided to take advantage of my prerogative to use tribally based traditions in sentencing and to set precedent. First, I cleared my decision with Shamengwa. Then I sentenced Corwin to apprentice himself […] He would either learn to play the violin, or he would do time. In truth, I didn’t know who was being punished, the boy or the old man. But now at least, from the house we began to hear the violin.

That fiddle had searched long for Corwin. I had no doubt. For what stuck in my mind, what woke me in the middle of the night, after the fact of reading it, was the date on the letter. 1888 was the year. But the violin spoke to Shamengwa and called him out onto the lake in a dream almost twenty years later.

“How about that?” I said to Geraldine. “Can you explain such a thing?”

She looked at me steadily.

“We know nothing” is what she said.

I was to marry her. […] I do my work. I do my best to make the small decisions well, and I try not to hunger for the great things, for the deeper explanations. For I am sentenced to keep watch over this small patch of earth, to judge its miseries and tell its stories. That’s who I am. Mii’sago iw.

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.

“To live my life atoning for another person’s sin?” She said at last, her voice scratchy and faint. “I wouldn’t have had the strength. But then again, the hanging undoubtedly had something to do with my decision, growing up and finding out. Knowing one could be capable.”

“One could be?”

“Anyone, perhaps. My father said that his grandfather was very kind, the kindest one of all. And yet he always knew he’d been one of the lynching party. My father was never able to put him there, in his thoughts. A couple of times he said he spoke of it. He spoke of your grandfather.”

“Mooshum?”

I leaned forward and waited […]

“I believe your grandfather used to drink in those days. Your Mooshum told Eugene Wildstrand that he and the others were at the farmhouse. Mooshum told how they had found that poor family.”

Mooshum knotted the laces, handed the boots to me. I threw them up. It took three times to catch them on a branch.

“This is sentiment instead of justice,” I said to Mooshum.

The truth is, all the way there I’d thought about saying just this thing.

Mooshum nodded, peering into the film of green on the black twigs, blinking, “Awee, my girl. The doves are still up there.”

I stared up and didn’t have anything to say about the doves, but I hated the gentle swaying of those boots.

Judge Coutts was unwilling to confess and be absolved of his sins […] so they were married by the tribal judge who preceded Judge Coutts, on a gentle swell of earth overlooking a field of half-grown hay in which the sage and alfalfa and buffalo grass stood heavy—Mooshum’s old allotment land.

Corwin played for us of course—he was the only entertainment. When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape. I didn’t want to go. I didn’t know what would happen to me, bad or good, or whether I could bear it either way. But Corwin’s playing of a wordless tune my uncle had taught him brightened the air. As I walked away I kept on hearing that music.

The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother’s cards on the table. […]

I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.

When Pluto’s empty at last and this house is reclaimed by earth, when the war memorial is toppled and the bank/caf stripped for its brass and granite, when all that remains of Pluto is our collected historical newsletters bound in volumes donated to the local collections at the University of North Dakota, what then? What shall I have said? How shall I have depicted the truth?

We declare our society defunct. We shall, however, keep walking the perimeter of Pluto until our footsteps wear our orbit into the earth. My last act as the president of Pluto’s historical society is this: I would like to declare a town holiday to commemorate the year I saved the life of my family’s murderer.

[…] All who celebrate shall be ghosts. And there will be nothing but eternal dancing, dust on dust, everywhere you look.

Oh my, too apocalyptic, I think as I leave my house to walk over to Neve’s to help her cope with her sleepless night. Dust on dust! There are very few towns where old women can go out at night and enjoy the breeze, so there is that about Pluto. I take my cane to feel the way, for the air is so black I think already we are invisible.