Evelina Harp Character Analysis

Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. […] My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. […] These tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. […] Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.

The story could have been true, for, as I have said, there really was a Mustache Maude Black with a husband named Ott. Only sometimes Maude was the one to claim Mooshum as her son in the story and sometimes she went on to claim she’d had an affair with Chief Gall. And sometimes Ott Black plugged the man in the gut. But if there was embellishment, it only had to do with facts. Saint Joseph’s Church was named for the carpenter who believed his wife, reared a son not his own, and is revered as the patron saint of our bold and passionate people, the Metis. Those doves were surely the passenger pigeons of legend and truth, whose numbers were such that nobody thought they could possibly ever be wiped from the earth.

The day after Easter Monday, in the little alcove on the school playground, I kissed Corwin Peace. Our kiss was hard, passionate, strangely mature. Afterward, I walked home alone. I walked very slowly. Halfway there, I stopped and stared at a piece of the sidewalk I’d crossed a thousand times and knew intimately. There was a crack in it—deep, long, jagged, and dark. It was the day when the huge old cottonwood trees shed cotton. The air was filled with falling down and the ditch grass and gutters were plump with a snow of light. I had expected to feel joy but instead felt a confusion of sorrow, or maybe fear, for it seemed that my life was a hungry story and I its source, and with this kiss I had now begun to deliver myself into the words.

Mooshum really did follow through with what had seemed like a drunken threat. He cast his lot in with the traditionals not long afterward and started attending ceremonies […]

“There is a moment in a man’s life when he knows exactly who he is. Old Hop Along did not mean to, but he helped me to that moment. […] Seraph Milk had a full-blood mother who died of sorrow with no help from the priest. I saw that I was the son of that good woman, silent though she was. Also, I was getting nowhere with the Catholic ladies. I thought that I might find a few good-looking ones out in the bush.”

“That’s not much of a reason.”

“You are wrong there, it is the best reason.”

And Mooshum winked at me as if he knew that I went to church because I hoped to see Corwin.

Asiginak and Cuthbert suddenly burst out singing. They began high—Cuthbert’s voice a wild falsetto that cut the air. Asiginak joined him and Holy Track felt almost good, hearing the strength and power of their voices. And the words in the old language.

These white men are nothing

What they do cannot harm me

I will see the face of mystery

[…] The boy was too light for death to give him an easy time of it. He slowly choked as he kicked air and spun. He heard it when Cuthbert, then his uncle, stopped singing and gurgling. Behind his shut eyes, he was seized by black fear, until he heard his mother say, Open your eyes, and he stared into the dusty blue. Then it was better. The little wisps of clouds, way up high, had resolved into wings and they swept across the sky now, faster and faster.

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

As I came to the end of my small leopard-print diary (its key useless as my brother had broken the clasp), I wrote down as much of Mooshum’s story as I could remember, and then the relatives of everyone I knew—parents, grandparents, way on back in time. I traced the blood history of the murders through my classmates and friends until I could draw out elaborate spider webs of lines and intersecting circles. I drew in pencil. There were a few people, one of them being Corwin Peace, whose chart was so complicated that I erased parts of it until I wore right through the paper. Still, I could not erase the questions underneath.

As he entered the cabin, he saw a watery slur of movement. In the light from the open door an otter popped his head up and regarded him with the curious and trusting gaze of a young child. Slowly, not taking his eyes off the creature, Joseph aimed and shot. The otter died in a bloody swirl and Joseph found, when he fished it out, that his eyes had filled with tears. In a moment he was weeping helplessly over the gleaming and sinuous body of the creature.

[…] For he’d had the instant horror that he had committed a murder. And that conviction still filled him. The creature was an emissary of some sort. He’d known as they held that human stare. Joseph himself was part of all that was sustained and destroyed by a mysterious power. He had killed its messenger. And the otter wasn’t even edible.

As I look at the town now, dwindling without grace, I think how strange that lives were lost in its formation. It is the same with all desperate enterprises that involve boundaries we place upon the earth. By drawing a line and defending it, we seem to think we have mastered something. What? The earth swallows and absorbs even those who manage to form a country, a reservation. […]

Nothing that happens, nothing, is not connected here by blood. I trace a number of interesting social configurations to the Wildstrand tendency to sexual excess, or “deathless romantic encounters,” as Geraldine’s niece, Evelina, puts it when listening to the histories laid out by Seraph Milk. But of course the entire reservation is rife with conflicting passions […] and every attempt to foil our lusts through laws and religious dictums seems bound instead to excite transgression.

Burton’s contemporary, Francis Bacon, believed it was only due to Justice that man can be a God to man and not a wolf. But what is the difference between the influence of instinct upon a wolf and history upon a man? In both cases, justice is prey to unknown dreams. And besides, there was a woman.

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.

The playing of the violin is the only thing in the world and in that music there is dark assurance. The music understands, and it will be there whether we stay in pain or gain our sanity, which is also painful. I am small. I am whole. Nothing matters. Things are startling and immense. When the music is just reverberations, I stand up. The nurse is checking her watch and frowning at it first, then down at Warren, then at her watch again. I stand next to Corwin as he carefully replaces his violin in its case and snaps the latches down. I look at my cousin and he looks at me—under those eyebrows, he gives his wicked, shy grin and points his lips in a kiss, toward the door.

“I can’t leave here,” I say.

And I walk out of that place.

“To live my life atoning for another person’s sin?” She said at last, her voice scratchy and faint. “I wouldn’t have had the strength. But then again, the hanging undoubtedly had something to do with my decision, growing up and finding out. Knowing one could be capable.”

“One could be?”

“Anyone, perhaps. My father said that his grandfather was very kind, the kindest one of all. And yet he always knew he’d been one of the lynching party. My father was never able to put him there, in his thoughts. A couple of times he said he spoke of it. He spoke of your grandfather.”

“Mooshum?”

I leaned forward and waited […]

“I believe your grandfather used to drink in those days. Your Mooshum told Eugene Wildstrand that he and the others were at the farmhouse. Mooshum told how they had found that poor family.”

Mooshum knotted the laces, handed the boots to me. I threw them up. It took three times to catch them on a branch.

“This is sentiment instead of justice,” I said to Mooshum.

The truth is, all the way there I’d thought about saying just this thing.

Mooshum nodded, peering into the film of green on the black twigs, blinking, “Awee, my girl. The doves are still up there.”

I stared up and didn’t have anything to say about the doves, but I hated the gentle swaying of those boots.

Judge Coutts was unwilling to confess and be absolved of his sins […] so they were married by the tribal judge who preceded Judge Coutts, on a gentle swell of earth overlooking a field of half-grown hay in which the sage and alfalfa and buffalo grass stood heavy—Mooshum’s old allotment land.

Corwin played for us of course—he was the only entertainment. When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape. I didn’t want to go. I didn’t know what would happen to me, bad or good, or whether I could bear it either way. But Corwin’s playing of a wordless tune my uncle had taught him brightened the air. As I walked away I kept on hearing that music.

Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. […] My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. […] These tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. […] Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.

The story could have been true, for, as I have said, there really was a Mustache Maude Black with a husband named Ott. Only sometimes Maude was the one to claim Mooshum as her son in the story and sometimes she went on to claim she’d had an affair with Chief Gall. And sometimes Ott Black plugged the man in the gut. But if there was embellishment, it only had to do with facts. Saint Joseph’s Church was named for the carpenter who believed his wife, reared a son not his own, and is revered as the patron saint of our bold and passionate people, the Metis. Those doves were surely the passenger pigeons of legend and truth, whose numbers were such that nobody thought they could possibly ever be wiped from the earth.

The day after Easter Monday, in the little alcove on the school playground, I kissed Corwin Peace. Our kiss was hard, passionate, strangely mature. Afterward, I walked home alone. I walked very slowly. Halfway there, I stopped and stared at a piece of the sidewalk I’d crossed a thousand times and knew intimately. There was a crack in it—deep, long, jagged, and dark. It was the day when the huge old cottonwood trees shed cotton. The air was filled with falling down and the ditch grass and gutters were plump with a snow of light. I had expected to feel joy but instead felt a confusion of sorrow, or maybe fear, for it seemed that my life was a hungry story and I its source, and with this kiss I had now begun to deliver myself into the words.

Mooshum really did follow through with what had seemed like a drunken threat. He cast his lot in with the traditionals not long afterward and started attending ceremonies […]

“There is a moment in a man’s life when he knows exactly who he is. Old Hop Along did not mean to, but he helped me to that moment. […] Seraph Milk had a full-blood mother who died of sorrow with no help from the priest. I saw that I was the son of that good woman, silent though she was. Also, I was getting nowhere with the Catholic ladies. I thought that I might find a few good-looking ones out in the bush.”

“That’s not much of a reason.”

“You are wrong there, it is the best reason.”

And Mooshum winked at me as if he knew that I went to church because I hoped to see Corwin.

Asiginak and Cuthbert suddenly burst out singing. They began high—Cuthbert’s voice a wild falsetto that cut the air. Asiginak joined him and Holy Track felt almost good, hearing the strength and power of their voices. And the words in the old language.

These white men are nothing

What they do cannot harm me

I will see the face of mystery

[…] The boy was too light for death to give him an easy time of it. He slowly choked as he kicked air and spun. He heard it when Cuthbert, then his uncle, stopped singing and gurgling. Behind his shut eyes, he was seized by black fear, until he heard his mother say, Open your eyes, and he stared into the dusty blue. Then it was better. The little wisps of clouds, way up high, had resolved into wings and they swept across the sky now, faster and faster.

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

As I came to the end of my small leopard-print diary (its key useless as my brother had broken the clasp), I wrote down as much of Mooshum’s story as I could remember, and then the relatives of everyone I knew—parents, grandparents, way on back in time. I traced the blood history of the murders through my classmates and friends until I could draw out elaborate spider webs of lines and intersecting circles. I drew in pencil. There were a few people, one of them being Corwin Peace, whose chart was so complicated that I erased parts of it until I wore right through the paper. Still, I could not erase the questions underneath.

As he entered the cabin, he saw a watery slur of movement. In the light from the open door an otter popped his head up and regarded him with the curious and trusting gaze of a young child. Slowly, not taking his eyes off the creature, Joseph aimed and shot. The otter died in a bloody swirl and Joseph found, when he fished it out, that his eyes had filled with tears. In a moment he was weeping helplessly over the gleaming and sinuous body of the creature.

[…] For he’d had the instant horror that he had committed a murder. And that conviction still filled him. The creature was an emissary of some sort. He’d known as they held that human stare. Joseph himself was part of all that was sustained and destroyed by a mysterious power. He had killed its messenger. And the otter wasn’t even edible.

As I look at the town now, dwindling without grace, I think how strange that lives were lost in its formation. It is the same with all desperate enterprises that involve boundaries we place upon the earth. By drawing a line and defending it, we seem to think we have mastered something. What? The earth swallows and absorbs even those who manage to form a country, a reservation. […]

Nothing that happens, nothing, is not connected here by blood. I trace a number of interesting social configurations to the Wildstrand tendency to sexual excess, or “deathless romantic encounters,” as Geraldine’s niece, Evelina, puts it when listening to the histories laid out by Seraph Milk. But of course the entire reservation is rife with conflicting passions […] and every attempt to foil our lusts through laws and religious dictums seems bound instead to excite transgression.

Burton’s contemporary, Francis Bacon, believed it was only due to Justice that man can be a God to man and not a wolf. But what is the difference between the influence of instinct upon a wolf and history upon a man? In both cases, justice is prey to unknown dreams. And besides, there was a woman.

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.

The playing of the violin is the only thing in the world and in that music there is dark assurance. The music understands, and it will be there whether we stay in pain or gain our sanity, which is also painful. I am small. I am whole. Nothing matters. Things are startling and immense. When the music is just reverberations, I stand up. The nurse is checking her watch and frowning at it first, then down at Warren, then at her watch again. I stand next to Corwin as he carefully replaces his violin in its case and snaps the latches down. I look at my cousin and he looks at me—under those eyebrows, he gives his wicked, shy grin and points his lips in a kiss, toward the door.

“I can’t leave here,” I say.

And I walk out of that place.

“To live my life atoning for another person’s sin?” She said at last, her voice scratchy and faint. “I wouldn’t have had the strength. But then again, the hanging undoubtedly had something to do with my decision, growing up and finding out. Knowing one could be capable.”

“One could be?”

“Anyone, perhaps. My father said that his grandfather was very kind, the kindest one of all. And yet he always knew he’d been one of the lynching party. My father was never able to put him there, in his thoughts. A couple of times he said he spoke of it. He spoke of your grandfather.”

“Mooshum?”

I leaned forward and waited […]

“I believe your grandfather used to drink in those days. Your Mooshum told Eugene Wildstrand that he and the others were at the farmhouse. Mooshum told how they had found that poor family.”

Mooshum knotted the laces, handed the boots to me. I threw them up. It took three times to catch them on a branch.

“This is sentiment instead of justice,” I said to Mooshum.

The truth is, all the way there I’d thought about saying just this thing.

Mooshum nodded, peering into the film of green on the black twigs, blinking, “Awee, my girl. The doves are still up there.”

I stared up and didn’t have anything to say about the doves, but I hated the gentle swaying of those boots.

Judge Coutts was unwilling to confess and be absolved of his sins […] so they were married by the tribal judge who preceded Judge Coutts, on a gentle swell of earth overlooking a field of half-grown hay in which the sage and alfalfa and buffalo grass stood heavy—Mooshum’s old allotment land.

Corwin played for us of course—he was the only entertainment. When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape. I didn’t want to go. I didn’t know what would happen to me, bad or good, or whether I could bear it either way. But Corwin’s playing of a wordless tune my uncle had taught him brightened the air. As I walked away I kept on hearing that music.