Clemence Harp Character Analysis

Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. […] My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. […] These tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. […] Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.

Mooshum really did follow through with what had seemed like a drunken threat. He cast his lot in with the traditionals not long afterward and started attending ceremonies […]

“There is a moment in a man’s life when he knows exactly who he is. Old Hop Along did not mean to, but he helped me to that moment. […] Seraph Milk had a full-blood mother who died of sorrow with no help from the priest. I saw that I was the son of that good woman, silent though she was. Also, I was getting nowhere with the Catholic ladies. I thought that I might find a few good-looking ones out in the bush.”

“That’s not much of a reason.”

“You are wrong there, it is the best reason.”

And Mooshum winked at me as if he knew that I went to church because I hoped to see Corwin.

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.

Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. […] My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. […] These tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. […] Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.

Mooshum really did follow through with what had seemed like a drunken threat. He cast his lot in with the traditionals not long afterward and started attending ceremonies […]

“There is a moment in a man’s life when he knows exactly who he is. Old Hop Along did not mean to, but he helped me to that moment. […] Seraph Milk had a full-blood mother who died of sorrow with no help from the priest. I saw that I was the son of that good woman, silent though she was. Also, I was getting nowhere with the Catholic ladies. I thought that I might find a few good-looking ones out in the bush.”

“That’s not much of a reason.”

“You are wrong there, it is the best reason.”

And Mooshum winked at me as if he knew that I went to church because I hoped to see Corwin.

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.