Jack Turner Character Analysis

Together they performed their own phantom archaeology, digging through decades and restoring to human eyes the shards and artifacts of those days. Each man with his own pieces. He used to say, I’ll pay you a visit later. The wobbly stairs to the schoolhouse basement. The blood squished between my toes in my tennis shoes. Reassembling those fragments into confirmation of a shared darkness: If it is true for you, it is true for someone else, and you are no longer alone.

The morning after the decision, the sun rose and everything looked the same. Elwood asked his grandmother when Negroes were going to start staying at the Richmond, and she said it’s one thing to tell someone to do what’s right and another thing for them to do it. She listed some of his behavior as proof and Elwood nodded: Maybe so. Sooner or later, though, the door would swing wide to reveal a brown face—a dapper businessman in Tallahassee for business or a fancy lady in town to see the sights—enjoying the fine-smelling fare the cooks put out. He was sure of it.

“It’s not like the old days,” Elwood said. “We can stand up for ourselves.”

“That shit barely works out there—what do you think it’s going to do in here?”

“You say that because there’s no one else out there sticking up for you.”

“That’s true,” Turner said. “That doesn’t mean I can’t see how it works. Maybe I see things more clearly because of it. […] The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course. If you want to walk out of here.”

The blinders Elwood wore, walking around. The law was one thing—you can march and wave signs around and change a law if you convinced enough white people. In Tampa, Turner saw the college kids with their nice shirts and ties sit in at the Woolworths. He had to work, but they were out protesting. And it happened—they opened the counter. Turner didn’t have the money to eat there either way. You can change the law but you can’t change people and how they treat each other. Nickel was racist as hell—half the people who worked here probably dressed up like the Klan on weekends—but the way Turner saw it, wickedness went deeper than skin color. It was Spencer. It was Spencer and it was Griff and it was all the parents who let their children wind up here. It was people.

Which is why Turner brought Elwood out to the two trees. To show him something that wasn’t in books.

Elwood frowned in disdain at the whole performance, which made Turner smile. The fight was as rigged and rotten as the dishwashing races he’d told Turner about, another gear in the machine that kept black folks down. Turner enjoyed his friend’s new bend toward cynicism, even as he found himself swayed by the magic of the big fight. Seeing Griff, their enemy and champion, put a hurting on that white boy made a fellow feel all right. In spite of himself. Now that the third and final round was upon them, he wanted to hold on to that feeling. It was real—in their blood and minds—even if it was a lie.

It wasn’t Spencer that undid him, or a supervisor or a new antagonist […], rather it was that he’d stopped fighting. In keeping his head down, in his careful navigation so that he made it to lights-out without mishap, he fooled himself that he had prevailed. That he had outwitted Nickel because he got along and kept out of trouble. In fact he had been ruined. He was like one of those Negroes Dr. King spoke of in his letter from jail, so complacent and sleepy after years of oppression that they had adjusted to it and learned to sleep in it as their only bed.

Chickie Pete and his trumpet. He might have played professionally, why not? A session man in a funk band, or an orchestra. If things had been different. The boys could have been many things had they not been ruined by that place. Doctors who cure diseases or perform brain surgery, inventing shit that saves lives. Run for president. All those lost geniuses—sure not all of them were geniuses, Chickie Pete for example was not solving special relativity—but they had been denied even the simple pleasure of being ordinary. Hobbled and handicapped before the race even began, never figuring out how to be normal.

It was funny, how much he had liked the idea of his Great Escape making the rounds of the school. Pissing off the staff when they heard the boys talking about it. He thought this city was a good place for him because nobody knew him—and he liked the contradiction that the one place that did know him was the one place he didn’t want to be. It tied him to all those other people who come to New York, running away from hometowns and worse. But even Nickel had forgotten his story.

“You’re getting along. Ain’t had trouble since that one time. They going to take you out back, bury your ass, then they take me out back, too. The fuck is wrong with you?”

“You’re wrong, Turner.” Elwood tugged on the handle of a weathered brown trunk. It broke in half. “It’s not an obstacle course,” he said. “You can’t go around it—you have to go through it. Walk with your head up no matter what they throw at you.”

In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books.

And he had betrayed Elwood by handing over that letter. He should have burned it and talked him out of that fool plan instead of giving him silence. Silence was all the boy ever got. He says, “I’m going to take a stand,” and the world remains silent. Elwood and his fine moral imperatives and his very fine ideas about the capacity of human beings to improve. About the capacity of the world to right itself. He had saved Elwood from those two iron rings out back, from the secret graveyard. They put him in Boot Hill instead.

Together they performed their own phantom archaeology, digging through decades and restoring to human eyes the shards and artifacts of those days. Each man with his own pieces. He used to say, I’ll pay you a visit later. The wobbly stairs to the schoolhouse basement. The blood squished between my toes in my tennis shoes. Reassembling those fragments into confirmation of a shared darkness: If it is true for you, it is true for someone else, and you are no longer alone.

The morning after the decision, the sun rose and everything looked the same. Elwood asked his grandmother when Negroes were going to start staying at the Richmond, and she said it’s one thing to tell someone to do what’s right and another thing for them to do it. She listed some of his behavior as proof and Elwood nodded: Maybe so. Sooner or later, though, the door would swing wide to reveal a brown face—a dapper businessman in Tallahassee for business or a fancy lady in town to see the sights—enjoying the fine-smelling fare the cooks put out. He was sure of it.

“It’s not like the old days,” Elwood said. “We can stand up for ourselves.”

“That shit barely works out there—what do you think it’s going to do in here?”

“You say that because there’s no one else out there sticking up for you.”

“That’s true,” Turner said. “That doesn’t mean I can’t see how it works. Maybe I see things more clearly because of it. […] The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course. If you want to walk out of here.”

The blinders Elwood wore, walking around. The law was one thing—you can march and wave signs around and change a law if you convinced enough white people. In Tampa, Turner saw the college kids with their nice shirts and ties sit in at the Woolworths. He had to work, but they were out protesting. And it happened—they opened the counter. Turner didn’t have the money to eat there either way. You can change the law but you can’t change people and how they treat each other. Nickel was racist as hell—half the people who worked here probably dressed up like the Klan on weekends—but the way Turner saw it, wickedness went deeper than skin color. It was Spencer. It was Spencer and it was Griff and it was all the parents who let their children wind up here. It was people.

Which is why Turner brought Elwood out to the two trees. To show him something that wasn’t in books.

Elwood frowned in disdain at the whole performance, which made Turner smile. The fight was as rigged and rotten as the dishwashing races he’d told Turner about, another gear in the machine that kept black folks down. Turner enjoyed his friend’s new bend toward cynicism, even as he found himself swayed by the magic of the big fight. Seeing Griff, their enemy and champion, put a hurting on that white boy made a fellow feel all right. In spite of himself. Now that the third and final round was upon them, he wanted to hold on to that feeling. It was real—in their blood and minds—even if it was a lie.

It wasn’t Spencer that undid him, or a supervisor or a new antagonist […], rather it was that he’d stopped fighting. In keeping his head down, in his careful navigation so that he made it to lights-out without mishap, he fooled himself that he had prevailed. That he had outwitted Nickel because he got along and kept out of trouble. In fact he had been ruined. He was like one of those Negroes Dr. King spoke of in his letter from jail, so complacent and sleepy after years of oppression that they had adjusted to it and learned to sleep in it as their only bed.

Chickie Pete and his trumpet. He might have played professionally, why not? A session man in a funk band, or an orchestra. If things had been different. The boys could have been many things had they not been ruined by that place. Doctors who cure diseases or perform brain surgery, inventing shit that saves lives. Run for president. All those lost geniuses—sure not all of them were geniuses, Chickie Pete for example was not solving special relativity—but they had been denied even the simple pleasure of being ordinary. Hobbled and handicapped before the race even began, never figuring out how to be normal.

It was funny, how much he had liked the idea of his Great Escape making the rounds of the school. Pissing off the staff when they heard the boys talking about it. He thought this city was a good place for him because nobody knew him—and he liked the contradiction that the one place that did know him was the one place he didn’t want to be. It tied him to all those other people who come to New York, running away from hometowns and worse. But even Nickel had forgotten his story.

“You’re getting along. Ain’t had trouble since that one time. They going to take you out back, bury your ass, then they take me out back, too. The fuck is wrong with you?”

“You’re wrong, Turner.” Elwood tugged on the handle of a weathered brown trunk. It broke in half. “It’s not an obstacle course,” he said. “You can’t go around it—you have to go through it. Walk with your head up no matter what they throw at you.”

In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books.

And he had betrayed Elwood by handing over that letter. He should have burned it and talked him out of that fool plan instead of giving him silence. Silence was all the boy ever got. He says, “I’m going to take a stand,” and the world remains silent. Elwood and his fine moral imperatives and his very fine ideas about the capacity of human beings to improve. About the capacity of the world to right itself. He had saved Elwood from those two iron rings out back, from the secret graveyard. They put him in Boot Hill instead.