The Moonstone

The Moonstone

by

Wilkie Collins

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The Moonstone: The Loss of the Diamond: 18 Summary & Analysis

Summary
Analysis
Cuff meets Betteredge at the front door and explains what he learned. First, he knows that the Indians came to steal the Moonstone—and will continue trying, although they were not responsible for its initial disappearance. Secondly, he learned that Rosanna bought “a piece of long cloth […] to make a nightgown” to replace the plain one she presumably stained the night of the Moonstone’s disappearance, which is now hidden—and not destroyed. Cuff explains that he will search for the nightgown’s hiding place, which he plans to discover with the help of a search warrant and refuse to share with anyone.
Cuff’s conclusion about the Indians confirms that Franklin and Betteredge were, at the least, right about one thing. While Betteredge and the reader can see why Cuff would reasonably tie the nightgown to Rosanna, there is still no clear evidence that she hid the nightgown (rather than burning it in her room), except for Cuff’s conversation with the Yollands—but the reader does not yet know if Cuff considers them related. By now, Cuff is operating completely on his own, often against the wishes of those in the house, despite their initial enthusiasm about resolving the case.
Themes
Detective Methods and Genre Standards Theme Icon
Before Rachel’s departure, Cuff informs Betteredge’s assistant Samuel that he will be sending a “friend” with Rachel in the carriage. When she comes out, Betteredge describes Rachel’s fine clothing and beautiful face at length, and as she climbs into her carriage, Cuff tells her that her departure “puts an obstacle in the way of my recovering your Diamond.” She tells the coachman to drive, ignoring both Cuff and Mr. Franklin, who runs outside to bid her goodbye. Franklin asks Julia to let him return home, and she agrees—on the condition he talks with her first.
Betteredge’s detailed description of Rachel’s appearance allows him to try to compensate for Cuff’s suspicion, building up her ladylike dignity by affirming her beauty at the moment when her character is most under attack. Whereas Cuff watches her sinisterly and secretly through his emissary, Betteredge does so openly and out of respect. Although he believes her to be behind the theft, Cuff does not accuse Rachel directly, but rather tests how much she really hopes to see the Diamond recovered—and her response appears to affirm her guilt.
Themes
Detective Methods and Genre Standards Theme Icon
Gender and Victorian Morality Theme Icon
Literary Devices
Only Cuff and Betteredge remain outside. Cuff calls Joyce, the other policeman Seegrave had left at the house, and while waiting for him declares to Betteredge that Rachel has brought the Diamond with her in the carriage. When Joyce arrives, he admits he has lost track of Rosanna, failing the duty Cuff had assigned him, and Cuff fires him on the spot. Betteredge grows bewildered, but Cuff assures him that Rosanna has escaped to meet Rachel in Frizinghall, and that the investigation will have to follow them there.
Again, Cuff insists on working alone to circumvent the incompetence of other police officers; nevertheless, he appears to be perfectly confident about what happened, and it is time for his intuitions to be put to the test.
Themes
Detective Methods and Genre Standards Theme Icon
In the meantime, Cuff asks Betteredge to assemble the servants, and Betteredge admits that he feels “another attack of the detective-fever”—and is curious about exactly what Cuff is planning. Cuff explains that he wants to figure out which servant saw Rosanna last, to determine if she is at the Shivering Sand or has gone straight to Frizinghall. Nancy the kitchen-maid saw Rosanna last, and reports that Rosanna gave the butcher’s man a letter to be sent to Cobb’s Hole. Cuff declares that he will go to Frizinghall before the letter gets mailed out, that this letter will reveal Rosanna’s hiding-place, and that he will visit the Yollands again when the letter is due to arrive on Monday.
Betteredge’s “detective-fever” is an important trope both for Collins’s readers and the future of the mystery novel. It describes the burning curiosity that has driven the genre’s popularity and got Wilkie Collins labeled the most famous writer of “sensation novels.”
Themes
Detective Methods and Genre Standards Theme Icon
Intention, Identity, and Personality Theme Icon
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