The Beggar’s Opera

by John Gay

Lucy Lockit Character Analysis

Lucy Lockit is Lockit’s daughter and Macheath’s former lover. Macheath once promised to marry her and even got her pregnant, but then he ran off with Polly Peachum instead. When Lucy first appears in the second half of Act II, after Macheath returns to Newgate, she is furious at him for what he has done. But he convinces her that Polly is lying and wins back her trust—which he certainly doesn’t deserve—so she becomes furious at Polly instead. Throughout the rest of the play, she constantly goes back and forth between these two modes—blaming Macheath and blaming Polly. In fact, half the time, she is miserable because Macheath is cheating and deceiving her, and the other half, she is miserable because she thinks that she and Macheath are in love but knows he is about to be executed. (She repeatedly begs her father, the prison warden, to save Macheath, but he refuses.) At the end of Act II, Lucy steals her father’s keys and lets Macheath go, and in Act III, she tries and fails to murder Polly with a poisoned glass of cordial. Like Polly, she is emotional and intense—whereas the rest of the characters are cold and detached. But unlike Polly, Lucy is not honest or innocent: it seems that her misfortunes have already corrupted her.

Lucy Lockit Quotes in The Beggar’s Opera

The The Beggar’s Opera quotes below are all either spoken by Lucy Lockit or refer to Lucy Lockit. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Moral Corruption and Hypocrisy Theme Icon
).

Act 2, Scene 8 Quotes

But I promis’d the Wench Marriage.—What signifies a Promise to a Woman? Does not Man in Marriage itself promise a hundred things that he never means to perform? Do all we can, Women will believe us; for they look upon a Promise as an Excuse for following their own Inclinations.

Related Characters: Macheath (speaker), Polly Peachum, Lucy Lockit
Page Number and Citation: 36
Explanation and Analysis:

Act 2, Scene 9 Quotes

How cruel are the Traytors,
Who lye and swear in jest,
To cheat unguarded Creatures
Of Virtue, Fame, and Rest!
Whoever steals a Shilling,
Through Shame the Guilt conceals:
In Love the perjur’d Villain
With Boasts the Theft reveals.

Related Characters: Lucy Lockit (speaker), Macheath, Polly Peachum
Page Number and Citation: 37
Explanation and Analysis:

Act 2, Scene 13 Quotes

Where is my dear Husband?—Was a Rope ever intended for this Neck!—O let me throw my Arms about it, and throttle thee with Love!—Why dost thou turn away from me?—’Tis thy Polly—’Tis thy Wife.

Related Characters: Polly Peachum (speaker), Macheath, Lucy Lockit
Page Number and Citation: 42
Explanation and Analysis:

Be pacified, my dear Lucy—This is all a Fetch of Polly’s, to make me desperate with you in case I get off. If I am hang’d, she would fain have the Credit of being thought my Widow—Really, Polly, this is no time for a Dispute of this sort; for whenever you are talking of Marriage, I am thinking of Hanging.

Related Characters: Macheath (speaker), Polly Peachum, Lucy Lockit
Page Number and Citation: 44
Explanation and Analysis:

Act 2, Scene 15 Quotes

MACHEATH. I am naturally compassionate, Wife; so that I could not use the Wench as she deserv’d; which made you at first suspect there was something in what she said.

LUCY. Indeed, my Dear, I was strangely puzzled.

MACHEATH. If that had been the Case, her Father would never have brought me into this Circumstance—No, Lucy,—I had rather dye than be false to thee.

LUCY. How happy am I, if you say this from your Heart! For I love thee so, that I could sooner bear to see thee hang’d than in the Arms of another.

Related Characters: Macheath (speaker), Lucy Lockit (speaker), Polly Peachum
Page Number and Citation: 46-47
Explanation and Analysis:

Act 3, Scene 1 Quotes

When young at the Bar you first taught me to score,
And bid me be free of my Lips, and no more;
I was kiss’d by the Parson, the Squire, and the Sot.
When the Guest was departed, the Kiss was forgot.
But his Kiss was so sweet, and so closely he prest,
That I languish’d and pin’d ’till I granted the rest.

Related Characters: Lucy Lockit (speaker), Lockit, Macheath
Page Number and Citation: 49
Explanation and Analysis:

Love, Sir, is a Misfortune that may happen to the most discreet Woman, and in Love we are all Fools alike.—Notwithstanding all he swore, I am now fully convinc’d that Polly Peachum is actually his Wife.—Did I let him escape, (Fool that I was!) to go to her?—Polly will wheedle herself into his Money, and then Peachum will hang him, and cheat us both.

Related Characters: Lucy Lockit (speaker), Macheath, Lockit, Polly Peachum
Page Number and Citation: 49
Explanation and Analysis:

Act 3, Scene 7 Quotes

I’m like a Skiff on the Ocean tost,
Now high, now low, with each Billow born,
With her Rudder broke, and her Anchor lost,
Deserted and all forlorn.
While thus I lye rolling and tossing all Night,
That Polly lyes sporting on Seas of Delight!
Revenge, Revenge, Revenge,
Shall appease my restless Sprite.

Related Characters: Lucy Lockit (speaker), Polly Peachum, Macheath
Page Number and Citation: 58
Explanation and Analysis:

Act 3, Scene 8 Quotes

Among the Men, Coquets we find,
Who Court by turns all Woman-kind;
And we grant all their Hearts desir’d,
When they are flatter’d, and admir’d.
The Coquets of both Sexes are Self-lovers, and that is a Love no other whatever can dispossess. I fear, my dear Lucy, our Husband is one of those.

Related Characters: Polly Peachum (speaker), Lucy Lockit, Macheath
Page Number and Citation: 60
Explanation and Analysis:

Act 3, Scene 11 Quotes

POLLY. Hither, dear Husband, turn your Eyes.

LUCY. Bestow one Glance to cheer me.

POLLY. Think with that Look, thy Polly dyes.

LUCY. O shun me not—but hear me.

POLLY. ’Tis Polly sues.

LUCY. –––––––––––’Tis Lucy speaks.

POLLY. Is thus true Love requited?

LUCY. My Heart is bursting.

POLLY. ––––––––––––––––––Mine too breaks.

LUCY. Must I

POLLY. –––––––Must I be slighted?

Related Characters: Polly Peachum (speaker), Lucy Lockit (speaker), Macheath
Page Number and Citation: 62
Explanation and Analysis:

LOCKIT. Macheath’s time is come, Lucy.—We know our own Affairs, therefore let us have no more Whimpering or Whining.

[…]

PEACHUM. Set your Heart at rest, Polly.—Your Husband is to dye to-day.—Therefore, if you are not already provided, ’tis high time to look about for another.

Related Characters: Lockit (speaker), Peachum (speaker), Polly Peachum, Lucy Lockit, Macheath
Page Number and Citation: 63-64
Explanation and Analysis:
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Lucy Lockit Character Timeline in The Beggar’s Opera

The timeline below shows where the character Lucy Lockit appears in The Beggar’s Opera. The colored dots and icons indicate which themes are associated with that appearance.
Act 2, Scene 8
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
...men’s promises “as an Excuse for following their own Inclinations.” Then, he sees Lockit’s daughter Lucy approaching and remarks that he’d rather be deaf than talk to her. (full context)
Act 2, Scene 9
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Lucy Lockit calls Macheath a “perfidious Wretch.” She is pregnant with his child—he has ruined her... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Macheath proposes that he and Lucy marry as soon as possible, but Lucy calls him an “Insinuating Monster!” because she knows... (full context)
Act 2, Scene 11
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Opera, High Art, and Performance Theme Icon
Lucy approaches Lockit in tears and admits that she still loves Macheath. Lockit declares that Macheath... (full context)
Act 2, Scene 12
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Lucy comes to tell Macheath that Lockit won’t budge about the execution. Macheath asks if he... (full context)
Act 2, Scene 13
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
...her, and promises to never leave his side. Meanwhile, Macheath laments his bad luck and Lucy Lockit calls him a villain. Polly sings a tune comparing Macheath to a caged bird... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Macheath mutters that he “must disown” Polly, then insults her for being “distracted.” Lucy calls Macheath a lying villain. Polly asks why he is so rude to her—“tell me,”... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Macheath accuses Polly of making everything up in an attempt to turn Lucy against him and eventually take over his estate. Lucy turns against Polly and calls her... (full context)
Act 2, Scene 15
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Macheath and Lucy continue their conversation after Peachum and Polly leave Newgate. Macheath tells Lucy that he was... (full context)
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Macheath asks Lucy to help him escape. She notes that her father is sleeping, so she can steal... (full context)
Act 3, Scene 1
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Macheath has just escaped from Newgate, and Lockit accuses Lucy of helping him. Lucy blames Peachum and Polly instead, but Lockit doesn’t believe her. She... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Lucy admits that she helped Macheath escape. He sweet-talked her into doing it because he knew... (full context)
Act 3, Scene 2
Moral Corruption and Hypocrisy Theme Icon
Class, Capitalism, and Inequality Theme Icon
Lucy comes in and Lockit asks if anyone from Peachum’s gang is at Newgate. Lucy says... (full context)
Act 3, Scene 5
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
...or fish, whom women can lure to their ruin (Air 45). Peachum points out that Lucy was the one who let Macheath out of Newgate, but Lockit replies that it’s unfair... (full context)
Act 3, Scene 7
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Back at Newgate, Lucy is torn apart by “Jealousy, Rage, Love and Fear.” In song, she compares herself to... (full context)
Act 3, Scene 8
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Polly meets Lucy at Newgate. Lucy apologizes for her anger the last time they met. She sings that... (full context)
Gender, Love, and Marriage Theme Icon
Polly and Lucy agree that they have “have [both] been too fond” of Macheath. They sing about how... (full context)
Act 3, Scene 9
Moral Corruption and Hypocrisy Theme Icon
In private, Polly remarks that Lucy is clearly pressuring her to drink because she wants to “pump some Secrets out of... (full context)
Act 3, Scene 10
Moral Corruption and Hypocrisy Theme Icon
Opera, High Art, and Performance Theme Icon
Lucy again asks Polly to drink, but Polly declines. Lucy tells Polly not to be squeamish... (full context)
Act 3, Scene 11
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Lockit and Peachum lead Macheath into Newgate, where Polly and Lucy are waiting. Lockit tells Macheath that he’s going straight to trial, so he won’t be... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
...sings to Peachum, begging him to save Macheath out of pity for her (Air 54). Lucy sings to Lockit, asking him to shut down the trial so that she can be... (full context)
Act 3, Scene 12 
Opera, High Art, and Performance Theme Icon
Polly sends Filch to attend Macheath’s trial while she waits back in the jail with Lucy. They hear the prisoners playing music; Polly says she loves music but doesn’t want to... (full context)
Act 3, Scene 14
Moral Corruption and Hypocrisy Theme Icon
...soon as they can. They agree. Then, the jailor enters and reports that Polly and Lucy want to speak with Macheath. (full context)
Act 3, Scene 15
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Lucy and Polly visit Macheath, who tells them to put the past behind them and go... (full context)