One Hundred Years of Solitude

by

Gabriel García Márquez

One Hundred Years of Solitude: Style 1 key example

Style
Explanation and Analysis:

In One Hundred Years of Solitude, Márquez adopts a style that blends elements of Latin American history with fiction, reflecting the conventions of the genre of magical realism. Throughout the novel, Márquez narrates Colombian history by tracing the personal histories of one specific family in the fictional town of Macondo, and by treating myth with the same seriousness as historical facts. Rather than a conventional history of a nation, then, Márquez’s version of national history is one that is deeply personal and which presents fact on an even footing with legend. 

Real historical events are reflected in the novel, but in strange and unusual ways. The arrival of the banana company to Macondo, for example, and the subsequent massacre of striking workers echo real events in Colombian history, specifically the 1928 Banana Massacre. However, García Márquez imbues these events with a layer of the surreal, such as the collective amnesia regarding the massacre, which leaves José Arcadio (II) the only person able to remember it, despite the "endless" number of trains carrying away the bodies of the slain workers. 

So too do many members of the Buendía family embody traits and fates that are emblematic of broader historical and cultural narratives. For instance, Colonel Aureliano Buendía's numerous revolutions and eventual disillusionment mirror the cycles of political upheaval and warfare in Latin America. However, his occasional ability to foresee the future, and his apparent inability to be killed, distinguish him from any real historical figure. His character, then, is both a fictional creation and a symbolic representation of the real-life figures who fought in similar revolutions, matching the style of the novel in general.