Night

by

Elie Wiesel

Night: Situational Irony 2 key examples

Chapter 3
Explanation and Analysis—On a Sunny Road:

The laborers that remain from the original group are transported from Auschwitz to Buna, and the men are forced to walk through several unbothered German villages on their journey. The story creates situational irony by describing this march of death in such an idyllic setting:

At ten o’clock, we were handed our daily ration of bread. A dozen or so SS surrounded us. At the gate, the sign proclaimed that work meant freedom. We were counted. And there we were, in the countryside, on a sunny road. In the sky, a few small white clouds.

We were walking slowly. The guards were in no hurry. We were glad of it. As we were passing through some of the villages, many Germans watched us, showing no surprise. No doubt they had seen quite a few of these processions…

As the prisoners walk to another camp of death—Buna—they feel the sun on their faces and see the clouds in the sky. Surrounding them is the German countryside, full of villagers who make no move to help them. The juxtaposition of such a pleasant setting against the destination of the journey is not only ironic but also disheartening. Eliezer mentions the countryside, the “sunny road,” and the “small white clouds” with a neutral connotation, almost numb. It is as if Eliezer can no longer appreciate the beauty of the world after the horrors he has witnessed. Even the sun in all its beauty can do nothing to dull the pain or brighten the darkness. With each march to a new concentration camp, Eliezer slips further and further into the void.

Chapter 5
Explanation and Analysis—Nothing But Ashes:

During Rosh Hashanah, many of the Jews pray together, but Eliezer no longer believes in any of the Jewish holidays or the Jewish faith altogether. With an ironic metaphor, the story depicts Eliezer’s declining relationship with God:

But now, I no longer pleaded for anything. I was no longer able to lament. On the contrary, I felt very strong. I was the accuser, God the accused. My eyes had opened and I was alone, terribly alone in a world without God, without man. Without love or mercy. I was nothing but ashes now, but I felt myself to be stronger than this Almighty to whom my life had been bound for so long. In the midst of these men assembled for prayer, I felt like an observer, a stranger.

Eliezer’s belief in God perishes as he watches an innocent boy die slowly by hanging. Eliezer not only completely loses his faith in God, but he also loses the need for God. Eliezer feels stronger that God, who he feels has been weak to allow so many Jews to be horribly killed. Despite being “nothing but ashes,” tortured and starved and scarred beyond repair, Eliezer is strong enough to recognize God’s weakness. The juxtaposition between being “alone,” “without love or mercy,” and yet being “stronger than this Almighty” is ironic, perhaps even paradoxical.

In Eliezer’s eyes, all that made him human before—desire, faith, love, companionship—allowed him to be weak. Every death and every moment of pain was an arrow to the heart, a blow to his soul. Now that he no longer has these human necessities and traits, he can no longer be affected with such intensity. He is a rock, emotionless and unbreakable, unaffected by the Gestapo, yet whittled down over time, all the same.  

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