Lady Chatterley’s Lover

by D. H. Lawrence
Oliver Mellors is the gamekeeper for Clifford’s Wragby estate and the man that Connie begins an affair with. Though Mellors is working-class, his years in the military have endowed him with a degree of sophistication and ease that most of the wealthier characters in the novel lack. This contradiction—between his rugged work and his effortless manners, his use of broad Midlands dialect and his razor-sharp mind—is what draws Connie to Mellors. Their bond is then strengthened by a shared passion for sex and particularly by Mellors’s appreciation of Connie’s body. Crucially, Mellors takes a much more traditional view of gender roles than Clifford, emphasizing sexual dominance as the key quality of masculinity. Because of these rigid views, Mellors loathes his estranged wife, Bertha Coutts, critiquing her for stubbornness and sexual aggressiveness. At the same time, however, Mellors is uniquely gentle with Connie, who praises him for being “kind to the female in her,” believing he is the rare man who has “the courage of [his] own tenderness.” Both Mellors’s quick temper and his intense warmth show that, unlike the even-keeled and mechanical Clifford, he is a man in tune with his own natural instincts.

Oliver Mellors Quotes in Lady Chatterley’s Lover

The Lady Chatterley’s Lover quotes below are all either spoken by Oliver Mellors or refer to Oliver Mellors. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Intellect vs. Bodily Experience Theme Icon
).

Chapter 5 Quotes

All the great words, it seemed to Connie, were cancelled for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now, and dying from day-to-day. Home was a place you lived in, love was the thing you didn't fool yourself about, joy was a word you applied to a good Charleston, happiness was a term of hypocrisy used to bluff other people […] As for sex, the last of the great words, it was just a cocktail term for an excitement that bucked you up for a while, then left you more raggy than ever. Frayed! It was as if the very material you were made of was cheap stuff, and was fraying out to nothing.

Related Characters: Oliver Mellors, Sir Clifford Chatterley, Lady Constance Chatterley, General Tommy Dukes
Page Number and Citation: 63
Explanation and Analysis:

Chapter 10 Quotes

Yet it was spring, and the bluebells were coming in the wood, and the leaf-buds on the hazels were opening like the spatter of green rain. How terrible it was that it should be spring, and everything cold-hearted, cold-hearted. Only the hens, fluffed so wonderfully on the eggs were warm with their hot, brooding female bodies! […]

Life, life! Pure, sparky, fearless new life! New life! So tiny and so utterly without fear! […]

Connie was fascinated. And at the same time, never had she felt so acutely the agony of her own female forlornness. It was becoming unbearable.

Related Characters: Oliver Mellors, Lady Constance Chatterley
Related Symbols: Flowers
Page Number and Citation: 112
Explanation and Analysis:

The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and whirring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron.

He thought with infinite tenderness of the woman. Poor thing, she too had some of the vulnerability of the wild hyacinth, she wasn't all tough rubber goods and platinum, like the modern girl. And they would do her in! As sure as life, they would do her in as they do in all naturally tender life. Tender! Somewhere she was tender.

Related Characters: Lady Constance Chatterley, Oliver Mellors
Related Symbols: Flowers, Clifford’s Wheelchair
Page Number and Citation: 124
Explanation and Analysis:

She could only wait, wait and moan in spirit as she felt him withdrawing, withdrawing and contracting […] her womb was open and soft, and slowly clamoring, like a sea anemone under the tide, clamoring for him to come in again and make a fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her […] and she lay there crying in unconscious inarticulate cries. The voice out of the uttermost night, the life! The man heard it beneath him with a kind of awe, as his life sprang out into her. And as it subsided, he subsided too and lay utterly still, unknowing, while her grip on him slowly relaxed, and she lay inert. And they lay and knew nothing, not even of each other, both lost.

Related Characters: General Tommy Dukes, Oliver Mellors, Lady Constance Chatterley, Sir Clifford Chatterley
Page Number and Citation: 140
Explanation and Analysis:

Chapter 11 Quotes

Yet Mellors had come from such a father. Not quite. Forty years had made difference, an appalling difference in manhood. The iron and the coal had eaten deep into the bodies and souls of men […]

Creatures of another reality, they were elementals, serving the elements of coal, as the metal workers were elementals, serving the element of iron. Men not men, but animus of coal and iron and clay. Fauna of the elements, carbon, iron, silicon: elementals. They had perhaps some of the weird, inhuman beauty of minerals, the lustre of coal, the weight and blueness and resistance of iron, the transparency of glass. Elemental creatures, weird and distorted, of the mineral world! They belong to the coal, the iron, the clay, as fish belonged to the sea and worms to dead wood. The anima of mineral disintegration!

Related Characters: Oliver Mellors, Lady Constance Chatterley, Sir Clifford Chatterley
Page Number and Citation: 169
Explanation and Analysis:

Chapter 12 Quotes

Oh, and far down inside her the deeps parted and rolled asunder, in long, far travelling billows, and ever, at the quick of her, the depths parted and rolled asunder and she was deeper and deeper and deeper disclosed, and heavier the billows of her rolled away to some shore, uncovering her, and closer and closer plunged the palpable unknown, and further and further whirled the waves of herself away from herself, leaving her, till suddenly, in a soft, shuddering convulsion, the quick of all her plasma was touched, she knew herself touched, the consummation was upon her, and she was gone. She was gone, she was not, and she was born: a woman.

Related Characters: Oliver Mellors, Lady Constance Chatterley
Page Number and Citation: 184
Explanation and Analysis:

Chapter 13 Quotes

“No, my child! All this is a romantic illusion. Aristocracy is a function, a part of fate. And the masses are functioning of another part of fate. The individual hardly matters. It is a question of which function you are brought up to and adapted to. It is not the individuals that make an aristocracy: it is the functioning of the aristocratic whole. And it is the functioning of the whole mass that makes the common man what he is.”

“Then there is no common humanity between us all!”

“Just as you like. We all need to fill our bellies. But when it comes to expressive or executive functioning, I believe there is a gulf and an absolute one, between the ruling and the serving classes. The two functions are opposed. And the functions determine the individual.”

Related Characters: Oliver Mellors (speaker), Lady Constance Chatterley (speaker), Sir Clifford Chatterley (speaker), General Tommy Dukes (speaker)
Page Number and Citation: 194
Explanation and Analysis:

And the chair began to advance slowly, joltingly down the beautiful broad riding over with blue encroaching hyacinths. Oh last of all ships, through the hyacinths in shallows! Opinions on the last wild waters, sailing in the last voyage of our civilization! Wither, oh weird wheeled ship, your slow course steering. Quiet and complacent, Clifford sat at the wheel of adventure: in his old black hat and tweed jacket, motionless and cautious. Oh captain, my Captain, our splendid trip is done! Not yet though! Downhill in the wake, came Constance in her grey dress, watching the chair jolt downwards.

Related Characters: Oliver Mellors, Sir Clifford Chatterley, Lady Constance Chatterley
Related Symbols: Flowers, Clifford’s Wheelchair
Page Number and Citation: 196
Explanation and Analysis:

Chapter 14 Quotes

“Did you hate Clifford?” She said at last. “Hate him, no! I’ve met too many like him to upset myself hating him. I know beforehand I don’t care for his sort, and I let it go at that.”

“What is his sort?”

“Nay, you know better than I do. The sort of youngish gentleman a bit like a lady, and no balls.”

“What balls? Balls! A man's balls!”

She pondered this.

“But is it a question of that?” she said, a little annoyed.

“You say a man’s got no brain, when he's a fool: and no heart, when he's mean; and no stomach when he’s a funker. And when he’s got none of that spunky wild bit of a man in him, you say he’s got no balls when he’s sort of tame.”

Related Characters: Oliver Mellors (speaker), Lady Constance Chatterley (speaker), Sir Clifford Chatterley
Related Symbols: Clifford’s Wheelchair
Related Literary Devices:
Page Number and Citation: 208
Explanation and Analysis:

“So proud!” she murmured, uneasy. “And so lordly! Now I know why men are so overbearing! But he's lovely, really. Like another being! A bit terrifying! But lovely really! And he came to me!”—She caught her lower lip between her teeth, in fear and excitement.

The man looked down in silence at the tense phallos, that did not change […]. “Tha ma’es nowt o’ me, John Thomas. Art boss? of me? Eh well, tha’rt more cocky than me, an’ that says less. John Thomas! Dost want her? Dost want my Lady Jane? […] Tell Lady Jane tha wants cunt. John Thomas, an’ th’ cunt o’ Lady Jane!”

Related Characters: Lady Constance Chatterley (speaker), Oliver Mellors (speaker)
Page Number and Citation: 223
Explanation and Analysis:

Chapter 15 Quotes

And he stuck flowers in the hair of his own body, and wound a bit of creeping-jenny round his penis, and stuck a single bell of a hyacinth in his naval. She watched him with amusement, his odd intentness. And she pushed a campion flower in his mustache, where it stuck, dangling under his nose.

“This is John Thomas marryin’ Lady Jane,” he said. “And we mun let Constance an’ Oliver go their separate ways. Maybe—”

[…] “Maybe what? Go on with what you were going to say,” she insisted.

“Ay, what was I going to say?”

He had forgotten. And it was one of the great disappointments of her life, that he never finished.

Related Characters: Lady Constance Chatterley (speaker), Oliver Mellors (speaker), Sir Clifford Chatterley, Hilda
Related Symbols: Flowers
Page Number and Citation: 242
Explanation and Analysis:

Chapter 16 Quotes

“But you'll be through with him in a while,” [Hilda] said, “and then you'll be ashamed of having been connected with him. One can’t mix up with the working people.”

“But you were such a socialist! You're always on the side of the working classes.”

“I may be on their side in a political crisis, but being on their side makes me know how impossible it is to mix one's life with theirs. Not out of snobbery, but just because the whole rhythm is different.”

Hilda had lived among the real political intellectuals, so she was disastrously unanswerable.

Related Characters: Sir Clifford Chatterley (speaker), Hilda (speaker), Oliver Mellors (speaker), Lady Constance Chatterley (speaker)
Page Number and Citation: 256
Explanation and Analysis:

It cost her an effort to let him have his way and his will of her. She had to be a passive, consenting thing, like a slave, a physical slave. Yet the passion licked round her, consuming, and when the sensual flame of it pressed through her bowels and breast, she really thought she was dying: yet a poignant, marvelous death.

[…] She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how oneself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.

Related Characters: Oliver Mellors, General Tommy Dukes, Lady Constance Chatterley
Page Number and Citation: 263
Explanation and Analysis:

Chapter 18 Quotes

“Shall I tell you?” [Connie] said, looking into his face. “Shall I tell you what you have that other men don't have, and that will make the future? Shall I tell you? […] It's the courage of your own tenderness, that’s what it is: like when you put your hand on my tail and say I’ve got a pretty tail.”

Related Characters: Lady Constance Chatterley (speaker), Sir Clifford Chatterley, Oliver Mellors
Page Number and Citation: 295
Explanation and Analysis:

Chapter 19 Quotes

If things go on as they are, there’s nothing lies in the future but death and destruction, for these industrial masses. I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us.

Related Characters: Oliver Mellors (speaker), Lady Constance Chatterley
Related Literary Devices:
Page Number and Citation: 321
Explanation and Analysis:
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Oliver Mellors Character Timeline in Lady Chatterley’s Lover

The timeline below shows where the character Oliver Mellors appears in Lady Chatterley’s Lover. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 5
Catastrophe, Continuity, and Tradition  Theme Icon
...“the sudden rush of a threat out of nowhere.” Connie learns that this is Oliver Mellors, Clifford’s new gamekeeper.  (full context)
Class, Consumerism, and Money Theme Icon
Though Mellors has been at Wragby for eight months, this is the first time he and Connie... (full context)
Intellect vs. Bodily Experience Theme Icon
Gender and Sexuality Theme Icon
Mellors begins pushing Clifford, in his wheelchair, back towards the house, and Connie runs ahead to... (full context)
Nature vs. Machinery Theme Icon
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At lunch that day, Connie asks Clifford about Mellors. Clifford explains that Mellors was a blacksmith in town before joining the army during World... (full context)
Chapter 6
Catastrophe, Continuity, and Tradition  Theme Icon
...sound of a gunshot, followed by voices arguing. When Connie investigates the sound, she finds Mellors, arguing with a little girl in thick dialect. In an effort to cheer the girl... (full context)
Class, Consumerism, and Money Theme Icon
The girl, who introduces herself as Connie Mellors, keeps crying, so Connie offers to take her to her Gran’s house. Connie can’t help... (full context)
Nature vs. Machinery Theme Icon
...trees that seem to be patiently awaiting death. She realizes that she has stumbled upon Mellors’s cottage, and the plume of smoke coming from the chimney indicates that he is home.... (full context)
Intellect vs. Bodily Experience Theme Icon
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Connie sees that Mellors is washing himself, shirtless, in the backyard. Though it is by no means unusual for... (full context)
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Eventually, Connie loops back to the cottage. Mellors, now dressed, invites her inside. Mellors explains that he lives in this cottage alone, as... (full context)
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Connie continues to wonder about Mellors, who at once seems so rugged and so unlike a member of the lower classes.... (full context)
Chapter 8
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...to go explore the daffodils. As Connie heads into the meadow, she is reminded of Mellors’s shirtless body—“like a lonely pistil of an invisible flower.” For the first time in months,... (full context)
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Gender and Sexuality Theme Icon
...and violets) that have sprung up in the hard ground. When she at last reaches Mellors’s cabin, Connie heads to the back, where the daffodils are. The house is empty, but... (full context)
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Gender and Sexuality Theme Icon
...unexpected hammering, and she follows the sound towards a secret little hut in the woods. Mellors is there with his dog, and Connie asks if she can stay for a bit.... (full context)
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Quickly and skillfully, Mellors builds a new chicken coop and takes apart the old, battered ones. Connie is impressed... (full context)
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...key so that she could come and go from the hut as she pleases, but Mellors makes this sound like an impossibility. This offends Connie, and she leaves; as she goes,... (full context)
Intellect vs. Bodily Experience Theme Icon
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...the flowers’ reality. Connie asks Clifford about another key to the hut and confesses that Mellors was a little rude to her today. (full context)
Intellect vs. Bodily Experience Theme Icon
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Clifford believes that Mellors has internalized his high status in the military (where he was patronized by a powerful... (full context)
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...hut anyway. At first she is alone, but gradually, the brown spaniel arrives, followed by Mellors. Mellors worries that Connie has been waiting out in the rain, but she protests that... (full context)
Intellect vs. Bodily Experience Theme Icon
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Connie asks Mellors why he speaks in dialect instead of “ordinary” English, and Mellors replies that his version... (full context)
Chapter 10
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Gender and Sexuality Theme Icon
...the house, Connie starts going to the hut in the woods more and more often. Mellors still keeps his distance from Connie, blaming his lingering cough for his lack of socialization.... (full context)
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...reminding her of her own “agony.” In one of her jaunts to see the chickens, Mellors shows her how to hold the baby birds, who attack Connie but seem more peaceful... (full context)
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Almost against his will, Mellors lays a hand on Connie’s knee to comfort her. As soon as he does so,... (full context)
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Though only Mellors orgasms, Connie cannot help feeling that this moment has “lifted a great cloud from her... (full context)
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Connie is worried that Mellors regrets their encounter, but Mellors explains that he is just worried that Clifford might find... (full context)
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Then again, Mellors does feel warmly towards Connie—he mostly blames his anger on the engines and electrical lights.... (full context)
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Mellors gets home, starts a fire, and eats his simple dinner. Though he tries to read... (full context)
Intellect vs. Bodily Experience Theme Icon
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...room. At last, Connie can think about what has just happened. She feels that though Mellors is not very kind to her when they speak, he is “kind to the female... (full context)
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Catastrophe, Continuity, and Tradition  Theme Icon
...in the trees, upwards, up, up to the bud-tips.” She goes to the clearing, but Mellors is not there; when she returns home for lunch, Clifford is just listening to the... (full context)
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When Mellors finally arrives, he speaks to Connie in dialect, wondering aloud if her frequent visits to... (full context)
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Mellors touches Connie under her dress, and Connie is awed by the “beauty” Mellors finds in... (full context)
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Mellors tries to keep Connie warm with his legs, worrying that she is cold. When she... (full context)
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Connie does not go to the woods on the following days, either, overwhelmed by Mellors’s desire. When she gets bored, she decides to take a walk in the opposite direction,... (full context)
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Class, Consumerism, and Money Theme Icon
...head home. As she goes, Connie notices an empty milk bottle—which Mrs. Flint fills for Mellors to pick up most mornings. (full context)
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...Flint’s motherhood. Before she can get lost in her thoughts, however, she is stopped by Mellors, who embraces her tightly. Mellors wonders if Connie is giving him the “slip,” and he... (full context)
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...Michaelis), she is overwhelmed by sensation, and she realizes that she can “only wait” for Mellors to withdraw and enter her again. Both of them orgasm at the same time: and... (full context)
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Now, Mellors remarks on their shared orgasm (“we came off together”); he believes that this is a... (full context)
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At the same time, Connie feels that the real power belongs to her, and that Mellors is merely “the phallos-bearer” she needs to access her true depths. She thinks of the... (full context)
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Connie refuses to bathe that night, wanting instead to keep Mellors’s body on her. Clifford finds Connie’s new mood intoxicating, and he wants to read Racine... (full context)
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Connie is fast asleep, but Mellors is awake. He thinks about his “brutal” wife (Bertha Coutts), whom he has not seen... (full context)
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Worst of all, Mellors knows his situation with Connie is hopeless: they will only get closer and closer, even... (full context)
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Even after his walk, Mellors cannot sleep—he wants nothing but to have Connie with him. So he walks over to... (full context)
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Mellors, frustrated that Connie is not coming to him, turns around and heads home. Meanwhile, Mrs.... (full context)
Chapter 11
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...head. Silently, Mrs. Bolton wonders if Connie is actually going to have a baby with Mellors instead of her husband. (full context)
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...that she will return (though the real reason for her passion is her commitment to Mellors, not to her husband). Connie also thinks that a trip to Venice might give her... (full context)
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...the same time, Connie has no real desire to go away, preferring to stay with Mellors. She laments that her life is always “arranged” for her: “wheels that worked one and... (full context)
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...have was bred and killed out of them,” ruined by the iron and coal. Only Mellors feels different to Connie. (full context)
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The next morning, Connie is surprised to see Mellors’s dog in the halls of Wragby—and even more surprised when she sees Mellors talking to... (full context)
Chapter 12
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After lunch, Connie goes into the woods again, which are overflowing with flowers. Mellors is not at his hut, so she goes to his cottage, where he is eating... (full context)
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In an attempt to get to the bottom of Mellors’s mood, Connie asks why he continues as a game-keeper. Mellors explains that though he could... (full context)
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Connie then describes her conversation with Clifford about having a child, even telling Mellors her plan to pretend the father is someone she met in Venice. Mellors, feeling that... (full context)
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Catastrophe, Continuity, and Tradition  Theme Icon
...frustrated—so frustrated, in fact, that after tea-time she returns to the hut in search of Mellors. He is there, tending to the hens. Connie is touched by the “blind devotion” of... (full context)
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Mellors begins kissing Connie’s breasts, sighing that “tha’rt nice!” But for some reason, Connie does not... (full context)
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Connie sobs that she can never love Mellors, though this sentiment does not seem to bother him. Instead, he just gets dressed, speaking... (full context)
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Mellors embraces Connie again, and she melts in his arms, becoming small and vulnerable. This vulnerability... (full context)
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Similarly, once Mellors rolls over, Connie is struck by his “strange potency of manhood.” She touches all of... (full context)
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As they get dressed, Mellors says, “I love thee that I can go into thee.” But when Connie presses for... (full context)
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Mellors praises Connie as the “best bit o’ cunt left on earth.” Connie does not know... (full context)
Chapter 13
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...and Clifford pass by the cottage, Connie is surprised to hear someone whistle behind her. Mellors appears, unseen by Clifford, to ask if Clifford plans to come to the cottage. Connie... (full context)
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...he exclaims, “if it has to be pushed!” Connie suggests that Clifford should call for Mellors to help fix the wheelchair; Clifford again refuses, instead fiddling hopelessly with the motor. A... (full context)
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Mellors lies on his back under the wheelchair, trying to fix the motor, and Connie notes... (full context)
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...everybody’s mercy!” Then Clifford collects himself and, with a tone of cold superiority, he asks Mellors to push him, in the wheelchair, back to Wragby. Mellors does so, though Connie sees... (full context)
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As Connie and Mellors work, Connie looks over at Mellors’s hand on the wheelchair. Though this hand has touched... (full context)
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...this feeling frees and emboldens her. Connie no longer cares who notices her closeness with Mellors, and she feels that this moment of shared labor has brought them closer than ever... (full context)
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At lunch, Connie lashes out at Clifford for treating Mellors so poorly. Clifford expresses no guilt, believing that because he pays Mellors he has a... (full context)
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...while Clifford and Mrs. Bolton gamble, Connie slips out of Wragby and heads, secretly, towards Mellors’s cottage. (full context)
Chapter 14
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When Connie gets to the gate, Mellors is already there. As they walk back to the cottage, Connie worries again that Mellors... (full context)
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Mellors offers Connie food, but she is not hungry. He then tries to feed his dog,... (full context)
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Mellors likes this plan, so he takes the picture off the wall and begins to disassemble... (full context)
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Finally, Mellors tells Connie the story of his past romances. When he was young, he fell in... (full context)
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Mellors met Bertha Coutts when he was 21, working as a blacksmith, like his father before... (full context)
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But after a while, Bertha started to resent how much Mellors enjoyed having sex with her, and the two began to squabble, even occasionally getting into... (full context)
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Soon after their child was born, Mellors left for the war, and he refused to come back until he knew that Bertha... (full context)
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Mellors confesses that though he sometimes fears what will happen once he and Connie get more... (full context)
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Mellors goes outside with the dog, and Connie takes a moment alone, too. Then they cuddle... (full context)
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...aloud what has happened to make her lover so nasty. Seeing Connie’s real sadness melts Mellors, and he takes her in his arms, feeling for her vagina under her dress. As... (full context)
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The next morning, Connie is almost surprised to realize that she is still in Mellors’s cottage. Mellors, grateful for the new day, strokes Connie’s breasts and takes off her nightgown.... (full context)
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Connie particularly admires Mellors’s penis, which she reflects is “like another being […] a bit terrifying!” Mellors now names... (full context)
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Mellors and Connie have sex again. When they have both finished, Connie hears the sounds of... (full context)
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Connie again looks around the room, noticing Mellors’s books: he has works on Bolshevist Russia, on atoms and electrons and the causes of... (full context)
Chapter 15
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Indeed, privately, Connie and Mellors plot for her to leave Clifford almost as soon as she returns. Mellors wants to... (full context)
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Mellors again discusses the link between the popular hunger for money and the death of real... (full context)
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Connie makes Mellors promise to have hope for their future, and her passion arouses him. While they snuggle,... (full context)
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...night clothes. As she does so, she feels a little triumphant in her knowledge that Mellors’s sadness is linked to her going away, even though he does not say so. Invigorated,... (full context)
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Mellors goes back to the house, but Connie takes her time in joining him, picking flowers... (full context)
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Now it is Mellors’s turn to weave flowers into Connie’s pubic hair; he wants to make sure she will... (full context)
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Moreover, Mellors informs Connie that he has gone to a lawyer about his divorce—and the lawyer has... (full context)
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Connie and Mellors go back to cuddling, giving each other new nicknames: Connie calls Mellors the “Knight of... (full context)
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Connie desperately wants Mellors to finish his sentence, but he doesn’t. This cliffhanger is one of the biggest disappointments... (full context)
Chapter 16
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...caught in the rain. Mrs. Bolton, of course, knows that Connie has actually been with Mellors. (full context)
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...and took a shower in the rain, leaving out that she took this shower with Mellors. (full context)
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...body behind in favor of high-minded mental pursuits. But all Connie can think about is Mellors, particularly his praise of her “arse.” Unlike talking to Mellors, Connie feels that conversation with... (full context)
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As Clifford wistfully imagines vanishing into abstract form, Connie—still thinking of Mellors’s words—insists that she likes her body. Clifford feels that it is cruel for Connie to... (full context)
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It is almost time for Connie to head off. First, she tells Mellors that if everything looks like it will work out for their last night together, she... (full context)
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...thinks Connie should appreciate her husband’s impotency. And when Connie challenges her sister’s distaste for Mellors on a political level—“you’re always on the side of the working classes!”—Hilda insists that she... (full context)
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...has checked in to a nearby hotel, the two sisters drive down the road near Mellors’s cottage. Connie introduces her sister to her lover, and the three walk in total silence... (full context)
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The conversation quickly sours after Hilda accuses Mellors’s dialect of sounding “a little affected.” Mellors strikes back that Hilda will criticize anything he... (full context)
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Mellors, angered by this, starts using explicitly sexual language to describe his relationship with Connie, which... (full context)
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...it is rougher and more sensual than usual. Connie feels that she needs to be Mellors’s “passive, consenting thing” in order to burn out all the “deepest, oldest shames” she carries.... (full context)
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Connie goes to sleep. The next morning, she is woken by Mellors’s lustful gaze. For the first time, Connie sees herself from Mellors’s perspective, and the voluptuous... (full context)
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The postman arrives, bringing some photographs from British Columbia; this is one of the places Mellors thinks they could go to after leaving Wragby. Slowly, the two of them get dressed... (full context)
Chapter 17
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...that idea seems boring to Connie. Hilda feels that Connie has become a “slave” to Mellors’s desires, while Connie uses her resentment of Hilda to conjecture that she must resent all... (full context)
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...Connie observes her father’s masculinity in his strong—albeit aging—legs. She realizes that her time with Mellors has made her newly attuned to “the existence of legs.” (full context)
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...by the Americans and English, all of whom lack “tenderness.” Indeed, Connie now agrees with Mellors that people are “alike” everywhere; even travel, supposedly leisure, feels determined and money-grubbing. Connie wishes... (full context)
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...“stupefying” about the way her body feels. And second, Clifford writes to inform Connie that Mellors’s wife, hearing that Mellors had started on a divorce, returned and claimed residency in his... (full context)
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Mrs. Bolton writes back clarifying the story. Apparently, Bertha broke into Mellors’s cottage, forcing Mellors to stay with his mother. While at the cottage, Bertha found evidence... (full context)
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...good sex—“it’s the one insane taboo left.” Duncan’s words allow Connie to feel fondly towards Mellors again, and she impulsively includes a note to him in her next letter to Mrs.... (full context)
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...being a bottom-feeder, obsessed with the lowest gossip; he also hints that he is firing Mellors because of the rumors. Clifford even shares a particularly odd conversation he had with Mellors:... (full context)
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Connie is irritated and confused until she gets a letter from Mellors himself. Mellors’s letter clarifies what exactly Bertha knows; she found Connie’s initials (‘C.S.R.’) scribbled all... (full context)
Chapter 18
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Despite her confused emotions, Connie makes a plan: she will leave Venice to meet Mellors in London. Connie travels back with Sir Malcolm, revealing on the trip that she no... (full context)
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Connie and Mellors reunite, and she is surprised at how easily he blends into his nice clothes and... (full context)
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Connie teases Mellors by saying she could easily go back to Wragby and raise the baby as Clifford’s... (full context)
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This statement makes Mellors happy, and he brings Connie back to his rented room. While they have sex, Connie... (full context)
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...having sex, Connie wants to hear about Bertha Coutts. She is worried that, just as Mellors once cared for Bertha and now loathes her, he will turn against her. But Mellors... (full context)
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...fought for his family’s own wealth and status, is frustrated, especially because he fears that Mellors is a gold-digger. Still, Malcolm helps his daughter with her next steps: she will get... (full context)
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Though neither Mellors nor Sir Malcolm particularly wants to meet, both agree it is necessary. After the men... (full context)
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The next day, Mellors has lunch with Hilda, who is much less welcoming. To Connie’s surprise, Hilda rushes to... (full context)
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When the quartet has dinner, Mellors is struck by Duncan’s personality (like a “taciturn Hamlet”) and his art, which is all... (full context)
Chapter 19
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...to believe that she really loves Duncan Forbes. So Connie confesses the truth: she loves Mellors. (full context)
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...it is clear that he has known, deep down, that the rumors about Connie and Mellors were true. Clifford hates the idea that Connie would marry this working-class man, much less... (full context)
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...does so, saying goodbye to Mrs. Bolton and resolving to wait for six months until Mellors’s divorce comes through. The plan is that he will work farming jobs, saving up enough... (full context)
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In a letter, Mellors tells Connie about the farm he is working on. He likes the owners, who are... (full context)
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Indeed, Mellors feels that the one thing that gives him hope for the future is believing in... (full context)
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Mellors ends his letter by promising Connie that he will keep his faith in “the little... (full context)