Alan’s French clothes symbolize defiance and the burden of political allegiance. They are elegant, impractical, and dangerously conspicuous, marking him as a Jacobite and a target in British-controlled Scotland. Yet Alan refuses to part with them, insisting they reflect his dignity and moral convictions, not just his politics. His outfit often draws suspicion and limits his ability to hide, but to Alan, abandoning the clothes would mean abandoning himself. The clothes strain his friendship with David, who grows frustrated with the risk they create, but Alan’s refusal reveals the depth of his pride and identity. Even when James Stewart urges him to change, Alan persists. His costume, both admired and resented, becomes a visible declaration of honor, vanity, and loyalty—qualities that define Alan and complicate every step of his journey.
