Kanthapura

by

Raja Rao

Achakka Character Analysis

The story’s narrator is a woman from the village of Kanthapura. She reveals little about herself, but she is an elder and brahmin who is very familiar with everyone in her village. She calls other characters by a variety of epithets, especially their physical characteristics (“pock-marked Sidda”) and the places they live (“corner-house Moorthy”). Her narration is circuitous and digressive, full of flashbacks and endless sentences she composes by joining often unrelated ideas with “and.” At the beginning of the book, she sympathizes with the brahmins who see Moorthy’s belief in equality as a form of pollution, but later in the book she helps lead the women’s rebellion against the colonial police forces. Through Achakka’s stream-of-consciousness style of narration, the author gives Kanthapura’s story the form of a sthala-purana—an oral, legendary, local history.

Achakka Quotes in Kanthapura

The Kanthapura quotes below are all either spoken by Achakka or refer to Achakka. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Oral Tradition, Writing, and Political Power Theme Icon
).
Foreword Quotes

We have neither punctuation nor the treacherous “ats” and “ons” to bother us—we tell one interminable tale. Episode follows episode, and when our thoughts stop our breath stops, and we move on to another thought. This was and still is the ordinary style of our story-telling. I have tried to follow it myself in this story.

Related Characters: Achakka
Page Number: vi
Explanation and Analysis:
Section 1 Quotes

Our village—I don’t think you have ever heard about it—Kanthapura is its name, and it is in the province of Kara. High on the Ghats it is, high up the steep mountains that face the cool Arabian seas, up the Malabar coast it is, up Mangalore and Puttur and many a centre of cardamom and coffee, rice and sugarcane. Roads, narrow, dusty, rut-covered roads, wind through the forests of teak and of jack, of sandal and of salt, and hanging over bellowing gorges and leaping over elephant-haunted valleys, they now turn to the left and now to the right and bring you through the Alambè and Champa and Mena and Kola passes into the great granaries of trade. There, on the blue waters, they say, our carted cardamoms and coffee get into the ships the Red-men bring, and, so they say, they go across the seven oceans into the countries where our rulers live.

Related Characters: Achakka (speaker)
Page Number: 1
Explanation and Analysis:

Sometimes people say to themselves, the Goddess of the River plays through the night with the Goddess of the Hill. Kenchamma is the mother of Himavathy. May the goddess bless us!

Related Characters: Achakka (speaker), Kenchamma
Related Symbols: Kenchamma Hill, The River Himavathy
Page Number: 1
Explanation and Analysis:

Till now I’ve spoken only of the Brahmin quarter. Our village had a Pariah quarter too, a Potters’ quarter, a Weavers’ quarter, and a Sudra quarter. How many huts had we there? I do not know. There may have been ninety or a hundred—though a hundred may be the right number. Of course you wouldn’t expect me to go into the Pariah quarter, but I have seen from the street-corner Beadle Timmayya’s hut.

Related Characters: Achakka (speaker), Moorthy, Beadle Timmayya
Page Number: 5
Explanation and Analysis:

I closed my ears when I heard [Moorthy] went to the Pariah quarter. We said to ourselves, he is one of these Gandhi-men, who say there is neither caste nor clan nor family, and yet they pray like us and they live like us. Only they say, too, one should not marry early, one should allow widows to take husbands and a Brahmin might marry a pariah and a pariah a Brahmin. Well, well, let them say it, how does it affect us? We shall be dead before the world is polluted. We shall have closed our eyes.

Related Characters: Achakka (speaker), Moorthy, Mahatma Gandhi
Page Number: 10
Explanation and Analysis:
Section 4 Quotes

There was something deep and desperate that hurried her on, and [Narsamma] passed by Rangamma’s sugarcane field and by the mango grove to the river, just where the whirlpool gropes and gurgles, and she looked up at the moonlit sky, and the winds of the night and the shadows of the night and the jackals of the night so pierced her breast that she shuddered and sank unconscious upon the sands, and the cold so pierced her that the next morning she was dead.

Related Characters: Achakka (speaker), Moorthy, The Swami, Narsamma
Page Number: 46
Explanation and Analysis:
Section 5 Quotes

The Skeffington Coffee Estate rises beyond the Bebbur Mound over the Bear’s Hill, and hanging over Tippur and Subbur and Kantur, it swings round the Elephant Valley, and rising to shoulder the Snow Mountains and the Beda Ghats, it dips sheer into the Himavathy, and follows on from the Balepur Toll-gate Corner to the Kenchamma Hill, where it turns again and skirts Bhatta Devil’s fields and Rangè Gowda’s coconut garden, and at the Tippur stream it rises again and is lost amidst the jungle growths of the Horse-head Hill.

Related Characters: Achakka (speaker)
Page Number: 48
Explanation and Analysis:

And they all rose up like one rock and fell on the ground saying, “You are a dispenser of good, O Maharaja, we are the lickers of your feet…”

Related Characters: Achakka (speaker), Sahib, Maistri, Coolie Chenna
Page Number: 50
Explanation and Analysis:

[Pariah Siddayya] tells you about the dasara havu that is so clever that he got into the Sahib’s drawer and lay there curled up, and how, the other day, when the sahib goes to the bathroom, a lamp in his hand, and opens the drawer to take out some soap, what does he see but our Maharaja, nice and clean and shining with his eyes glittering in the lamplight, and the Sahib, he closes the drawer as calmly as a prince; but by the time he is back with his pistol, our Maharaja has given him the slip. And the Sahib opens towel after towel to greet the Maharaja, but the Maharaja has gone on his nuptial ceremony and he will never be found.

Related Characters: Achakka (speaker), Sahib, Potter Siddayya
Page Number: 52
Explanation and Analysis:

What is a policeman before a Gandhi’s man? Tell me, does a boar stand before a lion or a jackal before an elephant?

Related Characters: Achakka (speaker), Rachanna, Badè Khan, Sahib, Vasudev
Page Number: 60
Explanation and Analysis:
Section 17 Quotes

The whole world seems a jungle in battle, trees rumbling, lions roaring, jackals wailing, parrots piping, panthers screeching, monkeys jabbering, jeering, chatter-chattering, black monkeys and white monkeys and the long-tailed ones, and the flame of forest angry around us, and if Mother Earth had opened herself and said, “Come in, children,” we should have walked down the steps and the great rock would have closed itself upon us—and yet the sun was frying-hot.

Related Characters: Achakka (speaker)
Page Number: 156
Explanation and Analysis:
Section 19 Quotes

It is the way of the masters that is wrong. And I have come to realize bit by bit, and bit by bit, when I was in prison, that as long as there will be iron gates and barbed wires round the Skeffington Coffee Estate, and city cars that can roll up the Bebbur Mound, and gas-lights and coolie cars, there will always be pariahs and poverty.

Related Characters: Moorthy (speaker), Achakka, Rangamma
Page Number: 188-9
Explanation and Analysis:
Get the entire Kanthapura LitChart as a printable PDF.
Kanthapura PDF

Achakka Quotes in Kanthapura

The Kanthapura quotes below are all either spoken by Achakka or refer to Achakka. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Oral Tradition, Writing, and Political Power Theme Icon
).
Foreword Quotes

We have neither punctuation nor the treacherous “ats” and “ons” to bother us—we tell one interminable tale. Episode follows episode, and when our thoughts stop our breath stops, and we move on to another thought. This was and still is the ordinary style of our story-telling. I have tried to follow it myself in this story.

Related Characters: Achakka
Page Number: vi
Explanation and Analysis:
Section 1 Quotes

Our village—I don’t think you have ever heard about it—Kanthapura is its name, and it is in the province of Kara. High on the Ghats it is, high up the steep mountains that face the cool Arabian seas, up the Malabar coast it is, up Mangalore and Puttur and many a centre of cardamom and coffee, rice and sugarcane. Roads, narrow, dusty, rut-covered roads, wind through the forests of teak and of jack, of sandal and of salt, and hanging over bellowing gorges and leaping over elephant-haunted valleys, they now turn to the left and now to the right and bring you through the Alambè and Champa and Mena and Kola passes into the great granaries of trade. There, on the blue waters, they say, our carted cardamoms and coffee get into the ships the Red-men bring, and, so they say, they go across the seven oceans into the countries where our rulers live.

Related Characters: Achakka (speaker)
Page Number: 1
Explanation and Analysis:

Sometimes people say to themselves, the Goddess of the River plays through the night with the Goddess of the Hill. Kenchamma is the mother of Himavathy. May the goddess bless us!

Related Characters: Achakka (speaker), Kenchamma
Related Symbols: Kenchamma Hill, The River Himavathy
Page Number: 1
Explanation and Analysis:

Till now I’ve spoken only of the Brahmin quarter. Our village had a Pariah quarter too, a Potters’ quarter, a Weavers’ quarter, and a Sudra quarter. How many huts had we there? I do not know. There may have been ninety or a hundred—though a hundred may be the right number. Of course you wouldn’t expect me to go into the Pariah quarter, but I have seen from the street-corner Beadle Timmayya’s hut.

Related Characters: Achakka (speaker), Moorthy, Beadle Timmayya
Page Number: 5
Explanation and Analysis:

I closed my ears when I heard [Moorthy] went to the Pariah quarter. We said to ourselves, he is one of these Gandhi-men, who say there is neither caste nor clan nor family, and yet they pray like us and they live like us. Only they say, too, one should not marry early, one should allow widows to take husbands and a Brahmin might marry a pariah and a pariah a Brahmin. Well, well, let them say it, how does it affect us? We shall be dead before the world is polluted. We shall have closed our eyes.

Related Characters: Achakka (speaker), Moorthy, Mahatma Gandhi
Page Number: 10
Explanation and Analysis:
Section 4 Quotes

There was something deep and desperate that hurried her on, and [Narsamma] passed by Rangamma’s sugarcane field and by the mango grove to the river, just where the whirlpool gropes and gurgles, and she looked up at the moonlit sky, and the winds of the night and the shadows of the night and the jackals of the night so pierced her breast that she shuddered and sank unconscious upon the sands, and the cold so pierced her that the next morning she was dead.

Related Characters: Achakka (speaker), Moorthy, The Swami, Narsamma
Page Number: 46
Explanation and Analysis:
Section 5 Quotes

The Skeffington Coffee Estate rises beyond the Bebbur Mound over the Bear’s Hill, and hanging over Tippur and Subbur and Kantur, it swings round the Elephant Valley, and rising to shoulder the Snow Mountains and the Beda Ghats, it dips sheer into the Himavathy, and follows on from the Balepur Toll-gate Corner to the Kenchamma Hill, where it turns again and skirts Bhatta Devil’s fields and Rangè Gowda’s coconut garden, and at the Tippur stream it rises again and is lost amidst the jungle growths of the Horse-head Hill.

Related Characters: Achakka (speaker)
Page Number: 48
Explanation and Analysis:

And they all rose up like one rock and fell on the ground saying, “You are a dispenser of good, O Maharaja, we are the lickers of your feet…”

Related Characters: Achakka (speaker), Sahib, Maistri, Coolie Chenna
Page Number: 50
Explanation and Analysis:

[Pariah Siddayya] tells you about the dasara havu that is so clever that he got into the Sahib’s drawer and lay there curled up, and how, the other day, when the sahib goes to the bathroom, a lamp in his hand, and opens the drawer to take out some soap, what does he see but our Maharaja, nice and clean and shining with his eyes glittering in the lamplight, and the Sahib, he closes the drawer as calmly as a prince; but by the time he is back with his pistol, our Maharaja has given him the slip. And the Sahib opens towel after towel to greet the Maharaja, but the Maharaja has gone on his nuptial ceremony and he will never be found.

Related Characters: Achakka (speaker), Sahib, Potter Siddayya
Page Number: 52
Explanation and Analysis:

What is a policeman before a Gandhi’s man? Tell me, does a boar stand before a lion or a jackal before an elephant?

Related Characters: Achakka (speaker), Rachanna, Badè Khan, Sahib, Vasudev
Page Number: 60
Explanation and Analysis:
Section 17 Quotes

The whole world seems a jungle in battle, trees rumbling, lions roaring, jackals wailing, parrots piping, panthers screeching, monkeys jabbering, jeering, chatter-chattering, black monkeys and white monkeys and the long-tailed ones, and the flame of forest angry around us, and if Mother Earth had opened herself and said, “Come in, children,” we should have walked down the steps and the great rock would have closed itself upon us—and yet the sun was frying-hot.

Related Characters: Achakka (speaker)
Page Number: 156
Explanation and Analysis:
Section 19 Quotes

It is the way of the masters that is wrong. And I have come to realize bit by bit, and bit by bit, when I was in prison, that as long as there will be iron gates and barbed wires round the Skeffington Coffee Estate, and city cars that can roll up the Bebbur Mound, and gas-lights and coolie cars, there will always be pariahs and poverty.

Related Characters: Moorthy (speaker), Achakka, Rangamma
Page Number: 188-9
Explanation and Analysis: