Fire on the Mountain

by

Anita Desai

Animals Symbol Icon

The animals that roam the countryside around Carignano represent both freedom and chaos. On the one hand, they’re unencumbered by human emotions or connections—at least those that remain wild, like the cuckoos at the burned cottage, the hoopoes in the eaves of the house, or the wild monkeys and jackals that live in the ravine. Caged animals, on the other hand, like the bears and leopards Nanda Kaul claims her father kept, stand for people imprisoned by convention and the stories they tell about themselves. Nanda Kaul herself relates to these animals, having long felt trapped and unfulfilled in life. Because she instinctively identifies with—and longs for—the kind of freedom wild animals possess, Raka becomes upset when the stories feature caged bears or leopards.

But the animals also represent the chaotic forces that shape a person’s life without their input or control. The langur monkeys descend from the trees on unsuspecting homes, where they are capable of great destruction if no one stops them. The jackals in the ravine frustrate the attempts of the scientists and doctors at the Pasteur Institute to eradicate rabies precisely because they cannot be controlled. These animals shape the lives of the humans in their vicinity, just as the events that lie outside of a person’s control—the illness of a parent, the loss of a family fortune, or the loneliness of being misunderstood and unappreciated, for instance—shape the lives of Raka, Ila Das, and Nanda Kaul.

Animals Quotes in Fire on the Mountain

The Fire on the Mountain quotes below all refer to the symbol of Animals. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Nature of Freedom  Theme Icon
).
Part 2, Chapter 1 Quotes

Commotion preceded her like a band of langurs. Only it took the form of schoolboys who were unfortunately let out from school at just the same time as Ila das was proceeding toward Carignano with her uneven, rushing step, in her ancient white court shoes, prodding the tip of her great brown umbrella into the dust with an air of faked determination. Like langurs, the boys swung about her, long-armed, careless, insulting. They hooted at her little grey topknot that wobbled on top of her head, at her spectacles that slipped down to the tip of her nose and were only prevented from falling off by an ancient purple ribbon looped over her ears, at the grey rag of the petticoat that gaped dismally beneath the lace hem of her sari—at everything, in short, that was Ila Das. […] She said only harmless things like “I’ll tell your teacher—I know your Principal […]”

Related Characters: Nanda Kaul , Ila Das
Related Symbols: Animals
Page Number: 117-118
Explanation and Analysis:
Part 2, Chapter 5 Quotes

The refuse that the folds of the gorge held and slowly ate and digested was of interest too. There were splotches of blood, there were yellow stains oozing through paper, there were bones and the mealy ashes of bones. Tins of Tulip ham and Kissan jam. Broken china, burnt kettles, rubber tyres and bent wheels.

Once she came upon a great, thick yellow snake poured in rings upon itself, basking on the sunned top of a flat rock. She watched it for a long while, digging her toes into the slipping red soil, keeping still the long wand of broom she held in her hand. She had seen the tips of snakes’ tails parting the cracks of rocks, she had seen slit eyes watching her from grottoes of shade, but she had never seen the whole creature before.

Related Characters: Raka
Related Symbols: Animals, Ravine
Page Number: 53-54
Explanation and Analysis:
Part 2, Chapter 11 Quotes

Somewhere behind them, behind it all, was her father, home from a party, stumbling and crashing through the curtains of night, his mouth opening to let out a flood of rotten stench, beating at her mother with hammers and fists of abuse—harsh, filthy abuse that made Raka cower under her bedclothes and wet the mattress in fright, feeling the stream of urine warm and weakening between her legs like a stream of blood, and her mother lay down on the floor and shut her eyes and wept. Under her feet, in the dark, Raka felt that flat, wet jelly of her mother’s being squelching and quivering, so that she didn’t know where to put her feet and wept as she tried to get free of it. Ahead of her, no longer on the ground but at some distance now, her mother was crying. Then it was a jackal crying.

Related Characters: Raka, Ram Lal, Tara
Related Symbols: Animals
Page Number: 78-79
Explanation and Analysis:
Part 2, Chapter 18 Quotes

It was the ravaged, destroyed and barren spaces in Kasauli that drew her: the ravine where yellow snakes slept under grey rocks and agaves growing out of the dust and rubble, the skeletal pines that rattled in the wind, the wind-levelled hilltops and the seared remains of the safe, cozy, civilized world in which Raka had no part and to which she owed no attachment.

Here she stood, in the blackened shell of a house that the next storm would bring down, looking down the ravine to the tawny plains […] She raised herself on to the tips of her toes—tall, tall as a pine—stretched out her arms till she felt the yellow light strike a spark down her fingertips and along her arms till she was alight, ablaze.

Then she broke loose, raced out on to the hillside, up the ridge, through the pines, in blazing silence.

Related Characters: Raka, Tara
Related Symbols: Animals, Burned Cottage, Ravine
Page Number: 99-100
Explanation and Analysis:
Part 2, Chapter 19 Quotes

“Oh yes, all my father’s animals lived inside. I really believe he cared for them as much as for us. Even the pangolin. You wouldn’t think anyone could be attached to that hard, scaly creature, always curled up inside its armour, but somehow my father was. He admired it, you see—he admired anything uncommon, extraordinary…”

As she murmured on, touching the knives and forks on the table, her eyes wandering in a kind of grey thicket of dreams, the child squirmed, looked over her shoulder at the window, at the sun glistening on the knoll, the pine boughs dipping as the parrots sprang on them, screaming, and longed to get away. She could not understand this new talkativeness of her great-grandmother’s who had preferred, till lately, not to talk to her at all, nor had wanted to be talked to. Now she was unable to stop.

Related Characters: Nanda Kaul (speaker), Raka, Father
Related Symbols: Animals
Page Number: 106
Explanation and Analysis:
Part 3, Chapter 12 Quotes

The last of the light had left the valley. It was already a deep violet and only the Kasauli ridge, where Carignano stood invisibly, was still bright with sunlight, russet and auburn, copper and brass. An eagle took off from the peak of Monkey Point, lit up like a torch in the sky, and dropped slowly down into the valley, lower and lower, till it was no more than a sere leaf, a scrap of burnt paper, drifting on currents of air, silently.

Related Characters: Nanda Kaul , Ila Das
Related Symbols: Animals
Page Number: 153
Explanation and Analysis:
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Fire on the Mountain PDF

Animals Symbol Timeline in Fire on the Mountain

The timeline below shows where the symbol Animals appears in Fire on the Mountain. The colored dots and icons indicate which themes are associated with that appearance.
Part 1, Chapter 1 
The Nature of Freedom  Theme Icon
Female Oppression  Theme Icon
...up a fallen apricot and inspects it. It’s bruised, and when she discards it, a hoopoe swoops down and snatches it up. The hoopoe and its shrilly screaming fledglings nest under... (full context)
Part 1, Chapter 4
The Nature of Freedom  Theme Icon
...fruits in the garden: the apricots ripening on the trees, the potted geraniums and fuchsias. Birds swoop through the garden and she can hear the steady drone of cicadas. Nanda’s eyes... (full context)
Part 1, Chapter 5
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
Trauma and Suffering Theme Icon
Female Oppression  Theme Icon
...isn’t even allowed to enjoy her hard-earned solitude. She wishes to be free, like the eagles soaring high above the hills. But she fears that she is stuck in a domestic... (full context)
Part 1, Chapter 7
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
Female Oppression  Theme Icon
...and unbothered by the incessant buzzing of flies and cicadas or the brief quarrel of parrots in the trees. Nanda Kaul has been practicing this stillness for decades; she started when... (full context)
Part 2, Chapter 1
The Nature of Freedom  Theme Icon
...pine tree. She hears the incessant sound of the cicadas and catches sight of the hoopoes darting among the branches of the apricot trees. She and Nanda Kaul embrace coldly. (full context)
Part 2, Chapter 3
Class and Privilege  Theme Icon
...all—once. He warns her to stay away from the gorge because the factory’s refuse attracts jackals and often infects them with rabies, too. (full context)
Part 2, Chapter 5
The Nature of Freedom  Theme Icon
Trauma and Suffering Theme Icon
...ravine, fascinated by the trash that clogs it. One day, she finds a giant yellow snake sunning on a rock. She stands and looks at it for a long time before... (full context)
Part 2, Chapter 6
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
...Ram Lal as he heats water for her afternoon bath. She tells him about the snake—it’s a rat snake, he tells her—and the interesting things she sees in the ravine. She... (full context)
Part 2, Chapter 7
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
The sound of monkeys squabbling in the treetops interrupts Nanda Kaul’s tour-guide patter, and for a moment she and... (full context)
Part 2, Chapter 8
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
...below. But her resentment seems to blow away in the wind, and the sight of eagles circling on the warm currents of air over the plains far below rallies her. With... (full context)
Part 2, Chapter 9
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
Female Oppression  Theme Icon
Nanda Kaul and Raka sit in tense silence for several moments as Raka watches the hoopoe nest in the eaves of the house. Every day since her arrival, she had watched... (full context)
Part 2, Chapter 11
Honesty and Self-Reflection Theme Icon
Trauma and Suffering Theme Icon
...her mother Tara. She can almost hear her mother crying—then she realizes she hears a jackal crying in the ravine. She veers uphill toward Carignano. (full context)
Part 2, Chapter 13
The Nature of Freedom  Theme Icon
Trauma and Suffering Theme Icon
Suddenly, a band of langur monkeys tears into the garden, swarming the fruit trees, throttling the hydrangea flowers, and invading the... (full context)
Part 2, Chapter 15
The Nature of Freedom  Theme Icon
On a windy afternoon, Raka sits on the top of the knoll watching ring-nosed parakeets cracking into pinecones. When she joins Nanda Kaul on the verandah for tea, Nanda Kaul... (full context)
Part 2, Chapter 18
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
Trauma and Suffering Theme Icon
...landowners from their own building project. No one comes here except Raka and the wild cuckoos who scavenge the sere places for food and who beckon Raka to join them in... (full context)
Part 2, Chapter 19
The Nature of Freedom  Theme Icon
Class and Privilege  Theme Icon
Female Oppression  Theme Icon
...fruits her father cultivated. Desperate to keep Raka’s attention, Nanda Kaul drones on, describing the animals her father kept: a Himalayan bear that grew too big for its cage but too... (full context)
Part 2, Chapter 20
The Nature of Freedom  Theme Icon
Honesty and Self-Reflection Theme Icon
...telling long stories again, the words spilling out in a great flood. She describes the animals she kept when her children were young: dogs, monkeys, and horses. She’s so wrapped up... (full context)
Part 2, Chapter 21
Honesty and Self-Reflection Theme Icon
...stands to look out over the distant plains, then sits back down to watch the hoopoe strutting under the apricot trees. She thinks with disgust about the things she added to... (full context)