Bernard Character Analysis

I let my eyes wander over the scene—the well-worn furniture, the two-year-old calendar, the fading photographs, the blue ceramic cherubs that sat on linen doilies. It was just like the apartments in Altgeld, I realized. The same chain of mothers and daughters and children. The same noise of gossip and TV. The perpetual motion of cooking and cleaning and nursing hurts large and small. The same absence of men.

Without power for the group, a group larger, even, than an extended family, our success always threatened to leave others behind. And perhaps it was that fact that left me so unsettled—the fact that even here, in Africa, the same maddening patterns still held sway; [...] It was as if we—Auma, Roy, Bernard, and I—were all making it up as we went along.

“But I think also that once you are one thing, you cannot pretend that you are something else. How could he be a matatu driver, or stay out all night drinking, and also he is writing Kenya’s economic plan? A man does service for his people by doing what is right for him, isn’t this so? Not by doing what others think he should do. But my brother, although he prided himself on his independence, I also think that he was afraid of some things. Afraid of what people would say about him if he left the bar too early. That perhaps he would no longer belong with those he’d grown up with.”

I realized that who I was, what I cared about, was no longer just a matter of intellect or obligation, no longer a construct of words. I saw that my life in America—the black life, the white life, the sense of abandonment I’d felt as a boy, the frustration and hope I’d witnessed in Chicago—all of it was connected with this small plot of earth an ocean away, connected by more than the accident of a name or the color of my skin. The pain I felt was my father’s pain. My questions were my brothers’ questions. Their struggle, my birthright.

I let my eyes wander over the scene—the well-worn furniture, the two-year-old calendar, the fading photographs, the blue ceramic cherubs that sat on linen doilies. It was just like the apartments in Altgeld, I realized. The same chain of mothers and daughters and children. The same noise of gossip and TV. The perpetual motion of cooking and cleaning and nursing hurts large and small. The same absence of men.

Without power for the group, a group larger, even, than an extended family, our success always threatened to leave others behind. And perhaps it was that fact that left me so unsettled—the fact that even here, in Africa, the same maddening patterns still held sway; [...] It was as if we—Auma, Roy, Bernard, and I—were all making it up as we went along.

“But I think also that once you are one thing, you cannot pretend that you are something else. How could he be a matatu driver, or stay out all night drinking, and also he is writing Kenya’s economic plan? A man does service for his people by doing what is right for him, isn’t this so? Not by doing what others think he should do. But my brother, although he prided himself on his independence, I also think that he was afraid of some things. Afraid of what people would say about him if he left the bar too early. That perhaps he would no longer belong with those he’d grown up with.”

I realized that who I was, what I cared about, was no longer just a matter of intellect or obligation, no longer a construct of words. I saw that my life in America—the black life, the white life, the sense of abandonment I’d felt as a boy, the frustration and hope I’d witnessed in Chicago—all of it was connected with this small plot of earth an ocean away, connected by more than the accident of a name or the color of my skin. The pain I felt was my father’s pain. My questions were my brothers’ questions. Their struggle, my birthright.