Angels in America

Angels in America

by

Tony Kushner

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Millennium Approaches: Act 1, Scene 3 Quotes

Harper Pitt: I'm undecided. I feel . . . that something's going to give. It's 1985. Fifteen years till the third millennium. Maybe Christ will come again. Maybe seeds will be planted, maybe there'll be harvests then, maybe early figs to eat, maybe new life, maybe fresh blood, maybe companionship and love and protection, safety from what's outside, maybe the door will hold, or maybe . . . Maybe the troubles will come, and the end will come, and the sky will collapse and there will be terrible rains and showers of poison light, or maybe my life is really fine, maybe Joe loves me and I'm only crazy thinking otherwise, or maybe not, maybe it's even worse than I know, maybe . . . I want to know, maybe I don't. The suspense, Mr. Lies, it's killing me.
Mr. Lies: I suggest a vacation.

Related Characters: Harper Pitt (speaker), Mr. Lies (speaker), Joe Pitt
Page Number: 18
Explanation and Analysis:
Millennium Approaches: Act 1, Scene 5 Quotes

The truth restored. Law restored. That's what President Reagan's done, Harper. He says: "Truth exists and can be spoken proudly."

Related Characters: Joe Pitt (speaker), Harper Pitt, Ronald Reagan
Page Number: 26
Explanation and Analysis:
Millennium Approaches: Act 1, Scene 7 Quotes

Harper Pitt: I don't understand this. If I didn't ever see you before and I don't think I did, then I don't think you should be here, in this hallucination, because in my experience the mind, which is where hallucinations come from, shouldn't be able to make up anything that wasn't there to start with, that didn't enter it from experience, from the real world. Imagination can't create anything new, can it? It only recycles bits and pieces from the world and reassembles them into visions . . . Am I making sense right now?
Prior Walter: Given the circumstances, yes.
Harper Pitt: So when we think we've escaped the unbearable ordinariness and, well, untruthfulness of our lives, it's really only the same old ordinariness and falseness rearranged into the appearance of novelty and truth. Nothing unknown is knowable.

Related Characters: Prior Walter (speaker), Harper Pitt (speaker)
Page Number: 32-33
Explanation and Analysis:
Millennium Approaches: Act 1, Scene 8 Quotes

Harper Pitt: I'm going to have a baby.
Joe Pitt: Liar.
Harper Pitt: You liar. A baby born addicted to pills. A baby who does not dream but who hallucinates, who stares up at us with big mirror eyes and who does not know who we are.
Joe Pitt: Are you really ... ?
Harper Pitt: No. Yes. No. Yes. Get away from me. Now we both have a secret.

Related Characters: Joe Pitt (speaker), Harper Pitt (speaker)
Page Number: 41
Explanation and Analysis:
Millennium Approaches: Act 1, Scene 9 Quotes

I don't want you to be impressed. I want you to understand. This is not sophistry. And this is not hypocrisy. This is reality. I have sex with men. But unlike nearly every other man of whom this is true, I bring the guy I'm screwing to the White House and President Reagan smiles at us and shakes his hand. Because what I am is defined entirely by who I am. Roy Cohn is not a homosexual. Roy Cohn is a heterosexual man, Henry, who fucks around with guys.

Related Characters: Roy Cohn (speaker), Henry, Ronald Reagan
Page Number: 46-47
Explanation and Analysis:
Millennium Approaches: Act 2, Scene 2 Quotes

In the whole entire world, you are the only person, the only person I love or have ever loved. And I love you terribly. Terribly. That's what's so awfully, irreducibly real. I can make up anything but I can't dream that away.

Related Characters: Harper Pitt (speaker), Joe Pitt
Page Number: 52
Explanation and Analysis:
Millennium Approaches: Act 2, Scene 7 Quotes

Louis: It's not really a family, the Reagans, I read People, there aren't any connections there, no love, they don't ever even speak to each other except through their agents. [...] I think we all know what that's like. Nowadays. No connections. No responsibilities. All of us... falling through the cracks that separate what we owe to ourselves and... and what we owe to love.

Related Characters: Louis Ironson (speaker), Ronald Reagan
Page Number: 74
Explanation and Analysis:
Millennium Approaches: Act 3, Scene 2 Quotes

There are no gods here, no ghosts and spirits in America, there are no angels in America, no spiritual past, no racial past, there’s only the political, and the decoys and the ploys to maneuver around the inescapable battle of politics…

Related Characters: Louis Ironson (speaker)
Related Symbols: Angels
Page Number: 96
Explanation and Analysis:

I've thought about it for a very long time, and I still don't understand what love is. Justice is simple. Democracy is simple. Those things are unambivalent. But love is very hard. And it goes bad for you if you violate the hard law of love.

Related Characters: Belize / Norman Ariago (speaker)
Page Number: 104
Explanation and Analysis:
Millennium Approaches: Act 3, Scene 5 Quotes

Yes. Yes. You have heard of Ethel Rosenberg. Yes. Maybe you even read about her in the history books. If it wasn't for me, Joe, Ethel Rosenberg would be alive today, writing some personal-advice column for Ms. magazine. She isn't. Because during the trial, Joe, I was on the phone every day, talking with the judge— Every day, doing what I do best, talking on the telephone, making sure that timid Yid nebbish on the bench did his duty to America, to history. That sweet unprepossessing woman, two kids, boo-hoo-hoo, reminded us all of our little Jewish mamas—she came this close to getting life; I pleaded till I wept to put her in the chair. Me. I did that. I would have fucking pulled the switch if they'd have let me. Why? Because I fucking hate traitors. Because I fucking hate communists. Was it legal? Fuck legal. Am I a nice man? Fuck nice. They say terrible things about me in the Nation. Fuck the Nation. You want to be Nice, or you want to be Effective? Make the law, or subject to it. Choose.

Related Characters: Roy Cohn (speaker), Joe Pitt, Ethel Rosenberg
Page Number: 113-114
Explanation and Analysis:
Millennium Approaches: Act 3, Scene 6 Quotes

Prior: Are you... a ghost, Lou?
Louis: No. Just spectral. Lost to myself. Sitting all day on cold park benches. Wishing I could be with you. Dance with me, babe...

Related Characters: Prior Walter (speaker), Louis Ironson (speaker)
Page Number: 119
Explanation and Analysis:
Millennium Approaches: Act 3, Scene 7 Quotes

I think, if you touch me, your hand might fall off or something. Worse things have happened to people who have touched me.

Related Characters: Louis Ironson (speaker), Joe Pitt
Page Number: 122
Explanation and Analysis:

Greetings Prophet;
The Great Work begins:
The Messenger has arrived.

Related Characters: The Angel of America (speaker), Prior Walter
Related Symbols: Angels
Page Number: 125
Explanation and Analysis:
Perestroika: Act 1, Scene 1 Quotes

The Great Question before us is: Can we Change? In Time? And we all desire that Change will come.

Related Characters: Aleksii Antedilluvianovich Prelapsarianov (speaker)
Related Symbols: Perestroika, Funerals
Page Number: 137
Explanation and Analysis:
Perestroika: Act 2, Scene 1 Quotes

That ludicrous spectacle in there, just a parody of the funeral of someone who really counted. We don't; faggots; we're just a bad dream the world is having, and the real world's waking up. And he's dead.

Related Characters: Prior Walter (speaker), Belize / Norman Ariago
Related Symbols: Funerals
Page Number: 158
Explanation and Analysis:
Perestroika: Act 2, Scene 2 Quotes

Bored with His Angels, Bewitched by Humanity, In Mortifying imitation of You, his least creation, He would sail off on Voyages, no knowing where.

Related Characters: The Angel of America (speaker), Prior Walter
Related Symbols: Angels
Page Number: 170
Explanation and Analysis:

It wasn't a dream. [...] I think it really happened. I'm a prophet.

Related Characters: Prior Walter (speaker)
Related Symbols: Angels
Page Number: 159
Explanation and Analysis:
Perestroika: Act 4, Scene 2 Quotes

PRIOR: I have a hobby now: haunting people. Fuck home. You wait here. I want to meet my replacement.
(Prior goes to Joe's door, opens it, steps in.)
Oh.
JOE: Yes, can I—
PRIOR: You look just like the dummy. She's right.
JOE: Who's right?
PRIOR: Your wife.
(Pause.)
JOE: What?
Do you know my—
PRIOR: NO.
JOE: You said my wife.
PRIOR: No I didn't.
JOE: Yes you did.
PRIOR: You misheard. I'm a Prophet.
JOE: What?
PRIOR: PROPHET PROPHET I PROPHESY I HAVE SIGHT I SEE.
What do you do?
JOE: I'm a clerk.
PRIOR: Oh big deal. A clerk. You what, you file things? Well you better be keeping a file on the hearts you break, that's all that counts in the end, you'll have bills to pay in the world to come, you and your friend, the Whore of Babylon.
(Little pause)
Sorry wrong room.

Related Characters: Prior Walter (speaker), Joe Pitt (speaker)
Page Number: 224-225
Explanation and Analysis:
Perestroika: Act 4, Scene 3 Quotes

I hate America, Louis. I hate this country. It’s just big ideas, and stories, and people dying, and people like you. The white cracker who wrote the national anthem knew what he was doing. He set the word 'free' to a note so high nobody can reach it. That was deliberate. Nothing on Earth sounds less like freedom to me. You come with me to room 1013 over at the hospital, I'll show you America. Terminal, crazy and mean. I live in America, Louis, that’s hard enough, I don’t have to love it. You do that. Everybody’s got to love something.

Related Characters: Belize / Norman Ariago (speaker), Louis Ironson
Page Number: 230
Explanation and Analysis:
Perestroika: Act 5, Scene 3 Quotes

He was a terrible person. He died a hard death. So maybe... A queen can forgive her vanquished foe. It isn't easy, it doesn't count if it's easy, it's the hardest thing. Forgiveness. Which is maybe where love and justice finally meet. Peace, at last. Isn't that what the Kaddish asks for?

Related Characters: Belize / Norman Ariago (speaker), Roy Cohn
Page Number: 265-266
Explanation and Analysis:
Perestroika: Act 5, Scene 5 Quotes

If [God] ever did come back, if He ever dared to show His face, or his Glyph or whatever in the Garden again. If after all this destruction, if after all the terrible days of this terrible century, He returned to see... how much suffering His abandonment had created, if all He has to offer is death, you should sue the bastard. [...] Sue the bastard for walking out. How dare He.

Related Characters: Prior Walter (speaker)
Related Symbols: Angels
Page Number: 275-276
Explanation and Analysis:
Perestroika: Act 5, Scene 8 Quotes

I want the credit card. That's all. You can keep track of me from where the charges come from. If you want to keep track. I don't care.

Related Characters: Harper Pitt (speaker), Joe Pitt
Page Number: 282
Explanation and Analysis:
Perestroika: Act 5, Scene 9 Quotes

Nothing's lost forever. In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead. At least I think that's so.

Related Characters: Harper Pitt (speaker)
Page Number: 285
Explanation and Analysis:
Epilogue Quotes

This disease will be the end of many of us, but not nearly all, and the dead will be commemorated and will struggle on with the living, and we are not going away. We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come.

Related Characters: Prior Walter (speaker)
Page Number: 290
Explanation and Analysis:
No matches.